Piano

SKU: BR.EB-9082

Composed by Jorg Birkenkotter. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Seoul (Pan Music Festival), October 8, 1991

Music post-1945; New music (post-2000). Score. Composed 1991. 22 pages. Duration 12'. Breitkopf and Haertel #EB 9082. Published by Breitkopf and Haertel (BR.EB-9082).

ISBN 9790004179567. 11.5 x 16.5 inches.

Jorg Birkenkotter im Gesprach mit Carolin Naujocks (DeutschlandRadio Berlin, Juli 1994) zum Klavierstuck Schwebung und Strenge: Das Stuck ist ziemlich gefahrlich ..., wenn man es nicht in einem ganz guten Raum hort, mit einer Akustik, in der man wirklich diese Nachhallsachen alle hort, dann kann man ganz schnell sagen, dass ist so traditionelle Wiener Schule-Musik ... Und wenn man dahinter hort, dann hort man eben schon, dass all diese traditionellen Klavier-Figurationen, die so an der Oberflache da sind, standig diese Nachhall-Welt auslosen. Und die ist dann eben doch eine andere, die dahinter ist. Aber es ist eben beides und es halt sich ... in Schach irgendwie. Zumindest am Anfang hort man ganz aufmerksam zu ... sonst hort man nur die virtuose Oberflache. ... Ich wollte nur auf den Tasten spielen: Also ganz normales, konventionelles Klavierspiel, das ist das eine. Und dann, was das auslost bzw. wo das aufgefangen wird ..., da fangt die Klangspielerei an, die vom traditionellen Klavierspiel wegfuhrt. Bezug zur Tradition ist riskant. Aber das macht ja auch nichts. Mir wurde es naturlich etwas ausmachen, wenn das umkippt zur falschen Seite, wenn es doch eben nicht die Ohren auf eine neue Art von Wahrnehmung richtet, was ich schon mochte. Ich will nur nicht die neue Wahrnehmung in irgend einer Wuste suchen, die es, glaube ich, auch gar nicht mehr gibt ... Ich glaube nicht, dass das ein vermittelnder Ansatz ist: Es geht von bestimmten Dingen aus und versucht dann, woanders hin zu kommen. Was soll ich vermitteln: Tradition und Avantgarde? Es ist eine ganz komische Sache: Ich habe Lust, ganz abseits von diesen Sachen etwas auszuprobieren, Sachen zu machen, die ich noch gar nicht gemacht habe, dass diese Sachen bis zu einem gewissen Grad ausgereizt sind. Das ist jetzt alles Spekulation: Da muss ich selbst abwarten, was mit mir passiert. CDs: Schwebung und Strenge Hwa-Kyung Yim (piano) CD col legno WWE 20055 Thomas Oesterdiekhoff (percussion), Hwa-Kyung Yim (piano) CD Cavalli Records CCD 247 Bibliography: Birkenkotter , Jorg: Schwebung und Strenge fur Klavier, in: Noten und Notizen, Mitteilungen der Hannoverschen Gesellschaft fur Neue Musik, Nr. 27 (Juli 2000), pp. 4-11.

World premiere: Seoul (Pan Music Festival), October 8, 1991.

Orchestra Violine 1 - Level 3

SKU: CA.5199011

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Individual part. Composed 1798. Hob. XXI:2. 48 pages. Duration 105 minutes. Carus Verlag #CV 51.990/11. Published by Carus Verlag (CA.5199011).

ISBN 9790007225469. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and part available separately - see item CA.5199000.

Orchestra Violine 2 - Level 3

SKU: CA.5199012

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Individual part. Composed 1798. Hob. XXI:2. 48 pages. Duration 105 minutes. Carus Verlag #CV 51.990/12. Published by Carus Verlag (CA.5199012).

ISBN 9790007225476. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and part available separately - see item CA.5199000.

SKU: CA.4032740

Composed by Franz Joseph Haydn. LIEDERPROJEKT. German title: Faksimile Die Schopfung, 1796. Post card. Hob. 100 pages. Carus Verlag #CV 40.327/40. Published by Carus Verlag (CA.4032740).

ISBN 9790007104641. Language: all languages.

Autograp hs in facsimile; excerpt from Die Vorstellung des Chaos, 1796. Score available separately - see item CA.4032700.

Orchestra SATB vocal soli, SATB choir, 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trombones, timpani, 2 violins, viola, cello, double bass, harpsichord - Grade 3

SKU: CA.5199015

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Single Part, Double Bass. Composed 1798. Hob. XXI:2. 44 pages. Duration 105 minutes. Carus Verlag #CV 51.990/15. Published by Carus Verlag (CA.5199015).

ISBN 9790007225506. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and part available separately - see item CA.5199000.

Flute and organ

SKU: M7.DOHR-17660

Two Partitas. Composed by Lothar Graap. Sheet music. Score and part. 16 pages. MDS (Music Distribution Services) #DOHR 17660. Published by MDS (Music Distribution Services) (M7.DOHR-17660).

ISBN 9790202036600. German.

3 talking and singing voices (archangels - Gabriel, Uriel and Raphael), choir (Heavenly Host) and orchestra

SKU: CA.1225100

Raphaels Auftrag. Composed by Reiner Schulte. German title: Schopfung fur Kinder. Sacred vocal music. Directionbook. 20 pages. Duration 55 minutes. Carus Verlag #CV 12.251/00. Published by Carus Verlag (CA.1225100).

ISBN 9790007093662. Language: German.

Oratorium. Composed by Franz Joseph Haydn (1732-1809). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Vocal score. Composed 1798. Hob. XXI:2. 164 pages. Duration 105 minutes. Carus Verlag #CV 51.990/03. Published by Carus Verlag (CA.5199003).

Organ

SKU: M7.DOHR-17659

Two Partitas. Composed by Lothar Graap. Sheet music. 8 pages. MDS (Music Distribution Services) #DOHR 17659. Published by MDS (Music Distribution Services) (M7.DOHR-17659).

ISBN 9790202036594. German.

(Variationen uber ein Thema aus der Schopfung von J. Haydn). By Sigismund Neukomm (1778-1858). Piano. For piano. 12 pages

Orchestra Viola - Level 3

SKU: CA.5199013

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Individual part. Composed 1798. Hob. XXI:2. 40 pages. Duration 105 minutes. Carus Verlag #CV 51.990/13. Published by Carus Verlag (CA.5199013).

ISBN 9790007225483. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and part available separately - see item CA.5199000.

Messias - Die Schopfung - Elias - Ein Deutsches Requiem. By Nohl, Paul-Gerhard. (paperbound). Published by Baerenreiter-Verlag (German import).

TTBB choir, basso continuo - Level 3

SKU: CA.134700

Composed by Thomas Selle. Edited by Klaus Vetter. German title: Si bona suscepimus. Sacred, Motets; Occasions: Mourning, Death. Full score. Duration 4 minutes. Carus Verlag #CV 01.347/00. Published by Carus Verlag (CA.134700).

ISBN 9790007003067. Key: A phrygian. Language: Latin.

Orchestra SATB vocal soli, SATB choir, 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trombones, timpani, 2 violins, viola, cello, double bass, harpsichord - Grade 3

SKU: CA.5199009

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. 1x 51.990/21 flute 1, 1x 51.990/22 flute 2, 1x 51.990/23 flute 3, 1x 51.990/24 oboe 1, 1x 51.990/25 oboe 2, 1x 51.990/26 clarinet 1, 1x 51.990/27 clarinet 2, 1x 51.990/28 bassoon 1, 1x 51.990/29 bassoon 2, 1x 51.990/30 double bassoon, 1x 51.990/31 horn 1,. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung 18. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Set of Orchestra Parts. Composed 1798. Hob. XXI:2. 250 pages. Duration 105 minutes. Carus Verlag #CV 51.990/09. Published by Carus Verlag (CA.5199009).

ISBN 9790007225452. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and parts available separately - see item CA.5199000.

SKU: CA.4031600

Textheft. Composed by Franz Joseph Haydn. German title: Textheft Die Schopfung. Lyrics. Hob. 8 pages. Carus Verlag #CV 40.316/00. Published by Carus Verlag (CA.4031600).

ISBN 9790007104573. Language: German.

3 talking and singing voices (archangels - Gabriel, Uriel and Raphael), choir (Heavenly Host) and orchestra

SKU: CA.1225110

Raphaels Auftrag. Composed by Reiner Schulte. German title: Schopfung f.Kind. Orchesterplan 3. Sacred vocal music. Orchesterfahrplan. 2 pages. Duration 55 minutes. Carus Verlag #CV 12.251/10. Published by Carus Verlag (CA.1225110).

ISBN 9790007192167. Language: German.

Score available separately - see item CA.1225100.

Choir (SAM) a cappella

SKU: M7.DOHR-17658

Two Motets. Composed by Lothar Graap. Sheet music. 8 pages. MDS (Music Distribution Services) #DOHR 17658. Published by MDS (Music Distribution Services) (M7.DOHR-17658).

ISBN 9790202036587. German.

Orchestra Violoncello - Level 3

SKU: CA.5199014

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Individual part. Composed 1798. Hob. XXI:2. 44 pages. Duration 105 minutes. Carus Verlag #CV 51.990/14. Published by Carus Verlag (CA.5199014).

ISBN 9790007225490. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and part available separately - see item CA.5199000.

For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Published by Music Minus One.

Solo alto voice, solo bass voice, violin, organ (Alto solo, Bass solo, Violin, Organ)

SKU: BA.BA01756

Geistliches Konzert. Composed by Hans Freidrich Micheelsen. Stapled. Aus der Symphoniua sacra - Von der Schöpfung op. 30a (1938). Score, Set of parts. Opus 30a. Baerenreiter Verlag #BA01756_00. Published by Baerenreiter Verlag (BA.BA01756).

ISBN 9790006413881. 27 x 19 cm inches.

From the Symphonia sacra - Von der Schopfung op. 30a (1938).

Composed by Franz Joseph Haydn (1732-1809). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn. German title: Die Schopfung. Oratorios, Praise and thanks. Complete orchestral parts. Composed 1798. XXI:2. Duration 105 minutes. Published by Carus Verlag (CA.5199019).

Mixed choir (SATB) or female choir (S/SA) and organ or orchestra or wind band (Orchester: 1.0.2.0 - 2.2.1.0 - Pk - Str / Blasorchester: 2 FlgHn-b, 2 Hn-es, T-Hn-b, Trp-b, Bar (Pos), Tb, Pk) - easy

SKU: HL.49004485

Composed by Franz Schubert. Arranged by Joseph Haas. This edition: Folding. Sheet music. Edition Schott. Classical. Individual part. 4 pages. Duration 25'. Schott Music #ED 3883-11. Published by Schott Music (HL.49004485).

ISBN 9790001046626. 9.0x12.0x0.019 inches. German.

(BR)

SKU: HL.49023841

Composed by Ahrens. Edited by Wolfgang Ahrens. This edition: Paperback/Soft Cover. Sheet music. Kunter-bund-edition. Melody line (with chords). 144 pages. Schott Music #BUND 71124. Published by Schott Music (HL.49023841).

ISBN 9783795756932. 6.25x9.5x0.436 inches. German.

Das Buch enthalt 130 Lieder zu diesem grossen und immer dringlicher werdenden Thema unserer Zeit - der Erhaltung unserer Umwelt. Die Liedsammlung reprasentiert im Hinblick auf Genre, Stilebene und Stilmittel ein sehr breites Spektrum. Sie berucksichtigt bemerkenswerte Texte von Kindern, Jugendlichen, Liedermachern und Dichtern, wie z. B. Bert Brecht, Hermann Hesse, Eugen Roth oder James Kruss. Auch sind ausgewahlte Lieder von Vertretern der Popmusik enthalten: Reinhard Mey, Peter Maffay, Ester und Abi Ofarim, Alexandra, Pete Seeger, Rolf Zuckowski und den Beatles. Sie alle setzen sich mit ihren eingangigen Melodien fur eine bessere Umwelt ein! Das Buch richtet sich sowohl an Kinder und Jugendliche als auch an Erwachsene und wird uberall dort besonders begrusst werden, wo der Umweltgedanke ein wichtiges Anliegen ist, also etwa in Jugendgruppen, Schulen, Jugendzentren, Naturschutzzentren, Kirchen, Initiativen oder zu Hause.

SKU: BR.EB-9387

Composed by Christian Mason. Edition Breitkopf. New music (post-2000); Music post-1945. Set of parts. Composed 2019. Duration 20'. Breitkopf and Haertel #EB 9387. Published by Breitkopf and Haertel (BR.EB-9387).

ISBN 9790004188576. 0 x 0 inches.

Commissione d by the Kolner Philharmonie (KolnMusik) for the non bthvn projekt 2020 and the Cite de la musique / Philharmonie de Paris Dedicated to Arditti Quartet Each movement of this quartet explores a single state, its lights and its shadows. Each movement, you could say, is a moment . And these moments could last for more or less time without compromising their essential nature. The processes could be extended or compressed, repeated or reversed, but the core ideas - if they are ideas, but maybe they are simply experiences? - are what they are. Despite this, the precise sequence of movements matters a great deal. Heard together they do articulate some kind of linear narrative, maybe even a metaphorical journey (albeit a circular one where the arrival might, who knows, prove to be a new departure). One situation gives way to another and instrumental relationships within the quartet vary, but ultimately the imaginative impulse behind the piece preferences states of unity. Whether or not this unity is expressed texturally - sometimes literal unisons pervade, but not always - there is generally a sense that even seemingly diverse aspects relate to a fundamental condition of concord: a conscious limitation in the pitch structure to spectral emanations of the root notes E-flat and C. At the opening this is unambiguously audible in the perpetual alternation of these two notes in the low cello register. Later the two spectra are woven into a micro-tonal 'double-spectral-mode' (derived from the first 24 partials of the C and E-flat fundamentals), which defines the subtle melodic inflection of the second movement, and the never-quite-chromatic ascending scales of the third. For now this feels like a rich source of melodic possibility, so far only just glimpsed... And why the insistence on E-flat? Probably by way of historical anecdote. Apparently Karl Holz (a member of the Schuppanzigh Quartet) said to Beethoven: We performed your Quartet in E-flat Op. 127 in his [Weber's] honour; he found the Adagio too long; but I told him: Beethoven also has a longer feeling and a longer imagination than anyone standing or not standing today. - Since then, even Linke (another member of the quartet) can no longer stand him: we cannot forgive him for this. Listening again to Op. 127, in light of these comments, I was struck by the opening moment: the unfolding of an E-flat 7th chord over the course of a few bars. Every time I hear it I find myself wishing that Beethoven would have lingered longer there, without resolution or progression, just enjoying that sonority. And maybe - why not? - tune the 7th naturally. And what would it be to stretch that moment into an entire piece? What would Weber think of that?! In the end I was not so extreme in my self-limitation, and other concerns took over, but it was from these thoughts that the composition process began... Lastly, about the title: it comes from a book called 'The Clock of the Long Now' by Stewart Brand, published at the turn of the millennium. It's about the creation of a thousand-year clock to embody the aspiration to thinking in terms of longer time-spans than are presently habitual. If the music of Beethoven embodied a 'longer' feeling and imagination than some of his contemporaries were able to appreciate, what is our relation to time now? Longer or shorter? Maybe it depends who you ask... It's probably more extreme in both directions: attention spans might be diminishing in the digital world, but conversely there is an awareness of distant pasts and potential futures which would have been inconceivable at the time of Beethoven. In any case, the interesting thing is to ponder how societal conditions, assumptions and expectations might - whether consciously or unconsciously - influence the time of art, for listeners and creators alike. And what if time is running out? (Christian Mason)

World premiere: Paris, Cite de la musique, January 14, 2020.