(Alto Saxophone and Concert Band Deluxe Score). Composed by John Williams. Arranged by Stephen Bulla. For Concert Band, Alto Saxophone. Concert Band Professional. Grade 5. 58 pages. Published by Hal Leonard

Orchestra - Grade 2

SKU: AP.48056S

As Performed by Shawn Mendes. Composed by Nate Mercereau, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Victor Lopez. Performance Music Ensemble; String Orchestra. Pop Intermediate String Orchestra. Pop/Rock. Score. 12 pages. Duration 2:20. Alfred Music #00-48056S. Published by Alfred Music (AP.48056S).

ISBN 9781470656348. UPC: 038081558622. English.

If I Can't Have You was performed by Shawn Mendes and is now arranged for string orchestra by Victor López. This Hot 100 hit is guaranteed to rock the house at your next concert. Hitting No. 1 on the iTunes chart, this solid pop-rock song will certainly add a little pizzazz to your program. A brilliant and unforgettable catchy melody, along with an upbeat groove, drives this solid pop-rock song from a new pop troubadour. Get the audience clapping along and let them have some fun. (2:20).

Alto Saxophone and Orchestra. By John Williams. John Williams Signature Edition. Size 9x12 inches. Published by Cherry Lane.

Orchestra

SKU: JK.20045

Composed by Adolphe-Charles Adam, Felix Bartholdy Mendelssohn, Franz Xaver Gruber, J. Baptiste Calkin (for cantata), Louis H. Redner, V. Schumann, and William Dix. Arranged by Janice Kapp Perry. Difficulty Medium Hard, Orchestral Orchestrations, Seasonal Music Christmas, Christmas. Christian, Inspirational. Jackman Music Corporation #20045. Published by Jackman Music Corporation (JK.20045).

Luke 2.

Orchestration score and parts for - Christmas: A Carol Cantata (#00033), performed in place of the piano accompaniment.
Compose r: Lewis H. Redner / William Dix / Adolphe Adam / V. Schumann/Felix Mendelssohn / Franz Gruber / J. Baptiste Calkin (for cantata)
Arranger: Janice Kapp Perry (for cantata)
Orchestration arranger: Jerry Jackman
Difficulty: Medium-difficult
Refer ence: Luke 2.

Often Referred to as the African-American National Anthem . Composed by J. Rosamond Johnson, words by James Weldon Johnson. Arranged by Bob Phillips. This edition: with Chorus. Part(s); Score; String Orchestra. Sound Innovations for String Orchestra. Folk; Multicultural. 80 pages. Published by Alfred Music (AP.44827).

Composed by Anne McGinty (1945-). MusicWorks Grade 1. Chorale, Concert. Score and parts. Published by Hal Leonard

Composed by Traditional. Arranged by Deborah Baker Monday. Set of Score and Parts. 8 8 2 5 5 5 8 pages. Duration 2:30. Carl Fischer Music #YAS218. Published by Carl Fischer Music

Arranged by Paul Jennings. MusicWorks Grade 1. Concert, Classical. Score and parts. Published by Hal Leonard

Full Orchestra (Print) Choir (Orchestra Accompaniment)

SKU: HL.35032262

Composed by Heather Sorenson and Joseph M. Martin. Shawnee Sacred. Advent, Cantata, Christmas, Christmas/Advent Sacred, General Worship, Sacred. Softcover. Duration 3360 seconds. Published by Shawnee Press (HL.35032262).

ISBN 9781540027139. UPC: 888680746728. 9.0x13.5x2.261 inches. Joseph M. Martin/Heather Sorenson.

The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time, God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith, pointing to Christ, in whose birth the hopes, yearnings and dreams of all the world are fulfilled. Using traditional carols, newly composed seasonal selections and thoughtful narration, this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songs include: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.

By Lloyd Larson. Arranged by Victor C Johnson. For orchestration (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 3 trumpets, 2 trombones, tuba, 2 percussion, harp, piano, 2 violins, viola, cello, bass). Cantatas. Christmas, Sacred. Full score, set of part

Soprano voice and orchestra (Score)

SKU: HL.49007945

Composed by Joaquí and n Rodrigo. This edition: Saddle stitching. Sheet music. Ediciones Joaquin Rodrigo. Classical. Score. Composed 1946. 58 pages. Duration 12'. Schott Music #ED 8358. Published by Schott Music (HL.49007945).

ISBN 9790001084963. 8.25x11.75x0.235 inches.

Orchestra - Grade 2.5

SKU: AP.49902

Composed by Michael Hopkins. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Programmatic. Score and Part(s). Duration 3:50. Belwin Music #00-49902. Published by Belwin Music (AP.49902).

ISBN 9781470657390. UPC: 038081575544. English.

Volcano by Michael Hopkins is a fast and rhythmically energetic original concert work in E minor. Written for intermediate orchestra, this piece features all orchestra sections on melodic material. This is an excellent piece for helping students learn about bow speed, articulation, string crossings, syncopated rhythms, phrasing, and dynamic contrasts. Violin, viola, and cello parts are playable in first position. Double basses have a few shifts to 2nd and 3rd position. (3:50).

Orchestra

SKU: BT.ALHE32145

Composed by François Terral. Set (Score & Parts). Composed 2015. Heugel & Cie #ALHE32145. Published by Heugel & Cie (BT.ALHE32145).

French.

Terral 5 Suites Canoniques Cpj7 Orchestra Score/Parts.

Orchestra

SKU: HL.48182780

Composed by Cornel Taranu. Leduc. Classical. Softcover. Alphonse Leduc #AL24412. Published by Alphonse Leduc (HL.48182780).

UPC: 888680872137. 7.25x10.75x0.141 inches.

Cornel Taranu: Incantations (Orchestra).

Soprano. Music Sales America. Post-1900. 40 pages. Music Sales #UME24289. Published by Music Sales

Orchestra - Grade 2.5

SKU: AP.49902S

Composed by Michael Hopkins. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score. Duration 3:50. Belwin Music #00-49902S. Published by Belwin Music (AP.49902S).

ISBN 9781470657406. UPC: 038081575551. English.

Volcano by Michael Hopkins is a fast and rhythmically energetic original concert work in E minor. Written for intermediate orchestra, this piece features all orchestra sections on melodic material. This is an excellent piece for helping students learn about bow speed, articulation, string crossings, syncopated rhythms, phrasing, and dynamic contrasts. Violin, viola, and cello parts are playable in first position. Double basses have a few shifts to 2nd and 3rd position. (3:50).

Orchestra (Full Score)

SKU: HL.1190014

For Orchestra. Composed by Waldo de los Rios. E.B. Marks. Concert. Softcover. Edward B. Marks Music #MP077076. Published by Edward B. Marks Music (HL.1190014).

ISBN 9781705192542. UPC: 196288131816.

Osval do Nicolás Ferraro Gutiérrez (1934-1977), better known as Waldo de los Ríos, was an Argentine composer best remembered for his knack for making pop music out of European classical music. His South American Suite (Suite SudAmericana) is in four movements: 1. Paraguay (Nanduty; Jungle Night; Epic), 2. Argentina (Los Colorados; The Shadow of the Tiger; The Tryst), 3. Peru (Cuzco Ruins; Lima; The Giants), and 4. Uruguay (The Wagon; Gaucho Song; Carnival).

By James Curnow. MusicWorks Grade 2. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

Orchestra

SKU: HL.48188127

Composed by Franç and ois Terral. Leduc. Softcover. Composed 2015. Heugel & Cie #HE32145. Published by Heugel & Cie (HL.48188127).

UPC: 888680847104. 7.0x11.0x0.194 inches.

Terral 5 Suites Canoniques Cpj7 Orchestra Score/Parts.

Orchestra

SKU: BT.ALHE32382

Composed by Marcel Mihalovici. Study Score. 96 pages. Heugel & Cie #ALHE32382. Published by Heugel & Cie (BT.ALHE32382).

French.

Mihalovi ci Marcel Cantilene Op 100 In 8 Poche Ph300 Orchestra Score.

By James Curnow. MusicWorks Grade 3. Concert Band. Score and full set of parts. Published by Hal Leonard.

Orchestra (Orchestra)

SKU: HL.48010897

For String Orchestra. Composed by Tony Osborne. This edition: M060074110. Boosey & Hawkes Orchestra. Classical, Contemporary. Boosey & Hawkes #M060074110. Published by Boosey & Hawkes (HL.48010897).

UPC: 073999916454.

Strin gs Together Level 3 Contents: Madam Cole * Wild-west Shaker * Sarabande * Music from Outer Space * Jamaican Rumba.

Arranged by Robert Gillespie. Essential Elements String Orchestra Series - Performer Level. Published by Hal Leonard.

Orchestra

SKU: HL.48188301

Composed by Marcel Mihalovici. Leduc. Softcover. Heugel & Cie #HE32382. Published by Heugel & Cie (HL.48188301).

UPC: 888680855888. 7.25x10.5x0.356 inches.

Mihalovici Marcel Cantilene Op 100 In 8 Poche Ph300 Orchestra Score.

By Michael Sweeney. MusicWorks Grade 2. Concert Band. Score and full set of parts. Published by Hal Leonard.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra - Grade 3

SKU: AP.41269

Arranged by Vince Gassi. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Folk; Traditional. Score and Part(s). 124 pages. Duration 2:45. Highland/Etling #00-41269. Published by Highland/Etling (AP.41269).

UPC: 038081480879. English. Traditional Canadian Folk Song.

For a special touch at your next concert, feature one of Canada's most popular folk songs. Often sung to keep time while canoeing or around campfires, the lyrics are originally from a 19th century poem by First Nations poet Pauline Johnson, making this perfect for cross-cultural study. Although this work can easily be performed with strings alone, percussion instruments, including timpani and bells, expand the palette of colors, helping to create a rich tapestry for your listeners. (2:45) This title is available in MakeMusic Cloud.