For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
32 Quartets That Can Be Played by Any Combination of String Instruments. Compose...(+)
32 Quartets That Can Be
Played by Any Combination
of String Instruments.
Composed by Bernard De La
Monnoye, Christopf Von
Gluck, etc., J. Spilman,
Spiritual American, Willy
Geisler, Stephen Foster
(1826-1864), Edvard Grieg
(1843-1907), Engelbert
Humperdinck (1854-1921),
French carol,
Traditional, English Folk
Song, American Folk Hymn,
Henry Carey, and
Catalonian Carol.
Arranged by Doris Gazda.
SWS. Back To School.
Book. With Standard
notation. Carl Fischer
Music #BF72. Published by
Carl Fischer Music
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
Progressive Etudes for Study and Performance. Edited by Alan Raph. Arrang...(+)
Progressive Etudes for
Study and
Performance. Edited
by Alan Raph. Arranged by
Alan Raph. Contemporary.
Score and part(s). With
Standard notation. 32
pages. Carl Fischer
#WF00203. Published by
Carl Fischer (CF.WF203).
Choral (Performance/Accompanimen t CD) SKU: HL.9971498 Salsa Music Sty...(+)
Choral
(Performance/Accompanimen
t CD)
SKU:
HL.9971498
Salsa
Music Styles for the
Classroom & Beyond.
Composed by Alejandro
Jimenez. ExpressiveArts.
Collection, Elementary,
Instruments,
Multicultural, Orff. CD
only. Published by Hal
Leonard (HL.9971498).
ISBN 9781617742866.
UPC: 884088545369. 4.75x5
inches.
Hola
Amigos! Experience
authentic music styles of
the
Afro-Spanish-Caribbean by
Puerto Rican-born author
& bi-lingual educator,
Alejandro Jimenez.
Connect with educational
philosophies and cultural
backgrounds of the
Spanish Caribbean to
understand how they
influenced the music of
that area. Learn how
song, dance, rhythmic
instruments and drama all
come together to help
build confidence and
promote personal
expression. Originally
developed and used in
urban, multi-cultural
settings here in the
United States, the works
featured in Picante are
for all general music
classes. Students form
their own Latin Music
ensembles and explore the
highly rhythmic beat of
the plena from Puerto
Rico, the regueton which
is popular among urban
Latino youth, the fast
two-step beat of the
merengue from the
Dominican Republic, the
bomba from Puerto Rican
folk music, and the son
from Cuban dance music.
These different styles
influenced what we now
call Salsa music. The
kid-friendly ensembles
have been written for
Grades 5-9 and are
presented from easy to
more difficult. A variety
of short, easily-learned
ostinato rhythm patterns
are played on Latin
percussion and Orff
instruments and added one
at a time, followed by
the Spanish and English
lyrics. These voice parts
are also made up of short
ostinato patterns that,
when layered in, create
easily-sung harmonies in
an instant! You can
perform all or some of
the voice parts, so do
what best fits your
situation. A helpful
teaching sequence, dance
steps and objectives
linked to the National
Standards are provided
for each song, and all
ensemble parts are
reproducible! The
piano/vocal printed score
represents the form of
each song as recorded on
the companion CD, and is
only a suggested guide to
follow. Encourage your
students to be creative
and make up their own
song form! Available
separately: Teacher
Edition (with
reproducible pages),
Performance/Accompaniment
CD, Classroom Kit
(Teacher and P/A CD).
Suggested for grades
5-9.
By George Gershwin and Ira Gershwin. Arranged by Dave Wolpe. Music and lyrics by...(+)
By George Gershwin and
Ira Gershwin. Arranged by
Dave Wolpe. Music and
lyrics by George Gershwin
and Ira Gershwin / arr.
Dave Wolpe. For Jazz
Ensemble. Jazz Ensemble.
Conductor Score. 20
pages. Published by
Alfred Publishing.
By Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier; Sylvie B...(+)
By Jean-Philippe Rameau
(1683-1764). Edited by
Jean-Paul C. Montagnier;
Sylvie Bouissou. For Low
Voice, High Voice, Alto
Solo, Violin 1 (Flute),
Violin 2, Basso Continuo/
Bass Viola Da Gamba.
Opera Omnia OOR III.1.
Score; Set of Parts
(paperbound). Published
by Baerenreiter Verlag
Flute - easy SKU: BT.DHP-1185911-404 Flute. Arranged by Markus Sch...(+)
Flute - easy
SKU:
BT.DHP-1185911-404
Flute. Arranged by
Markus Schenk. Look,
Listen and Learn.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2018. 33 pages.
De Haske Publications
#DHP 1185911-404.
Published by De Haske
Publications
(BT.DHP-1185911-404).
ISBN 9789043154710.
English.
Look,
Listen and Learn has
set the standard for
contemporary brass and
woodwind teaching. These
exciting method book/CD
packs for beginners
engage students and
develop their
understanding of music
and their instrument
through songs, puzzles,
games and lots of fun
pieces to play. Three
progressive method books
form the basis of the
series, enhanced by
several corresponding
supplementary volumes.
Some of the most
beautiful melodies from
the world of music
theatre over the last
several decades are
collected together in
Play Musicals.
They have been arranged
in increasing order of
difficulty in such a way
that they can be used in
conjunction with all
three volumes ofLook,
Listen and Learn.
Students can also play
along to the provided
accompaniment tracks
which are available to
download or stream.
Clarinet - easy SKU: BT.DHP-1185913-404 Clarinet. Arranged by Mark...(+)
Clarinet - easy
SKU:
BT.DHP-1185913-404
Clarinet. Arranged
by Markus Schenk. Look,
Listen and Learn.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2018. 36 pages.
De Haske Publications
#DHP 1185913-404.
Published by De Haske
Publications
(BT.DHP-1185913-404).
ISBN 9789043154734.
English.
Look,
Listen & Learn has
set the standard for
contemporary brass and
woodwind teaching. These
exciting method book/CD
packs for beginners
engage students and
develop their
understanding of music
and their instrument
through songs, puzzles,
games and lots of fun
pieces to play. Three
progressive method books
form the basis of the
series, enhanced by
several corresponding
supplementary volumes.
Some of the most
beautiful melodies from
the world of music
theatre over the last
several decades are
collected together in
Play Musicals.
They have been arranged
in increasing order of
difficulty in such a way
that they can be used in
conjunction with all
three volumes ofLook,
Listen & Learn.
Students can also play
along to the provided
accompaniment tracks
which are available to
download or stream.
Alto Saxophone.
Arranged by Markus
Schenk. Look, Listen and
Learn.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2018. 36 pages.
De Haske Publications
#DHP 1185914-404.
Published by De Haske
Publications
(BT.DHP-1185914-404).
ISBN 9789043154741.
English.
Look,
Listen and Learn has
set the standard for
contemporary brass and
woodwind teaching. These
exciting method book/CD
packs for beginners
engage students and
develop their
understanding of music
and their instrument
through songs, puzzles,
games and lots of fun
pieces to play. Three
progressive method books
form the basis of the
series, enhanced by
several corresponding
supplementary volumes.
Some of the most
beautiful melodies from
the world of music
theatre over the last
several decades are
collected together in
Play Musicals.
They have been arranged
in increasing order of
difficulty in such a way
that they can be used in
conjunction with all
three volumes ofLook,
Listen and Learn.
Students can also play
along to the provided
accompaniment tracks
which are available to
download or stream.
Bb
Trumpet/Cornet/Flugel
Horn/Baritone/Euphonium
TC. Arranged by
Markus Schenk. Look,
Listen and Learn.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2018. 36 pages.
De Haske Publications
#DHP 1185916-404.
Published by De Haske
Publications
(BT.DHP-1185916-404).
ISBN 9789043154765.
English.
Look,
Listen & Learn has
set the standard for
contemporary brass and
woodwind teaching. These
exciting method book/CD
packs for beginners
engage students and
develop their
understanding of music
and their instrument
through songs, puzzles,
games and lots of fun
pieces to play. Three
progressive method books
form the basis of the
series, enhanced by
several corresponding
supplementary volumes.
Some of the most
beautiful melodies from
the world of music
theatre over the last
several decades are
collected together in
Play Musicals.
They have been arranged
in increasing order of
difficulty in such a way
that they can be used in
conjunction with all
three volumes ofLook,
Listen & Learn.
Students can also play
along to the provided
accompaniment tracks
which are available to
download or stream.
Trombone BC - easy SKU: BT.DHP-1185918-404 C Trombone BC. Arranged...(+)
Trombone BC - easy
SKU:
BT.DHP-1185918-404
C Trombone BC.
Arranged by Markus
Schenk. Look, Listen and
Learn.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2018. 36 pages.
De Haske Publications
#DHP 1185918-404.
Published by De Haske
Publications
(BT.DHP-1185918-404).
ISBN 9789043154789.
English.
Look,
Listen and Learn has
set the standard for
contemporary brass and
woodwind teaching. These
exciting method book/CD
packs for beginners
engage students and
develop their
understanding of music
and their instrument
through songs, puzzles,
games and lots of fun
pieces to play. Three
progressive method books
form the basis of the
series, enhanced by
several corresponding
supplementary volumes.
Some of the most
beautiful melodies from
the world of music
theatre over the last
several decades are
collected together in
Play Musicals.
They have been arranged
in increasing order of
difficulty in such a way
that they can be used in
conjunction with all
three volumes ofLook,
Listen and Learn.
Students can also play
along to the provided
accompaniment tracks
which are available to
download or stream.
Solo voice and keyboard SKU: HH.HH604-FSC Composed by Henry Holcombe. Edi...(+)
Solo voice and keyboard
SKU: HH.HH604-FSC
Composed by Henry
Holcombe. Edited by
Michael Talbot. Full
score. Edition HH Music
Publishers #HH604-FSC.
Published by Edition HH
Music Publishers
(HH.HH604-FSC).
ISBN
9790708213192.
Henr
y Holcombe (1690–1756),
born in Chester as the
son of a silk weaver,
became between 1720 and
his death one of the
leading English composers
in small-scale forms,
mainly vocal but also
instrumental. Most of his
vocal compositions are
short, strophic songs,
but each of his two major
song collections – The
Garland (1748) and The
Musical Medley (1755) –
contains a work in
several movements
describable as a chamber
cantata. This volume
brings together
Holcombe’s four
cantatas, which are very
attractive melodically
and fine examples of a
kind of music widely
cultivated in English
domestic music-making
during most of the
eighteenth century. They
can be performed by voice
and keyboard alone, but
the option also exists to
use a violin and/or a
cello in addition.
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 0.5
SKU:
CF.PAS22
Composed by
Larry Clark. Primer
String Orchestra. Set of
Score and Parts. With
Standard notation.
8+2+5+5+5+3+8+8 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #PAS22. Published
by Carl Fischer Music
(CF.PAS22).
ISBN
9781491151204. UPC:
680160908707. 9 x 12
inches. Key: D
major.
Written for
beginning string
students, Larry Clark's
Contemplation?contains
basic compositional
techniques that students
will be able to identify
and learn from. It begins
with a rich, melodic
opening which highlights
students' musicianship.
This is then contrasted
by the frolicking,
uptempo section, which is
a variation on the
original musical
material.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.As with all of
my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
Larry
Clark
Lakeland, FL
2018
.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.A To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.A As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.A The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.A The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.A As with all
of my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
aLarry
Clark
Lakeland, FL
2018
.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.A To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.A As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.A The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.A The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.A As with all
of my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
aLarry
Clark
Lakeland, FL
2018
.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.As with all of
my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
--Larry
Clark
Lakeland, FL
2018
. Conte
mplation: the action to
look thoughtfully at
something for a long
time. When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative manner. To
me this is the essence of
music: playing in an
emotional and thoughtful
way. It is something that
cannot be stressed
enough, even in students
that have just begun to
play. As soon as possible
they should be asked to
put themselves into the
music and make it more
than the notes and
rhythms on the page. This
piece is my attempt to
provide very young
students who are just
beginning their musical
journey with something
they can reach
technically, but have to
stretch for musically.
The notes and rhythms are
limited, but students
should strive for beauty
of tone, good phrasing
and emotional
involvement. After a
short introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns. The
piece can serve to show
students that the same
basic music can have an
entirely different
emotional connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature. As with all of my
pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students. It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your program. --Larry
Clark Lakeland, FL
2018. Contemplation:
the action to look
thoughtfully at something
for a long time.When
composing music that will
be used with younger
students, I want to
stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative manner.Â
To me this is the essence
of music: playing in an
emotional and thoughtful
way. It is something that
cannot be stressed
enough, even in students
that have just begun to
play. As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically. The notes
and rhythms are limited,
but students should
strive for beauty of
tone, good phrasing and
emotional
involvement.After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns. The
piece can serve to show
students that the same
basic music can have an
entirely different
emotional connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature. As with all of
my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.It has been
my pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
Composed by Larry Clark.
Primer String Orchestra
(PAS). Full score. With
Standard notation. 8
pages. Carl Fischer Music
#PAS22F. Published by
Carl Fischer Music
(CF.PAS22F).
ISBN
9781491151570. UPC:
680160909070. 9 x 12
inches.
Written for
beginning string
students, Larry Clark's
Contemplation?contains
basic compositional
techniques that students
will be able to identify
and learn from. It begins
with a rich, melodic
opening which highlights
students' musicianship.
This is then contrasted
by the frolicking,
uptempo section, which is
a variation on the
original musical
material.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.As with all of
my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
Larry
Clark
Lakeland, FL
2018
.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.A To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.A As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.A The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.A The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.A As with all
of my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
aLarry
Clark
Lakeland, FL
2018
.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.A To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.A As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.A The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.A The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.A As with all
of my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
aLarry
Clark
Lakeland, FL
2018
.
Contemplation:
the action to look
thoughtfully at something
for a long
time.
When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner.To me this is
the essence of music:
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play.As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.
This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically.The notes and
rhythms are limited, but
students should strive
for beauty of tone, good
phrasing and emotional
involvement.
After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns.The piece can
serve to show students
that the same basic music
can have an entirely
different emotional
connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature.As with all of
my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.
It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
--Larry
Clark
Lakeland, FL
2018
. Conte
mplation: the action to
look thoughtfully at
something for a long
time. When composing
music that will be used
with younger students, I
want to stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative manner. To
me this is the essence of
music: playing in an
emotional and thoughtful
way. It is something that
cannot be stressed
enough, even in students
that have just begun to
play. As soon as possible
they should be asked to
put themselves into the
music and make it more
than the notes and
rhythms on the page. This
piece is my attempt to
provide very young
students who are just
beginning their musical
journey with something
they can reach
technically, but have to
stretch for musically.
The notes and rhythms are
limited, but students
should strive for beauty
of tone, good phrasing
and emotional
involvement. After a
short introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns. The
piece can serve to show
students that the same
basic music can have an
entirely different
emotional connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature. As with all of my
pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students. It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your program. --Larry
Clark Lakeland, FL
2018. Contemplation:
the action to look
thoughtfully at something
for a long time.When
composing music that will
be used with younger
students, I want to
stimulate in them
thoughtfulness. In this
particular piece I want
the students to be be
able to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative manner.Â
To me this is the essence
of music: playing in an
emotional and thoughtful
way. It is something that
cannot be stressed
enough, even in students
that have just begun to
play. As soon as
possible they should be
asked to put themselves
into the music and make
it more than the notes
and rhythms on the
page.This piece is my
attempt to provide very
young students who are
just beginning their
musical journey with
something they can reach
technically, but have to
stretch for
musically. The notes
and rhythms are limited,
but students should
strive for beauty of
tone, good phrasing and
emotional
involvement.After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme featuring the lower
voices, before the piece
leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns. The
piece can serve to show
students that the same
basic music can have an
entirely different
emotional connection with
difference in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature. As with all of
my pieces for younger
students, it is
completely acceptable to
adjust the tempo to fit
the educational needs of
your students.It has been
my pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
By Steven Kapp Perry. Text: Steven Kapp Perry / Brad Wilcox. For Cantata. Publis...(+)
By Steven Kapp Perry.
Text: Steven Kapp Perry /
Brad Wilcox. For Cantata.
Published by Jackman
Music Corporation.
Level: Medium /
Medium-Difficult
(accompaniment).
A Gershwin Tribute to Love Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: 'S Wonderful / Love Is Here to Stay / They Can't Take ...(+)
(Featuring: 'S
Wonderful /
Love Is Here to Stay /
They
Can't Take That Away
from Me
/ Embraceable You).
Composed
by George and Ira
Gershwin.
Arranged by Brent
Heisinger.
Concert Band. Concert
Band;
Part(s); Score. Alfred
Concert Band. Form:
Medley.
Love; Masterwork
Arrangement; Standard.
Grade
4.5. 316 pages. Published
by
Alfred Music
Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Mark Hay...(+)
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Mark Hayes.
Performance Music
Ensemble;
Single Titles. Alfred Pop
Choral Series. Great
American
Songbook; Jazz; Secular;
Standard. Choral Octavo.
12
pages. Alfred Music #00-
48847. Published by
Alfred
Music
By George Gershwin and Ira Gershwin. Arranged by Kirby Shaw. For Choir. (SATB)....(+)
By George Gershwin and
Ira Gershwin. Arranged by
Kirby Shaw. For Choir.
(SATB). Choral Octavo.
Standard Library Series.
Level: Moderate (grade
III). Choral Octavo. 12
pages. Published by
Alfred Publishing.
By Ira Gershwin, George Gershwin. Arranged by Dave Wolpe. Music and lyrics by Ge...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Dave Wolpe. Music and
lyrics by George Gershwin
and Ira Gershwin / arr.
Dave Wolpe. For Jazz
Ensemble. (Vocal
Feature). Jazz Ensemble.
Jazz Vocal Series. Level:
3.5 (Medium) (grade 3.5).
Conductor Score and
Parts. 82 pages. Duration
3:04. Published by Alfred
Publishing.
Arranged by Warren Barker. Arr. Warren Barker. For Opt. E-Flat or B-Flat Solo In...(+)
Arranged by Warren
Barker. Arr. Warren
Barker. For Opt. E-Flat
or B-Flat Solo
Instrument. (Vocal
Soloist). Concert Band.
Pop Symphonic Band.
Level: Medium (grade IV).
Conductor Score and
Parts. 250 pages.
Published by Alfred
Publishing.
By Ira Gershwin, George Gershwin. Arranged by Mark Hayes. For Choir. (SAB). Cho...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Mark Hayes. For Choir.
(SAB). Choral Octavo. Pop
Choral. Choral Octavo. 12
pages. Published by
Alfred Publishing.
Arranged by Warren Barker. Arr. Warren Barker. For Concert Band. Concert Band. P...(+)
Arranged by Warren
Barker. Arr. Warren
Barker. For Concert Band.
Concert Band. Pop
Symphonic Band. Level: 4
(Medium) (grade 4).
Conductor Score. 20
pages. Published by
Alfred Publishing.
Choir Secular (Men's Choir) SKU: AP.48848 Composed by George Gershwin and...(+)
Choir Secular (Men's
Choir)
SKU:
AP.48848
Composed by
George Gershwin and Ira
Gershwin. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Great American
Songbook; Jazz; Secular;
Standard. Choral Octavo.
12 pages. Alfred Music
#00-48848. Published by
Alfred Music (AP.48848).
UPC: 038081561721.
English.
Now
available S.S.A.A. and
T.T.B.B. One of the most
charming songs from the
great era of American
popular song. The way you
wear your hat, the way
you sip your tea . . .
no, no, they can't take
that away from me. The
unhurried swing feel of
this arrangement is right
on target for the
sophisticated Gershwin
style. Strong voice
writing and supportive
piano accompaniment. A
classic!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
By Ira Gershwin, George Gershwin. Arranged by Mark Hayes. For SoundPax. Choral O...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Mark Hayes. For SoundPax.
Choral Octavo. Pop
Choral. Instrumental
Accompaniment. 64 pages.
Published by Alfred
Publishing.