(14 Jazzy Pieces With a CD of Performances and Accompaniments 1 Piano, 4 Hands)....(+)
(14 Jazzy Pieces With a
CD of Performances and
Accompaniments 1 Piano, 4
Hands). By Anton Diabelli
(1781-1858). Arranged by
Uwe Korn. Piano.
Softcover with CD. 40
pages. Schott Music
#ED20718. Published by
Schott Music
(Version for Piano Four-Hands). Composed by Edvard Grieg (1843-1907). Edited by ...(+)
(Version for Piano
Four-Hands). Composed by
Edvard Grieg (1843-1907).
Edited by Einar
Steen-Nøkleberg and
Ernst-Gunter Heinemann.
Arranged by Edvard Grieg.
For Piano Four Hands,
Piano Duet (PIANO FOR 2
PLAYERS). Henle Music
Folios. Softcover. G.
Henle #HN1243. Published
by G. Henle
In the 5-Note Range. Composed by Anton Diabelli (1781-1858). Edited by Monika Tw...(+)
In the 5-Note Range.
Composed by Anton
Diabelli (1781-1858).
Edited by Monika
Twelsiek. Arranged by
Monika Twelsiek. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Mit den Melodischen
Ubungsstucken gelingt dem
Komponisten und
Klavierlehrer Anton
Diabelli ein
kunstlerisch-padagogische
r Wurf; gibt es doch bis
heute kaum einen Schuler
oder Liebhaber, der die
Stuckchen nicht
irgendwann in seiner
Klavier-Laufbahn mit Ver.
Collection, Classical.
Edition with CD. Op. 149.
64 pages. Schott Music
#ED9009. Published by
Schott Music
Piano 4 Hands SKU: BR.EB-6775 Piano Lessons by Wolfgang Amadeus Mozart...(+)
Piano 4 Hands
SKU:
BR.EB-6775
Piano
Lessons by Wolfgang
Amadeus Mozart.
Composed by Wolfgang
Amadeus Mozart. Edited by
H. Walter. Arranged by
Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Dances/marches;
Classical. Score. 20
pages. Breitkopf and
Haertel #EB 6775.
Published by Breitkopf
and Haertel (BR.EB-6775).
ISBN 9790004169742. 9
x 12 inches.
This
series of easy piano
music for teaching
purposes presents pupils
in the lower and lower
middle grades with a
carefully chosen
selection of well-known
and lesserknown
compositions by important
masters. The volumes are
deliberately kept small
in extent, since it is
more stimulating for
children to change the
teaching material
frequently. In his last
years, Mozart composed a
large number of German
Dances for orchestra.
This music for daily use
of the time - intended
functionally, for dancing
and entertainment - is
distinguished by
enchanting ideas and
simple textures. The
editor has tried to cany
over the instrumental
subtleties into the
piano-duet writing. These
dances are particularly
suitable for introducing
some relaxation into the
learning of the piano,
for the interpretative
and technical workingout
demanded by Mozart's
original piano-duet works
is not required to the
same degree here. The
marks of expression have
been taken over from the
original score and in
part supplemented. Notes
not marked otherwise are
to be played non legato.
The technical difficulty
of these pieces
corresponds roughly to
the third and fourth year
of study. Heinz Walter,
Salzburg, Spring
1977.