SKU: M7.PPV-227563

ISBN 9783932275630. English.

In 'Microphone Practice', Norbert Pawera, a qualified sound engineer and microphone specialist, explains in clear and simple language the difference between the various types of microphone, filling in the scientific background and examining the interaction between instruments, room acoustics and microphones. The emphasis of the book is upon the choice and positioning of microphones in the studio and on stage, whether for classical music, jazz or rock. The author offers practical solutions to a whole range of commonly encountered problems - from the miking of lead vocals to the recording of whole choirs, from the spot-miking of individual instruments to stereo recording techniques for the entire orchestra - as well as reaching deep into his bag of tricks for ideas that should give even the experienced recording engineer food for thought. At the back, there's an overview of today's microphone market, designed to guide the consumer through the myriad of available solutions. 'Microphone Practice' spares performers and sound engineers alike the time-consuming and costly hazards of trial-and-error. With its practical approach and clear layout, 'Microphone Practice' is designed not just as a textbook but also as a quick source of reference for the sound check or the studio.

SKU: M7.PPV-20046190

SKU: HL.1117962

UPC: 847986002228. 9.5x20.0x17.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Imagine getting the perfect sound every time. Like a painter who uses his color palette, the LCT 1040 gives you the power to create the sound you envision. •Record with premium sound from high-end components and 1″ true condenser capsule •Create the perfect sound for different vocalists and instruments using 4 all-analog tube characteristics and a crystal-clear FET circuit •Adjust all settings from your sweetspot via the remote control A wide range of outstanding tube tones developed in close cooperation with world-renowned engineers and producers. •Clear - Tube works at technical optimum •Warm - Smooth and pleasant high-end •Dark - Tamed highs for bright sources •Saturated - Rich harmonics and subtle compression Together, these 100% all-analog tube characteristics are designed to cover all applications and styles recorded in the studio - from the finest violin to roaring Rock voices. They are the result of LEWITT's close cooperation with industry professionals and the global audio community. Extra punch and precision with the blendable FET circuit. Tweak your sound to perfection. You can dial in the FET circuit via the Circuit control whenever you're looking for that extra punch or precision for your voice or instrument. Tweak all settings from your sweetspot via the remote control Set up the LCT 1040 in the recording room where the artist performs. Detach the remote control from the PSU and connect them via your standard 3-pin XLR cable. Now you can finetune your sound from your sweetspot via the remote control, ensuring a smooth-running session. Seamless polar pattern control to get exactly what you want. Set the directivity with the seamless polar pattern control of the LCT 1040, giving you exactly what you were looking for. Additionally, you can also freely define the front of the mic depending on your recording scenario using the Default/Reverse flip switch. Two XLR outputs for full flexibility in post-production. To prepare you for all possible scenarios, the LCT 1040 features two XLR outputs with Neutrik connectors. •The Mix output delivers the ratio set with the Circuit control, a combination of the tube and FET circuit. •The FET output delivers 100% pure FET independent from the Circuit control. Shock mount with carbon fiber elements and quick release mechanism •Quick release mechanisms for the microphone and the adjustment of the angle. •Carbon fiber elements support efficient decoupling of the microphone. •The microphone can be turned by 360 degrees when inside the shock mount. Dual-layer magnetic pop filter for clean recordings. The high-performance magnetic pop filter of the LCT 1040 protects your capsule from unwanted plosives and moisture. Its double-layer desig.

SKU: HL.1197775

UPC: 663961058000. 10.0x5.5x3.5 inches.

The EM-89D Dynamic Vocal microphone combines reliability and performance that's great for vocals, instruments, and beyond. The EM Series EM-89D Dynamic Vocal microphone delivers the reliability and sound quality you need without the hefty price tag. Not only is its handheld design great for vocalists, but its road-worthy construction and precisely tuned response is perfect for mixing a host of other instruments as well.

SKU: HL.1148118

Elevate your voice to the big leagues with the Mackie EM-99B Dynamic Broadcast Microphone. This professional mic is built to deliver perfect sound for podcasting, live streaming, and dialogue recording. The highly-sensitive cardioid capsule (-53dB) with a specially tuned frequency response captures just the right amount of detail and warmth. Get a little excited on stream? No worries thanks to a single-axis suspension that reduces vibration noise while an internal pop filter reduces pops and plosives. With an all-metal body, durable XLR connection and robust mount, the Build-Like-a-Tank(TM) EM-99B is built to last. It even comes with a high-quality desktop stand, so you are ready to record right out of the box.

SKU: HL.1117960

ISBN 9781705180907. UPC: 847986002051. 6.75x10.0x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Well-balanced sound with pleasant high-end. The LCT 040 MATCH stereo pair provides professionally refined sound right from the moment you hit the “record” button. The tailored small diaphragm condenser capsule with its well-balanced frequency response gets you professional results in no time. About the matching process. LEWITT measures the frequency response and sensitivity of all their mics. The measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 040 MATCH. An algorithm compares all measured frequency responses and puts together the perfect pairs for flawless stereo recordings. Easy drum recordings. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. You will get a punchy and precise reproduction of your drum kit's unique sound. Made for acoustic guitar recordings With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound more crisp and defined than ever. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix. What's in the box? The LCT 040 MATCH stereo pair comes with two snap-in mic clips, two windscreens, and a transport bag with two compartments.

SKU: HL.1117961

ISBN 9781705180914. UPC: 847986002075. 6.5x6.5x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Well-balanced sound with pleasant high-end. The LCT 040 MATCH stereo pair provides professionally refined sound right from the moment you hit the “record” button. The tailored small diaphragm condenser capsule with its well-balanced frequency response gets you professional results in no time. About the matching process. LEWITT measures the frequency response and sensitivity of all their mics. The measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 040 MATCH. An algorithm compares all measured frequency responses and puts together the perfect pairs for flawless stereo recordings. Easy drum recordings. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. You will get a punchy and precise reproduction of your drum kit's unique sound. Made for acoustic guitar recordings. With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound more crisp and defined than ever. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix. What's in the box? The LCT 040 MATCH stereo pair comes with two snap-in mic clips, two windscreens, and a transport bag with two compartments.

SKU: BT.DV-12075

Italian.

SKU: HL.1117994

UPC: 847986000347. 3.25x7.5x3.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Adjustable drum microphone mount. Compatible with 3/8″ and 5/8″ threads.

SKU: HL.48023611

UPC: 888680601928. 9.0x12.0x0.041 inches.

SKU: HL.364992

UPC: 810100410216. 5.0x10.0x2.5 inches.

The Heil PR30 microphone steps up the professional audio game by adding a humbucking coil in addition to the shock-mounted large 1.5″ low mass diaphragm to virtually run noise-free in almost any situation. When working in close proximity to PC monitors in the studio, or near neon lights, or other electrical sources on stage, the PR30 is the microphone to use for quiet, flawless operation on drums, guitar cabinets, and vocals. The PR30 is often compared to high priced ribbon microphones for its wide frequency response and immaculate sound quality. The difference is the PR30 is able to withstand sound pressure levels that would decimate ribbon microphones. The PR 30 is perfect as a guitar and amplifier cabinet microphone, as well as for drums, but it is also right at home as a vocal microphone, thanks to its internal passive filtering and uniquely designed screen, which virtually eliminates popping and sibilance during up-close vocals. The versatility and quality built into the PR30 make it the choice of some of the top professional musicians, producers, and broadcasters in today's world. The PR30 ships with a mic clip and a leatherette carry bag.

SKU: HL.364935

SKU: HL.1117972

UPC: 847986001498. 9.75x11.0x8.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. The swiss army knife of microphoness The award-winning LCT 640 TS is an incredibly flexible multipattern microphone. It works as a traditional multi-pattern microphone, a stereo microphone, and a mic that can change the polar pattern after the fact. Its full, crisp, yet well-balanced sound works perfectly well on any source - vocals and instruments. Adjust the polar pattern after the fact By recording with the Dual Output Mode on a stereo track, you can create any polar pattern in the mix with the POLARIZER plugin - even after recording. Perfectly-in-phase stereo recording, with a single mic You can produce perfectly in-phase stereo recordings by using a single LCT 640 TS in Dual Output Mode. Just point the mic sideways to the source and adapt the stereo width in the mix. The same sensitivity in every microphone Every single LCT 640 TS undergoes a series of measurements followed by adjustment of polarization voltage to achieve the same sensitivity in every microphone. With this Perfect Match technology, you can use any two LCT 640 TS as a stereo pair. Fully fledged for the daily studio routine The LCT 640 TS offers three low-cut and attenuation settings, plus a clipping indicator that lets you easily see if the microphone clips. What's in the box? The LCT 640 TS comes in a nearly indestructible mil-spec transport case with a shock mount, windscreen, cushioned mic bag, magnetic pop filter, and an adapter cable for the Dual Output mode.

SKU: HL.364937

UPC: 885936792010. 6.5x10.0x4.0 inches.

The Heil PR20 microphone is a new breed of dynamic microphone with many benefits over other microphones in its price range. The PR20 will do a superior job at exactly capturing the sound from vocals, guitar, snare drums, cymbals, piano and more. Sound professionals, broadcasters and musicians of all genres rely on the PR20 microphone because it faithfully upholds the sound it takes in and is built to last. The PR20 has a large diaphragm providing a wide frequency range, with excellent upper mids. The PR20 does a great job of rejecting side & rear noise (minimizing feedback), and it is tough enough to withstand real-world usage. These attributes make the entire PR & RC series not only great rock music microphones, but they are also great for country, metal, jazz, funk, blues, rap, and opera, for that matter. With the PR20, you get three interchangeable acoustically identical mesh screens (Silver, Black, and Gold), along with additional black acoustical foam windscreen, padded carrying case, and a mic stand clip.

SKU: HL.364999

UPC: 810100410285. 4.75x11.0x3.0 inches.

The PR37 is designed for live sound reinforcement and recording applications with the vocalist in mind. As the next step in the evolution of Heil Sound's family of vocal microphones including the PR35 and PR22, the PR37 delivers an ultra-clear and transparent sound that brilliantly cuts through any mix. The PR37's frequency response features smooth, low mids, and an enhanced upper mids presence that allows vocals of all kinds to effortlessly shine through. The PR37 provides -40 dB of rear noise rejection, making it perfect for live applications, particularly in situations with high stage volume. The large-diameter (1.5″) dynamic element of the PR37 is housed in a stable mounting system that is designed to reduce handling noise. The rugged metal body of the PR37 is designed to provide durable protection for the microphone, making it the quintessential workhorse microphone for live use, while still providing superior sound quality that is characteristic of Heil microphones. Supplied with SM-5 mic clip, windscreen, and Heil Sound padded zipper bag.

SKU: HL.364938

SKU: HL.365005

UPC: 810100410360. 4.25x4.25x6.5 inches.

The Heil PR48 kick drum microphone is the end result of what happens when you start with the finest kick drum microphone components – listen to what your customers want based on real-world drumming conditions, and put it all together. Heil incorporates suggestions from some of the best drummers and drum & sound technicians in the world into the PR48. That and two years of “in the field” research refining these suggestions, yields the PR48, ready to take on any kick drum. The PR48 contains a large vulcanized double shock-mounted diaphragm element, impervious to external vibration and noise. The PR48 also has our best rear noise rejection, and excellent (148 db) SPL handling; all housed in a solid flat black emron steel body with red screens on an adjustable swivel-mount. Heil adds passive internal low pass filters to create rises in the frequencies where the kick drum's sound benefits most. The kick beater is also represented like never before in the mix through this filtering. This is a great rock kick drum mic, but also is at home serving country, jazz, funk, blues and metal drummers with a kick drum sound that has no equal. While some kick drum microphones judge themselves by how well they can handle EQ; how about a kick drum mic that sounds fantastic with NO EQ! As a finishing touch, the PR48 has a 45 degree angle XLR plug to allow for easier XLR connecting during setup. The PR48 can be purchased separately, or in the HDK drum kit series, (HDK-5, HDK-7 and HDK-8), and is available with a variety of microphone mounting options. With the PR48 you get the built-in metal swivel mic stand mount connected.

SKU: HL.364988

SKU: HL.366182

UPC: 885936832129. 7.0x22.0x3.0 inches.

To answer the many requests for an economy microphone boom, we present the Heil HB-1. The HB-1 is an articulated arm which is of very substantial steel channel structure and balanced by four external springs. Capable of supporting microphones up to 2.5 lbs, the HB-1 has a reach of 40″. The HB-1 is shipped with a brass lined “C” clamp mount that accept up to a 1-1/2″ thick table. The HB-1 Boom accepts all of the standard 5/8″ -27 threaded microphone hardware. The threaded chrome stem can be secured into its needed position by tightening the thumb screw. The HB-1 will fit all of the brass-lined Heil mounting accessories: • DT-1 Flush Mount • FL-2 Flange Mount • WM-1 Wall Mount • RS-1 Riser Mount.

SKU: HL.1117985

UPC: 847986000859. 8.25x10.0x7.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Exceptional sound for bass drums and other bass-heavy instruments The DTP 640 REX is a dual-capsule microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. Both capsules can be adjusted to emphasize your sound for studio and live applications. Dual-capsule bass drum microphone The DTP 640 REX features two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the bass drum, while the condenser element captures more of the body resonance and decay. Each element has a dedicated output. This enables you to shape the bass drum sound in unique ways. Three switchable sound characteristics =//= Both elements with neutral frequency response. +//= Dynamic element boosts frequencies between 3 and 5 kHz; condenser stays neutral. +//+ Dynamic boosts the range of 3-5 kHz, condenser boosts frequencies 70-150 Hz to deliver full-bodied sound. Great on all kinds of bass-heavy instruments With the DTP 640 REX you get massive yet clear bass drum and bass recordings, in the studio and on stage. Both capsules, dynamic and condenser, are specifically designed to replicate low frequencies with precision and punch.