Four Album Leaves, Op. 28 2 Guitares (duo) [Conducteur et Parties séparées] - Intermédiaire Productions OZ
Guitar duet - Intermediate SKU: DZ.DZ-4258 Composed by Edvard Grieg. Arra...(+)
Guitar duet -
Intermediate
SKU:
DZ.DZ-4258
Composed
by Edvard Grieg. Arranged
by Chris Dumigan. Score
and parts. Les
Productions d'OZ #DZ
4258. Published by Les
Productions d'OZ
(DZ.DZ-4258).
ISBN
9782898521751.
Four
Album Leaves, Op. 28 is a
set of pieces for piano
solo composed by Edvard
Grieg. The set was first
published in 1878 in
Leipzig by C.F. Peters.
The Album Leaves were
composed over the span of
almost fifteen years. As
such, they present a
fascinating cross-section
of Grieg's pianistic and
compositional
development. They are
arranged in chronological
order as follows: Allegro
con moto (1864),
Allegretto espressivo
(1874), Vivace (1876),
and Andantino serioso
(1878).
Having
realized some years ago
that due to
GriegâÂÂs way of
writing for the piano,
that they would fit
wonderfully on two
guitars, I began with
this set, and then moved
onto more of his works,
finally transcribing his
complete set of 10 books
of Lyric Pieces (66
pieces in all), all of
which are available as
separate publications at
Les Productions
DâÂÂOz. I hope
you enjoy playing them as
much as I, and my duet
partner Ann,
do.
(Duets for Two Acoustic Guitars). Composed by William Bay. For acoustic gu...(+)
(Duets for Two Acoustic
Guitars). Composed by
William Bay. For acoustic
guitar duet. Perfect
binding. Advanced. Book.
88
pages. Published by Mel
Bay
Publications, Inc
Tres Sonates 2 Guitares (duo) Editorial de Musica Boileau
2 guitars SKU: BO.B.3649 Composed by A. Soler/L. Palomo. Published by Edi...(+)
2 guitars
SKU:
BO.B.3649
Composed by
A. Soler/L. Palomo.
Published by Editorial de
Musica Boileau
(BO.B.3649).
Padre Antonio
Soler is the most
important Spanish
composer of keyboard
instruments of the XVIII
century. Born in Olot he
was baptized in 1729 and
died in El Escorial in
1787. As a young boy he
entered the Escolania of
Montserrat, where he
studied composition and
organ, coinciding at the
same monastery with the
also Spanish composer of
that time, Fernando Sor.
Padre Soler spent great
part of his life in El
Escorial as chapel master
and organist and met in
Madrid Italian composer
Domenico Scarlatti with
whom he developped a deep
friendship inspired on
mutual
admiration.
In
spite of the similar
styles of both composers
the fluid inspiration of
Padre Soler excels for
his own personality,
definitely influenced by
Spanish roots.
Furthermore, I ask myself
if the fact of being at
the same monastery of
Montserrat with guitarist
composer Fernando Sor
didn't play an important
role in the future
development of Padre
Soler's style.
I
have transcribed for two
guitars these three
sonatas in the hope that
also the guitarists can
enjoy playing these
little jewels, truly
musical delights, that
Padre Antonio Soler left
for us.