Composed by David Leisner (1953-). Score and part(s). With Standard notation. Composed 13-Aug. 28 pages. Duration 9 minutes, 30 seconds. Theodore Presser Company #144-40716. Published by Theodore Presser Company (PR.144407160).

Chamber Music 2 Guitars

SKU: PR.GHE0815

Composed by Fernando Sor. Edited by Erik Stenstadvold. Sws. Collection. Theodore Presser Company #GHE0815. Published by Theodore Presser Company (PR.GHE0815).

Playing book for 2 Guitars. Composed by Peter Morscheck and Chris Burgmann. Guitar: Fingerpicking, Music Styles and Regions, Celtic / Irish, Duet and Ensemble. Book/CD Set. 66 pages. Published by Mel Bay Publications, Inc

Composed by William Bay. Classical, Saddle-stitched. Mastering the Guitar. Style. Book and online audio. Mel Bay Publications, Inc #30873M. Published by Mel Bay Publications, Inc

Arranged for two guitars. Composed by Reginald Smith Brindle (1947-2003). Sheet music. Schott. Playing score. 20 pages. Schott Music #ED 11432. Published by Schott Music (HL.49002803). 0.5

2 Guitars (Guitar)

SKU: HL.14010944

Composed by Manuel de Falla. Music Sales America. Classical. Book [Softcover]. Composed 2002. 16 pages. Chester Music #CH01804. Published by Chester Music (HL.14010944).

ISBN 9780711960763. 9.25x12.0x0.063 inches.

2 Dances from The Three-Cornered Hat by Manuel de Falla, arranged by Graciano Tarrago, for guitar duet - includes two copies.

Composed by Frederic Hand. Score and part(s). Handwerks Music #494-03163. Published by Handwerks Music

Guitar duet - Intermediate

SKU: DZ.DZ-4311

Composed by Louise Farrenc. Arranged by Eddie Healy. Score and parts. Les Productions d'OZ #DZ 4311. Published by Les Productions d'OZ (DZ.DZ-4311).

ISBN 9782898522284.

Loui se Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title.
Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!
These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.

Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.
Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écart e de l’intention originale de l’étude . Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !
Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimenté s.

(Duets for Two Acoustic Guitars). Composed by William Bay. For acoustic guitar duet. Perfect binding. Advanced. Book. 88 pages. Published by Mel Bay Publications, Inc

For 2 Guitars. Composed by Jose Ferrer. Edited by Jens Franke and Marta Gonzalez Bordonaba. Arranged by Jorgen Skogmo. This edition: Saddle stitching. Sheet music. Guitar Archive. Classical. Softcover. 32 pages. Schott Music #GA570. Published by Schott Music

Guitar Duo

SKU: SU.21000179

For Guitar Duo. Composed by Carlton Wilkinson. Guitar, Guitar Ensemble. Score. Calabrese Brothers Music, LLC #21000179. Published by Calabrese Brothers Music, LLC (SU.21000179).

Includes 2 scoresGuitar Duo Duration: 2' Composed: 2006 Published by: Calabrese Brothers Music.

Guitar duet - Intermediate

SKU: DZ.DZ-4120

Composed by Various. Score and parts. Les Productions d'OZ #DZ 4120. Published by Les Productions d'OZ (DZ.DZ-4120).

ISBN 9782898520372.

This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.

You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.

The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.

Isabelle Héroux, editor, professor, Department of Music, UQAM.
Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.

Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expér ience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive.

Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprÃà ‚©tation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.

Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.

Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.
Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur.

Composed by Frederic Hand. With Standard notation. Handwerks Music #494-03118. Published by Handwerks Music

Music for Two Guitarists - Revised New Edition 2020. Composed by Helmut Lachenmann. World premiere: Baden-Baden, December 3, 1977. Breitkopf and Haertel #EB 9389. Published by Breitkopf and Haertel

(For 2 Guitars). Composed by Alexandre Tansman (1897-1986). Edited by Angelo Gilardino. For guitar duet. The Andres Segovia Archive. Score and Audio CD. 52 pages. Berben #564-03180. Published by Berben

Composed by Fernando Sor (1778-1839). New Karl Scheit Guitar Edition. Score and part(s). With Standard notation. 32 pages. Universal Edition #UE34491. Published by Universal Edition (PR.UE034491).

Composed by Alexander Vinitsky. Collection. 40 pages. Published by Mel Bay Publications, Inc

Etudes and Familiar Chord Progressions for Two Guitars. Composed by Tim Fischer and William Flynn. Saddle-stitched. USC School of Music. Jazz. Book and online audio. 52 pages. Published by Mel Bay Publications, Inc

Chamber Music 2 Guitars

SKU: PR.GHE0909

From the Classics. Composed by Various. Edited by Stefano Grondona. Arranged by Miguel Llobet. Sws. Collection. Theodore Presser Company #GHE0909. Published by Theodore Presser Company (PR.GHE0909).

Chamber Music 2 Guitars

SKU: PR.GHE0911

Evocacions A Duo. Composed by Isaac Albeniz. Edited by Stefano Grondona. Arranged by Miguel Llobet. Sws. Collection. Theodore Presser Company #GHE0911. Published by Theodore Presser Company (PR.GHE0911).

Chamber Music 2 Guitars

SKU: PR.114404950

Composed by Robert Capanna. Performance Score. With Standard notation. 12 pages. Duration 7 minutes. Theodore Presser Company #114-40495. Published by Theodore Presser Company (PR.114404950).

UPC: 680160008261. 8.5 x 11 inches.

Evocative and transparent. The five movements contrast energy with introspection, requiring a dextrous and flexible ensemble. For colleges, conservatories, professionals. Difficult.

Chamber Music 2 Guitars

SKU: PR.11440785S

Composed by Jan Krzywicki. Score. With Standard notation. 8 pages. Duration 6 minutes. Theodore Presser Company #114-40785S. Published by Theodore Presser Company (PR.11440785S).

UPC: 680160012091.

The composition of the work began as a few improvisational thoughts on a short phrase from a Beethoven piano sonata, which eventually developed into a six-minute fantasia that ultimately bears little audible relation to the original Beethoven phrase. The work is in four sections, of which the first and last are nocturnal, prelude, and postlude respectively. The main second section grows from a simple imitative idea to a chordal climax that subsides into a chorale and soliloquy which is elegiac in nature.

Chamber Music 2 Guitars

SKU: PR.GHE0912

Manuel De Falla. Composed by Manuel Falla. Edited by Stefano Grondona. Arranged by Miguel Llobet. Sws. Collection. Theodore Presser Company #GHE0912. Published by Theodore Presser Company (PR.GHE0912).

Chamber Music 2 Guitars

SKU: PR.GHE0910

De Espana a Suramerica. Composed by Various. Edited by Stefano Grondona. Arranged by Miguel Llobet. Sws. Collection. Theodore Presser Company #GHE0910. Published by Theodore Presser Company (PR.GHE0910).

14 Pieces Arranged for 2 Guitars. Composed by Various. Arranged by Fabian Payr. Guitar. Classical. Softcover. 27 pages. Ricordi #SY2405. Published by Ricordi

(17 Classical Masterpieces). Composed by Various. Edited by Mark Phillips. For Guitar, Guitar Duet. Guitar Collection. Softcover. Guitar tablature. 64 pages. Published by Hal Leonard