During the visit to Brive-la-Gaillarde in 1940, Poulenc sketched a little piece for the children of his cousins: Sophie, Sylvie, Benoit, Florence and Delphine Périer, Yvan, Alain, Marie-Christine and Marguerite-Marie Villotte, and their two friends Marthe Bosredon and André Lecoeur. This took the form of a musical background to Jean de Brunhoff's popular illustrated children's story about Babar, a baby elephant whose mother is killed by a huntsman. Fortunately Babar meets a kind elderly lady who dresses him in a fine suit and gives him an impressive motor-car.However, Babar feels homesick for his forests, and is pleased when his cousins, Arthur and Celeste, find him and needs no persuasion to go home with them. Back in the forest, where the King of the Elephants has eaten a poisonous mushroom, Babar is elected to succeed as King. He marries Celeste, and the last we hear of him is thinking of a rosy future as he dreamily looks up at a marvellously star-filled sky.Poulenc's score, to which he returned and completed in 1945, is for a narrator and a Piano, so written that the individual sections offer the pianist a number of self-contained descriptive pieces, such as a Lullaby, a Reverie, a Galop, a Nocturne and so on. Indeed, some of Poulenc's finest Piano music is found in these charming pages.In 1962, Jean Françaix made an orchestral version, and Barbar has been enjoyed by children of all ages all over the world. An English translation of the text was made by Nelly Rieu.This particular edition is arranged for Narrator and Piano duet (1 Piano, 4 hands) and a separate insert with English translation is included. / Piano 4 Mains

Ma mre l'oye (Mother Goose Suite) is typical of Ravel's style with its modal melodies, use of dance forms and rhythmic precision. For this suite, Ravel selected favorite French fairy tales with references to fantasy, dreams and legends of childhood, and provided simple and delicate settings for piano duet (one piano, four hands). Although featuring childhood themes, Ma mre l'oye is at the late intermediate to early advanced level. This teaching/performance edition contains the suite in its entirety and is based on the first edition published by Durand in 1910. Editors Gayle Kowalchyk and E. L. Lancaster have included expert fingering suggestions and hand redistributions for technical ease, and have suggested ways to perform grace notes and glissandi in footnotes. The primo and secondo parts are on separate pages with measure numbers in both parts for easy reference. Late intermediate to early advanced.