Violin, Cello and Piano

SKU: BT.MUSM570208340

Composed by Sadie Harrison. Set (Score & Parts). 35 pages. University of York Music Press #MUSM570208340. Published by University of York Music Press (BT.MUSM570208340).

English.

Sadie Harrison 's The Bride's Journey In Three Songs And A Memory (2005) for Violin, Cello and Piano.

Piano (SATB) SKU: HU.F0571508375 Composed by Andrew Lloyd Webber. Choral. Memory SATB accompanied. Softcover Book. 12 pages. Faber Music #F0571508375. Published by Faber Music (

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115037-140

Composed by Satoshi Yagisawa. Brilliant Marches. March. Score Only. Composed 2011. 24 pages. De Haske Publications #DHP 1115037-140. Published by De Haske Publications (BT.DHP-1115037-140).

9x12 inches. English-German-French-Dut ch.

Satoshi Yagisawa is well known for his dramatic symphonic band compositions. Even though he has written relatively few marches, they are also very popular: March Willing and Able is based on a chorale while March Bou Shu is based on a Japanese folk song. The Memory of Our Native Place is a rather unusual piece for Yagisawa, as it actually closely resembles a traditional march. The piece opens with a lively fanfare and is contrasted by the following theme. The trio features a chorale-like melody.

Satoshi Yagisawa is vooral bekend van zijn dramatische orkestwerken. Marsen schreef hij nog maar weinig. Die paar die hij schreef, zijn inmiddels allemaal wel erg geliefd en populair; March Willing and Able is gebaseerd op koraalmuziek en in March Bou Shu is een Japanse volksmelodie verwerkt. Deze nieuwe mars, The Memory of Our Native Place, begint met een stralende fanfare. Daarna klinkt een innig thema. In het triodeel komt een koraalachtige melodie naar voren. Kortom: hieraan houdt uw publiek zeker een mooie herinnering!

Satos hi Yagisawa ist bekannt für seine dramatischen Blasorchesterwerke - Märsche hat er bisher nur sehr wenige, dafür aber sehr beliebte geschrieben. Zwei davon sind March Willing and Able und March Bou Shu - der eine auf choraler Musik, der andere auf einem japanischen Volkslied basierend. The Memory of Our Native Place beginnt mit einer strahlenden Fanfare, bevor ein inniges Thema erklingt. Im Trio tritt eine choralartige Melodie hervor.

The Memory of our Native Place n’est pas une marche conventionnelle, mais contient néanmoins quelques éléments standard. Elle s’ouvre avec une fanfare brillante, suivie par un thème pétillant de fraîcheur marqué par une joyeuse alternance de réponses entre bois, cuivres et cuivres graves. La mélodie chantante du trio mène fi nale haut en couleurs faisant de The Memory of our Native Place une incontournable marche de concert.

Satoshi Yagisawa ha composto oltre cento brani per fi ati, ma solamente quattro marce, tra le quali ricordiamo le acclamate March Willing and Able e March Bou Shu, la prima basata su musica corale, la seconda su una canzone folk giapponese. Con The Memory of our Native Place, Yagisawa si allontana dal suo stile poco convenzionale, componendo una marcia che si avvicina agli schemi standard. L’inizio vede protagonista una fanfara brillante, seguita da un tema più intimo. Il trio espone una melodia simile a un corale.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115037-010

Composed by Satoshi Yagisawa. Brilliant Marches. March. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115037-010. Published by De Haske Publications (BT.DHP-1115037-010).

9x12 inches. English-German-French-Dut ch.

Satoshi Yagisawa is well known for his dramatic symphonic band compositions. Even though he has written relatively few marches, they are also very popular: March Willing and Able is based on a chorale while March Bou Shu is based on a Japanese folk song. The Memory of Our Native Place is a rather unusual piece for Yagisawa, as it actually closely resembles a traditional march. The piece opens with a lively fanfare and is contrasted by the following theme. The trio features a chorale-like melody.

Satoshi Yagisawa is vooral bekend van zijn dramatische orkestwerken. Marsen schreef hij nog maar weinig. Die paar die hij schreef, zijn inmiddels allemaal wel erg geliefd en populair; March Willing and Able is gebaseerd op koraalmuziek en in March Bou Shu is een Japanse volksmelodie verwerkt. Deze nieuwe mars, The Memory of Our Native Place, begint met een stralende fanfare. Daarna klinkt een innig thema. In het triodeel komt een koraalachtige melodie naar voren. Kortom: hieraan houdt uw publiek zeker een mooie herinnering!

Satos hi Yagisawa ist bekannt für seine dramatischen Blasorchesterwerke - Märsche hat er bisher nur sehr wenige, dafür aber sehr beliebte geschrieben. Zwei davon sind March Willing and Able und March Bou Shu - der eine auf choraler Musik, der andere auf einem japanischen Volkslied basierend. The Memory of Our Native Place beginnt mit einer strahlenden Fanfare, bevor ein inniges Thema erklingt. Im Trio tritt eine choralartige Melodie hervor.

The Memory of our Native Place n’est pas une marche conventionnelle, mais contient néanmoins quelques éléments standard. Elle s’ouvre avec une fanfare brillante, suivie par un thème pétillant de fraîcheur marqué par une joyeuse alternance de réponses entre bois, cuivres et cuivres graves. La mélodie chantante du trio mène fi nale haut en couleurs faisant de The Memory of our Native Place une incontournable marche de concert.

Satoshi Yagisawa ha composto oltre cento brani per fi ati, ma solamente quattro marce, tra le quali ricordiamo le acclamate March Willing and Able e March Bou Shu, la prima basata su musica corale, la seconda su una canzone folk giapponese. Con The Memory of our Native Place, Yagisawa si allontana dal suo stile poco convenzionale, componendo una marcia che si avvicina agli schemi standard. L’inizio vede protagonista una fanfara brillante, seguita da un tema più intimo. Il trio espone una melodia simile a un corale.

Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello

SKU: PR.11441690S

String Quartet No. 3. Composed by Shulamit Ran. Sws. Contemporary. Full score. With Standard notation. Composed March 9 2013. 32 pages. Duration 23 minutes. Theodore Presser Company #114-41690S. Published by Theodore Presser Company (PR.11441690S).

UPC: 680160626021. 9 x 12 inches.

Ran's third string quartet was written for the Pacifica Quartet, who are featuring it in numerous performances from May 2014 through February 2016, across the country and abroad. Their blog page dedicated to the work also features the composer's notes, for more indepth insight. ...impassioned solos emerge from ominous quiet, and high arpeggios in the violins quiver alongside the earthy cello. Ms. Ran skillfully deploys these extremes of color, volume and pitch, yet the overall somewhat chilly impression is one of poise. -- Zachary Woolfe, The New York Times.
My third string quartet was composed at the invitation of the Pacifica Quartet, whose music-making I have come to know closely and admire hugely as resident artists at the University of Chicago.  Already in our early conversations Pacifica proposed that this quartet might, in some manner, refer to the visual arts as a point of germination.  Probing further, I found out that the quartet members had special interest in art created during the earlier part of the 20th century, perhaps between the two world wars.  It was my good fortune to have met, a short while later, while in residence at the American Academy in Rome in the fall of 2011, art conservationist Albert Albano who steered me to the work of Felix Nussbaum (1904-1944), a German-Jewish painter who, like so many others, perished in the Holocaust at a young age, and who left some powerful, deeply moving art that spoke to the life that was unraveling around him. The title of my string quartet takes its inspiration from a major exhibit devoted to art by German artists of the period of the Weimar Republic (1919-1933) titled “Glitter and Doom: German Portraits from the 1920s”, first shown at New York’s Metropolitan Museum of Art in 2006-07.  Nussbaum would have been a bit too young to be included in this exhibit.  His most noteworthy art was created in the last very few years of his short life.  The exhibit’s evocative title, however, suggested to me the idea of “Glitter, Doom, Shards, Memory” as a way of framing a possible musical composition that would be an homage to his life and art, and to that of so many others like him during that era.  Knowing that their days were numbered, yet intent on leaving a mark, a legacy, a memory, their art is triumph of the human spirit over annihilation. Parallel to my wish to compose a string quartet that, typically for this genre, would exist as “pure music”, independent of a narrative, was my desire to effect an awareness in my listener of matters which are, to me, of great human concern.  To my mind there is no contradiction between the two goals.  As in several other works composed since 1969, this is my way of saying ‘do not forget’, something that, I believe, can be done through music with special power and poignancy.    The individual titles of the quartet’s four movements give an indication of some of the emotional strands this work explores. 1) “That which happened” (das was geschah) – is how the poet Paul Celan referred to the Shoah – the Holocaust.  These simple words served for me, in the first movement, as a metaphor for the way in which an “ordinary” life, with its daily flow and its sense of sweet normalcy, was shockingly, inhumanely, inexplicably shattered. 2) “Menace” is a shorter movement, mimicking a Scherzo.  It is also machine-like, incessant, with an occasional, recurring, waltz-like little tune – perhaps the chilling grimace we recognize from the executioner’s guillotine mask.  Like the death machine it alludes to, it gathers momentum as it goes, and is unstoppable. 3) â� ��If I must perish - do not let my paintings die”; these words are by Felix Nussbaum who, knowing what was ahead, nonetheless continued painting till his death in Auschwitz in 1944.  If the heart of the first movement is the shuddering interruption of life as we know it, the third movement tries to capture something of what I can only imagine to be the conflicting states of mind that would have made it possible, and essential, to continue to live and practice one’s art – bearing witness to the events.  Creating must have been, for Nussbaum and for so many others, a way of maintaining sanity, both a struggle and a catharsis – an act of defiance and salvation all at the same time. 4) “Shards, Memory” is a direct reference to my quartet’s title.  Only shards are left.  And memory.  The memory is of things large and small, of unspeakable tragedy, but also of the song and the dance, the smile, the hopes.  All things human.  As we remember, in the face of death’s silence, we restore dignity to those who are gone.—Shulamit Ran .

By Nicholas Maw (1935-). For Guitar. Classical Guitar Solo; Masterworks; Sheet; Solo. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Orchestra String Orchestra

SKU: PE.EP14581

For String Orchestra. Composed by Clara Iannotta. String Orchestra. Peters Contemporary Library. Classical; Contemporary. Book. 36 pages. Edition Peters #98-EP14581. Published by Edition Peters (PE.EP14581).

ISBN 9790014137175.

< em>Memory jolts. Flashes of pink in the brain. by Clara Iannotta is a 17-minute work for string orchestra. Written for the non bthvn project of the Cologne Philharmonic, the work reflects Beethoven's hearing loss and the unbearable condition when his ears began to buzz and roar. The title describes the memory jolts that take place in the inner ear.

Memory jolts. Flashes of pink in the brain. was premiered by Ensemble Resonanz on 31 October 2021 at the Philharmonic Hall Cologne.

The full score (EP 14581) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Chamber Music Cello

SKU: PR.114418590

For solo Cello. Composed by Chen Yi. -. Score. With Standard notation. 4 pages. Duration 3:30. Theodore Presser Company #114-41859. Published by Theodore Presser Company (PR.114418590).

ISBN 9781491111499. UPC: 680160642670. 9x12 inches.

Written originally for solo violin (114-41410), Chen Yi's memorial to a favorite teacher captures the depths of loss, the power of Memory. The piece was adapted for solo flute (114-41787) by Mary Holzhausen, and is now arranged for solo cello by the composer.________________ ______________________Tex t from the scanned back cover:MEMORY for solo CelloChen Yi has created a solo cello version of this plaintive memorial work, originally for solo violin – the instrument in which composer Chen Yi was trained as a performer. The composer provides this program note: “Dear Professor Lin: I wish you could hear the tune in Memory, which sounds like my painful cry out of your name in our Cantonese dialect. I expressed my deep sorrow in the music, to remember your fatherly mentorship. Your meaningful smile will always be with usencouragingly.”.< /p>

Chamber Music Bass Clarinet, Flute, Piano, Violin, soprano voice

SKU: PR.161000810

For Mezzo-Soprano, Flute, Bass Clarinet, Violin, and Piano. Composed by Peter Schickele. Premiere: Composers Circle (W. 72nd St., NYC). Contemporary. Set of Score and Parts. With Standard notation. Composed May 27 1963. 32+4+4+4+4 pages. Duration 7 minutes. Theodore Presser Company #161-00081. Published by Theodore Presser Company (PR.161000810).

UPC: 680160598823.

An earlier work by a young Schickele, The Flow of Memory is a glimpse of what might have been, had the composer not developed into a different voice. Atonal and a-tempo, the work is crafted for five almost individual performances by the ensemble, each of whom proceeds in their own tempo, according to Schickele. The phrases surface and disappear, as fleeting as memory itself. For advanced performers. Duration: c. 7'.

Concert Band/Harmonie - Grade 3

SKU: BT.1160-04-010-MS

Composed by Andrew Lloyd Webber. Arranged by Naohiro Iwai. New Sounds for Concert Band. TV-Film-Musical-Show. Set (Score & Parts). Composed 2004. Music Sales #1160-04-010 MS. Published by Music Sales (BT.1160-04-010-MS).

The award-winning musical Cats by Andrew Lloyd Webber has beenperformed all over the world and is now the longest running musical inLondon and on Broadway. The romantic song Memory, with its beautiful melody, is a real classic. In this touching arrangement by Naohiro Iwai the alto saxophone shines as a solo instrument. A magnificent piece for your next concert.

Das mehrfach preisgekrönte Musical Cats von Andrew Lloyd Webber wurde weltweit aufgeführt und ist das mittlerweile am längsten laufende Musical in London und am Broadway. Das romantische Memory ist wohl das populärste Lied daraus. Naohiro Iwais gefühlvolle Bearbeitung ist ganz dem Altsaxophon als Soloinstrument gewidmet und wird auch Ihr Publikum in seinen Bann ziehen.

SKU: HL.51488045

Henle Music Folios. Games/Activities. General Merchandise. G. Henle #HN8045. Published by G. Henle (HL.51488045).

UPC: 196288166405. 8.5x6.25x3.0 inches.

Musical instruments – The Memory Game Find the paired cards in this extraordinary memory game, exclusively available from G. Henle Publishers! Each pair of cards placed side by side shows a musical instrument. With 44 pairs of pictures (88 cards) in a very userfriendly storage tray of a sturdy, high-quality box with magnetic latch (21.7 × 16.0 × 7.6 cm). Includes image captions and game instructions. For 2-8 players aged 8 years and up.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
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• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Chamber Music Bass Clarinet, Flute, Piano, Violin, soprano

SKU: PR.16100081S

For Mezzo-Soprano, Flute, Bass Clarinet, Violin, and Piano. Composed by Peter Schickele. Premiere: Composers Circle (W. 72nd St., NYC). Contemporary. Score. With Standard notation. Composed May 27 1963. Duration 7 minutes. Theodore Presser Company #161-00081S. Published by Theodore Presser Company (PR.16100081S).

UPC: 680160598847.

An earlier work by a young Schickele, The Flow of Memory is a glimpse of what might have been, had the composer not developed into a different voice. Atonal and a-tempo, the work is crafted for five almost individual performances by the ensemble, each of whom proceeds in their own tempo, according to Schickele. The phrases surface and disappear, as fleeting as memory itself. For advanced performers. Duration: c. 7'.

SKU: LO.99-2959H

Composed by Ruth Elaine Schram. Choral. Concert. Performance/accompaniment CD. Heritage Music Press #99/2959H. Published by Heritage Music Press (LO.99-2959H).

UPC: 000308131413.

Writt en in loving memory of her father and based on a cherished childhood memory, this original selection by Ruthie Schram is a tender and unique portrayal of love and loss. Lovely melodies adeptly illustrate poetic images of autumn's bold and brilliant colors juxtaposed with the gray of winter. The addition of the optional bell part enhances the shimmering texture of this unforgettable piece.

SKU: GI.G-1007

Music for Reflection and Meditation. Blest Are Those Who Mourn. Classical. GIA Publications #1007. Published by GIA Publications (GI.G-1007).

UPC: 785147000723.

In Memory: Music for Reflection and Meditation is a collection of piano and instrumental music intended to soothe frayed nerves, comfort broken hearts, uplift shattered souls, or calm worried minds. Each music selection was chosen for its ability to foster a peaceful, gentle environment whether for gatherings or moments of private prayer and reflection. Use In Memory for quiet music at the funeral home, during reconciliation services, or anytime a more solemn atmosphere is desired.

Piano, Vocal and Guitar

SKU: BT.MUSRUG37499

Composed by Andrew Lloyd Webber. TV-Film-Musical-Show. Book Only. 96 pages. Really Useful Group #MUSRUG37499. Published by Really Useful Group (BT.MUSRUG37499).

ISBN 9781846098437.

For the first time ever, a unique collection of timeless classics - old and new - recorded by true divas from the musicals of Andrew Lloyd Webber. This incredible collection includes Don't Cry For Me Argentina, Memory, I Don't Know How To Love Him, The Music Of The Night and many more. All songs are specially arranged for Piano, Voice, and Guitar.

Composed by Carl Schalk. Octavo. Augsburg Fortress #9781506465593. Published by Augsburg Fortress

SATB choir, piano accompaniment, fiddle - Early intermediate

SKU: GI.WJMS1174

Composed by Thomas LaVoy. Concert, School. Jo-Michael Scheibe Choral Series. Classical. Octavo. 16 pages. Walton Music #WJMS1174. Published by Walton Music (GI.WJMS1174).

UPC: 785147017868. English. John Greenleaf Whittier (1807-1892).

A favorite track from the University of Aberdeen Chamber Choir recording of the same name, The Immortal Memory is a beautiful setting of Whittier's vivid poem. The piano accompaniment offers lovely, driving support, and the optional fiddle adds to the imagery of the Scottish landscape found in the poem. Jo-Michael Scheibe Choral Series. Downloadable Fiddle Part.

Violin & piano (Solo)

SKU: OU.9780193451551

Composed by Michael Berkeley. Violin & Piano. 16 pages. Duration 6'. Oxford University Press #9780193451551. Published by Oxford University Press (OU.9780193451551).

ISBN 9780193451551. 12 x 8 inches.

For violin and piano The composer writes: 'Persistent Memory is a little six minute drama . . . although the piano begins as the more aggressive partner and triggers the violin into animation, it is in fact the piano that finally provides a note of resolution, or at least, partial resolution.'.

Put memory away by Bob Chilcott. For SATB choir and piano/brass and percussion (piano, electric or string bass, 5 trumpet (1 flugelhorn), 2 trombone, 1 bass trombone, tuba, 2 percussion). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 3.5'. Published by Oxford University Press

(Tenor Sax)

SKU: HL.50602174

Woodwind. Softcover. Hal Leonard #NOV958837. Published by Hal Leonard (HL.50602174).

ISBN 9781540070975. UPC: 888680978983.

Grade 3

SKU: CL.LDP-7178-01

Composed by Golemo. Concert Band. Extra full score. Composed 2012. Daehn Publications #LDP-7178-01. Published by Daehn Publications (CL.LDP-7178-01).

This bright work is a celebratory overture based on a three-note motive. This unique In Memory piece is truly a celebration of life.