Excursion Contrebasse, Piano (duo) Theodore Presser Co.
Composed by Ellen Taaffe Zwilich (1939-). Premiere: Michael Cameron bass; Intern...(+)
Composed by Ellen Taaffe
Zwilich (1939-).
Premiere: Michael Cameron
bass; International
Society of Bassists
annual convention, Ithaca
College School of Music,
Ithaca, NY. Solo part
with piano reduction.
With Standard notation.
Composed 2017. Duration 6
minutes. Theodore Presser
Company #144-40702.
Published by Theodore
Presser Company
(PR.144407020).
Lament Contrebasse, Piano (duo) Theodore Presser Co.
Chamber Music Bass, Piano SKU: PR.144407040 Composed by Ellen Taaffe Zwil...(+)
Chamber Music Bass, Piano
SKU: PR.144407040
Composed by Ellen Taaffe
Zwilich. Set of Score and
Parts. With Standard
notation. 8 1 pages.
Duration 7 minutes.
Theodore Presser Company
#144-40704. Published by
Theodore Presser Company
(PR.144407040).
ISBN
9781491112274. UPC:
680160655502.
LAMEN
T was originally composed
in 1999 for solo piano,
in memory of Judith
Arron, whose visionary
goals for Carnegie Hall
were matched by her
abilities to achieve
them. The performance
challenges in LAMENT are
musical rather than
technical: finding and
projecting the line from
beginning to end; using
rubato for expressive and
formal purposes; shaping
phrases; achieving
variety of color; and
employing these
dimensions to create a
spontaneous and personal
rendering. Two piano
parts are included to
provide for solo tuning
as well as concert pitch
performance.
Concerto Contrebasse, Piano (duo) Theodore Presser Co.
Chamber Music Double Bass, Piano SKU: PR.114422770 Composed by Behzad Ran...(+)
Chamber Music Double
Bass, Piano
SKU:
PR.114422770
Composed
by Behzad Ranjbaran. Set
of Score and Parts. 52+20
pages. Duration 25
minutes. Theodore Presser
Company #114-42277.
Published by Theodore
Presser Company
(PR.114422770).
Noir Vignettes Contrebasse, Piano (duo) Theodore Presser Co.
Chamber Music Double Bass, Piano SKU: PR.114418110 For Double Bass and...(+)
Chamber Music Double
Bass, Piano
SKU:
PR.114418110
For
Double Bass and
Piano. Composed by
Stacy Garrop. Set of
Score and Parts. With
Standard notation. 24+16
pages. Duration 13
minutes. Theodore Presser
Company #114-41811.
Published by Theodore
Presser Company
(PR.114418110).
ISBN
9781491111994. UPC:
680160640423.
The
film noir genre of 1940s
cinema typically includes
a strong but flawed male
lead (often a detective),
a beautiful woman who
coerces the male into
committing murder or is a
killer herself (a
“femme
fataleâ€), and a
twisting plot line that
involves one or more
homicides. These movies
typically are shot in
black and white, with
emphasis on shadows and
light, alcohol and
cigarettes, trench coats
and fedoras. Most of the
story lines do not have
happy endings. Inspired
by this genre, NOIR
VIGNETTES consists of
four movements, each
depicting an aspect of
film noir: Murder at
Midnight, Loaded Gun,
Femme Fatale, and Last
Cigarette. String bass
parts are provided both
for standard orchestral
tuning and for solo
tuning. In the
mid-1940s, film critics
in France noticed a trend
emerging in movies from
the United States, which
they coined film noir
(which translates to
“black
filmâ€). These
movies were dark, moody,
and pessimistic,
reflecting the agitation
and anxiety present in
society following World
War II. Several
characteristics are
commonly found in many of
these movies, including a
strong but flawed male
lead (often a detective),
a beautiful woman who
either coerces the male
lead into committing
murder for her or is a
killer herself (a
“femme
fataleâ€), and a
twisting, turning plot
line that involves one or
more homicides.
Additionally, there are
several visual elements
that these movies share:
many are shot in black
and white, with great
emphasis on the use of
shadows and light;
alcohol and cigarettes
are heavily consumed by
men and women alike; and
men typically wear trench
coats and fedoras. Most
of the story lines do not
have happy endings.
Examples of film noir
include Orson
Welles’ The Lady
from Shanghai, Billy
Wilder’s Double
Indemnity, and John
Huston’s The
Maltese Falcon.NOIR
VIGNETTES for Double Bass
and Piano consists of
four movements, each
depicting a different
aspect of film noir:
Murder at Midnight,
Loaded Gun, Femme Fatale,
and Last Cigarette.This
piece was commissioned by
the University of
Illinois Research Board
on behalf of double
bassist Michael
Cameron.-Stacy
Garrop.
Bach Chorales Contrebasse, Piano (duo) Theodore Presser Co.
(For the Double Bass, with Keyboard Accompaniment). By Johann Sebastian Bach (16...(+)
(For the Double Bass,
with Keyboard
Accompaniment). By Johann
Sebastian Bach
(1685-1750). Edited by
Charles K. Hoag. Arranged
by Charles K. Hoag. For
Contrabass Solo, Piano.
Solo part with piano
reduction. Standard
notation. 8 pages.
Duration 13 minutes.
Published by Theodore
Presser Company
Stepping Out Contrebasse, Piano (duo) [Reduction] Theodore Presser Co.
(For Contrabass and Piano). By Peter Schickele. Solo instrument with accompanime...(+)
(For Contrabass and
Piano). By Peter
Schickele. Solo
instrument with
accompaniment. For
Contrabass, Piano.
Contemporary. Solo part
with piano reduction.
Standard notation.
Composed AUGUST 18 1976.
Duration 11 minutes.
Published by Theodore
Presser Company