8 Great Songs from 8 Great Films. 8 incontournables chansons Disney dans une version facile pour duo de pianos (1 piano, 4 mains) : Can You Feel the Love Tonight - Do You Want to Build a Snowman - A Dream Is a Wish Your Heart Makes - Supercalifragilisticexpialidocious - That's How You Know - When Will My Life Begin? - You'll Be in My Heart - You've Got a Friend in Me./ Recueil / Piano 4 Mains

Par MAGALIF EUGENE. Fantomas for Piano Duet (1 Piano-4 Hands) by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: 'This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie 'Fantômas' was on the cinema screens and we called this music by the name of a clever criminal - the main character of the movie.' Fantomas for Piano Duet (1 Piano-4 Hands) by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: 'This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie 'Fantômas' was on the cinema screens and we called this music by the name of a clever criminal - the main character of the movie.'/ Répertoire / Piano 4 Mains

Everybody knows it, and for many a player it was perhaps the first tentative attempt to coax sounds out of the piano: Chopsticks. The origin of this popular piano piece, like that of most folksongs, cannot be ultimately settled today. Legend has it that it was written by Ferdinand Loh and that the designation of the work 'F. Loh: Walzer' eventually turned into 'Flohwalzer'.But no matter who actually wrote the waltz: It is, without doubt, one of the most famous piano pieces and known all over the world. In France, it is called 'Côtelettes' [Chops], in Great Britain 'Chopsticks', and in Mexico 'Los Changuitos' (Little Monkeys). Technically speaking, however, it is not even a waltz. It is composed in 2/4 time and, with regard to style, rather is a polka or a galop.Eric Mayr transcribed the 16-bar original into a concert version for piano duet. / Piano 4 Mains

Par YANOV-YANOVSKY DIMITRI. After Chopin's death in 1849 most of his possessions and some non published manuscripts went to his family in Warsaw. Chopin's sister Ludwika made a catalogue of the manuscripts, copying only the first bars of them. In 1863 all manuscripts were destroyed by a fire, and the only thing that was left of them was the catalogue of Ludwika. After Chopin's death in 1849 most of his possessions and some non published manuscripts went to his family in Warsaw. Chopin's sister Ludwika made a catalogue of the manuscripts, copying only the first bars of them. In 1863 all manuscripts were destroyed by a fire, and the only thing that was left of them was the catalogue of Ludwika./ Répertoire / Piano 4 Mains

Par THOMPSON JOHN. Featuring 11 easy arrangements for 1 piano, 4 hands, this book is a fun and engaging introduction to piano duets that perfectly complements Books 2–4 of John Thompson’s Easiest Piano Course. Children will love learning classical favourites such as In the Hall of the Mountain King, Ode to Joy, and The Swan, within the rewarding and interactive context of duet playing. First Published in 1954, John Thompson’s Easiest Piano Course is one of the most-loved and best-selling piano methods in the world. John Thompson’s timeless approach to learning has been trusted by generations of teachers to start millions of students on their musical journey. / Niveau : Très Facile / Recueil / Piano 4 Mains

Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire à Avancé / Répertoire / Piano 4 Mains

The six pieces in this little suite were written between 1893 and 1896. They were inspired by Hélène Bardac, the daughter of a singer with whom he was friends. The girl was born in 1892 and called 'Dolly? on account of her small, delicate figure. The pieces, composed mainly for her birthday or the New Year, reflect the world as experienced by the growing child, from a lullaby to a temperamental dance. But it was not meant to be taken too seriously, as shown by the subtle allusions to his own music and that of others. Despite their simple basic structure these pieces, which soon became popular, contain numerous harmonic and rhythmic subtleties typical of the French composer - 'children's music? that is also well suited to adults. / Piano 4 Mains

Early to Later Elementary 1 Piano, 4 Hands. Par IKEDA NAOKO. 7 equal-level duets that will delight young pianists!/ Répertoire / Piano 4 Mains

Par PART ARVO. 'Pari intervallo' was composed in 1976 on the occasion of the death of a friend and is dedicated to his memory. The basic musical material consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. 'Pari intervallo' is reminiscent of a chorale prelude which might be prefaced with the lines from Romans 14/8: 'If we live, we live to the Lord, and if we die, we die to the Lord.'(Arvo Pärt) Pärt's quiet meditation Pari Intervallo is available in several very diverse settings (4 recorders, organ solo, or clarinet and trombone with string orchestra), and UE now makes available this 2008 version, playable as piano duet or with two pianos. For intermediate to advanced pianists. Dur. c. 5'30'/ Répertoire / Piano 4 Mains

In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms' creative ideas in the piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With our Urtext edition of the Symphonies Nos. 3 and 4, based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings. / Piano 4 Mains

Late-intermediate students will love to play this duet in a fast 4/4 meter that flies back and forth over the keys, first in D minor and then in D major. The melody and the accompaniment alternate between primo and secondo, and phrases featuring staccato and legato are frequently traded back and forth. Some syncopation and accents add rhythmic variety. This duet is sure to be a favorite with students and audiences alike! / Piano 4 Mains

Par FAURE GABRIEL. The Dolly suite, a collection of six piano duets (for one piano, four hands), shows Faure's wittier side while portraying the many scenes and moods of childhood. This suite got its name from its dedicatee, a friend's little girl who was so tiny at birth that she was nicknamed Dolly. This teaching/performance edition contains the suite is in its entirety and is based on the first edition published by Hamelle in 1897. Editors Gayle Kowalchyk and E. L. Lancaster have included expert fingering suggestions and hand redistributions for technical ease, and have realized essential ornamentation in footnotes. The primo and secondo parts are on separate pages with measure numbers in both parts for easy reference. Although featuring childhood themes, the piece is at the late intermediate to early advanced level. / Ensemble Music, Miscellaneous, Piano Music, Scores / Répertoire / Piano 4 Mains

orchestrated by Ferde Grofé edited by Ryan Raul Bañagale. Par GERSHWIN GEORGE. The names of George Gershwin (1898–1937) and Ira Gershwin (1896–1983) are synonymous across the globe with American musical creativity. The Gershwin family estates, their publishers, and the University of Michigan have joined forces to produce The George and Ira Gershwin Critical Edition—the first-ever scholarly edition of the Gershwins’ music and lyrics. This all-new practical edition facilitates both study and performance, giving a wide audience of musicians, scholars, students, and enthusiasts alike greater insight into the Gershwins’ art. The goal is to create clear and definitive publications that achieve the most accurate representations possible of the Gershwin brothers’ unique and pioneering creativity. This all-new critical edition of the original 1924 arrangement of George Gershwin’s Rhapsody in Blue presents an authoritative transcription of arranger Ferde Grofé’s handwritten holograph score preserved in the collection of the United States Library of Congress in Washington, DC. The edition represents as best as possible the piece as premiered by the Paul Whiteman Orchestra at his 'Experiment in Modern Music' concert on February 12, 1924. Grofé prepared the score for the specific talents and timbres of the Whiteman Orchestra, largely from an ink fair copy of Gershwin’s two-piano short-score manuscript. Gershwin continued to modify the piano solo portion of this short score during rehearsals and, most likely, even after the premiere of the piece. / Date parution : 2023-10-31/ Répertoire / Piano 4 Mains

Par TCHAIKOVSKI PIOTR ILITCH. The Nutcracker Suite is a piano arrangement of the concert version of the ballet of that name. Tchaikovsky used only part of the music for the ballet in the suite. The Overture, and the March which is the most important of the characteristic dances in the Suite, come from the first act of the ballet. The remaining dances originate from the second act. They are: The Dance of the Sugar Plum Fairy, in which the leading part is, in the original composition, played typically by the celeste almost all the way through; the fiery Russian 'Trepak' which reminds us of Tchaikovsky's national origins; the Arab Dance tinged with a gentle melancholy; the Chinese Dance with its tripping ostinato rhythm; the graceful Dance of the Reed Flutes; and finally the longest piece in the Suite: the Waltz of the Flowers in which Tchaikovsky, writing in the penultimate year of his life, showed his musical affinity with Johann Strauss. The Nutcracker Suite was perfomed for the first time, with great success, on 7 March 1892 at the Ninth Symphony Concert of the Russian Musical Society in St Petersburg./ Répertoire / Piano 4 Mains