For Horn in F. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Clementi (1752-1832), Wolfgang Amadeus Mozart (1756-1791), Larry Clark, Jacques Fereol Mazas (1782-1849), Giuseppe Gariboldi, and Ernesto Kohler (1849-1907). Arranged by Larry Clark. SWS. Back To School. Softcover. With Standard notation. Carl Fischer Music #WF108. Published by Carl Fischer Music

Horn duet

SKU: VD.ED27436

Pour deux Cors. Composed by Johann Peter Heuschkel. Edited by Christian Vitalis. Classical. Score, parts. Verlag Dohr #ED27436. Published by Verlag Dohr (VD.ED27436).

ISBN 9790202014363. 11.69 x 8.26 inches.

Horn duet

SKU: VD.ED17508

Composed by Johann Martin Friedrich Nisle. Edited by Guido Johannes Joerg. Nisle-Gesamtausgabe. Classical. Score, parts. 30 S. Part. + 22 S. Stimmen pages. Verlag Dohr #ED17508. Published by Verlag Dohr (VD.ED17508).

ISBN 9790202035085. 12 x 9 inches.

Horn duet

SKU: VD.ED17507

Composed by Johann Martin Friedrich Nisle. Edited by Guido Johannes Joerg. Nisle-Gesamtausgabe. Classical. Score, parts. 26 S. Part. + 18 S. Stimmen pages. Verlag Dohr #ED17507. Published by Verlag Dohr (VD.ED17507).

ISBN 9790202035078. 12 x 9 inches.

Horn duet

SKU: VD.ED26383

Composed by Johann Martin Friedrich Nisle. Edited by Christoph Dohr. Nisle-Gesamtausgabe. Classical. Playing score. 2 x 7 S. pages. Verlag Dohr #ED26383. Published by Verlag Dohr (VD.ED26383).

ISBN 9790202013830. 11.69 x 8.26 inches.

2 horns

SKU: M7.AHW-411

Eleven Duets for Horn. Composed by Johann Sebastian Bach and Ludwig van Beethoven. Arranged by Carmelo Barranco. Sheet music. Performance score. 27 pages. Charles Colin Corp. #AHW 411. Published by Charles Colin Corp. (M7.AHW-411).

These duets are wonderful in every way! Mr Barranco has chosen excellent musical selections which are so playable and attractive for the horn. He has adhered to the original musical notation as much as possible while ensuring beautiful, fluid, interesting and eminently playable lines for both players. The range is excellent - neither too high nor too low - and the lines are close enough to each other to make a very pleasant and satisfying playing and listening experience. The phrasing and articulations work so well for horn players but are also pleasing to the listener who may know the original work.