By Camila Cabello. Arranged by Terry White. Easy Jazz Ensemble Series. Jazz, Latin. Softcover. Published by Hal Leonard

Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with opt. flute, clarinet, F horn, tuba and vibes - Grade 2

SKU: KN.KEN60043

Composed by Jeff Jarvis. Jazz Gateway. Cha-Cha. Score and parts. Kendor Music Inc #KEN60043. Published by Kendor Music Inc (KN.KEN60043).

UPC: 822795600438.

This musical journey through Miami's Little Havana for developing groups is a cha-cha that contains authentic, yet accessible, rhythms coupled with a strong melody supported by Latin harmonies and solid orchestration. The written or ad lib solo section is open with solo sheets provided in all keys. Duration 4:05.

Score Only Concert Band (Score) - Grade 2

SKU: HL.4005570

By Camila Cabello. Arranged by Matt Conaway. Discovery Plus Concert Band. Concert, Pop. Softcover. Published by Hal Leonard (HL.4005570).

UPC: 888680754020. 9.0x12.0x0.027 inches.

Camila Cabello dominated the pop charts with her distinctive pop hit. Featuring a steamy Latin groove and catchy melodic lines, this arrangement will sound great with limited rehearsal time.

Score and Parts Concert Band (SCORE+PARTS) - Level 1.5

SKU: HL.4005605

By Camila Cabello. Arranged by Johnnie Vinson. Discovery Concert Band. Concert, Latin, Pop. Softcover. Published by Hal Leonard (HL.4005605).

ISBN 9781540031020. UPC: 888680755713. 9.0x12.0x0.363 inches.

Camila Cabello's huge hit rocketed to the top of the charts with its infectious and steamy Latin style. Johnnie's easy arrangement passes the melody around to all sections of the band and features an important role for the percussion section.

Featuring: Treasure / Eye of the Tiger / Havana / And All That Jazz. Arranged by Michael Story. Concert Band; Part(s); Score. Pop Beginning Band. Form: Suite. Pop. 276 pages. Published by Alfred Music

For String Quartet. By Camila Cabello. Arranged by Larry Moore. Pops For String Quartet. Pop. Softcover. Published by Hal Leonard

By Camila Cabello. Arranged by Larry Moore. Pop Specials for Strings. Pop. Softcover. Published by Hal Leonard

By Camila Cabello. Arranged by Jack Holt, Matt Conaway. Easy Contemporary Marching Band. Pop. Softcover. Published by Hal Leonard

By Camila Cabello and Young Thug. Piano Vocal. Softcover. 12 pages. Published by Hal Leonard

Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with opt. flute, clarinet, F horn, tuba and vibes - Grade 2

SKU: KN.KEN60043S

Composed by Jeff Jarvis. Jazz Gateway. Kendor Music Inc #KEN60043S. Published by Kendor Music Inc (KN.KEN60043S).

UPC: 822795600438.

This musical journey through Miami's Little Havana for developing groups is a cha-cha that contains authentic, yet accessible, rhythms coupled with a strong melody supported by Latin harmonies and solid orchestration. The written or ad lib solo section is open with solo sheets provided in all keys. Duration 4:05.

Easy Piano Piano/Keyboard

SKU: HL.282483

The New Decade Series. Composed by Various. Easy Piano Songbook. Pop, Rock. Softcover. 424 pages. Published by Hal Leonard (HL.282483).

ISBN 9781540034403. UPC: 888680789275. 9.0x12.0x0.967 inches.

Almost 70 contemporary hits released since 2010 in easy piano arrangements with lyrics: All About That Bass • Bad Romance • Brave • Call Me Maybe • Cups (When I'm Gone) • Feel It Still • Get Lucky • Happy • Havana • Hey, Soul Sister • I Will Wait • Just Give Me a Reason • Let It Go • Mean • Moves like Jagger • Need You Now • Radioactive • Rolling in the Deep • Shake It Off • Stay with Me • Thinking Out Loud • Uptown Funk • We Are Young • and more.

Featuring: Treasure / Eye of the Tiger / Havana / And All That Jazz. Composed by Various. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Pop Beginning Band. Form: Suite. Pop. Score. 28 pages. Alfred Music #00-46615S. Published by Alfred Music (AP.46615S).

(for Violin and Piano Critical Urtext Edition Heifetz Collection). Composed by Camille Saint-Saens (1835-1921). For Violin, Piano Accompaniment. LKM Music. Softcover. 16 pages. Lauren Keiser Music Publishing #S511022. Published by Lauren Keiser Music Publishing

Violoncello (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-23

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-23. Published by Breitkopf and Haertel (BR.OB-15136-23).

ISBN 9790004341322. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin 2 (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-16

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-16. Published by Breitkopf and Haertel (BR.OB-15136-16).

ISBN 9790004341308. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Double bass (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-27

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-27. Published by Breitkopf and Haertel (BR.OB-15136-27).

ISBN 9790004341339. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15137-07

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Study Score. 36 pages. Breitkopf and Haertel #PB 15137-07. Published by Breitkopf and Haertel (BR.PB-15137-07).

ISBN 9790004214732. 6.5 x 9 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Music teaching

SKU: LM.27002

Composed by Marguerite Labrousse. Method, studies. Score. Editions Henry Lemoine #27002. Published by Editions Henry Lemoine (LM.27002).

ISBN 9790230970020.

STRA VINSKY : Petrouchka - DAMASE : Berceuse de la lande - TCHAIKOVSKY : Valse de la Belle au bois dormant - SCHUBERT : Lied - MENDELSSOHN : Lied - DVORAK : Danse slave n. 7 Op.46 - DEBUSSY : Petite suite (menuet) - HAYDN : Sonate - SAINT-SAENS : La Havanaise - SCHUMANN : 4eme symphonie (2eme mouv.) - LABROUSSE : d'apres Clementi - TRADITIONNEL : Chanson d'Armorique - Berceuse slave - MOUSSORGSKY : Les Cloches de Novgorod - THUILLIER : Valse, jolie valse - SCHUBERT : Fischerweise - DES : Mon ami le poisson - LAPOINTE : Le Poisson Fa - TRADITIONNEL : Danse (Bulgare) - SCHUMANN : Soldatenlied - TRADITIONNEL : Mansikka (Finnois) - SALIERI : Le Jongleur - ROSA : En excursion - ROY : La petite Rose - TRADITIONNEL : Le grand frere et la petite soeur - Chanson catalane.

Violin 1 (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-15

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-15. Published by Breitkopf and Haertel (BR.OB-15136-15).

ISBN 9790004341292. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15136

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 32 pages. Breitkopf and Haertel #PB 15136. Published by Breitkopf and Haertel (BR.PB-15136).

ISBN 9790004214725. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.