2 pianos SKU: BR.EB-8853 Sight-Reading for 4 Single Hands at 2 Pianos ...(+)
2 pianos
SKU:
BR.EB-8853
Sight-Reading for 4
Single Hands at 2 Pianos
- 2 Copies in a Set.
Composed by Jairo
Geronymo. Edited by
Sigrid Naumann. Folder.
Edition Breitkopf. Music
pedagogy. Score. 56
pages. Breitkopf and
Haertel #EB 8853.
Published by Breitkopf
and Haertel (BR.EB-8853).
ISBN 9790004184431. 9
x 12 inches.
Cards
on the table - it's
sight-reading time!
Keyboard beginners can
now train their
sight-reading abilities
with 16 piano and
orchestral classics in
new arrangements for two
instruments and four
players, each of them
using one hand only.
Thereby they will be able
to gain experience in
ensemble playing and
acquire motivation by
playing pieces they might
not master on their own
yet. For a better
orientation in the score,
the four symbols from
playing cards are
assigned to the four
parts. Advanced students
can also use the
arrangements as piano
duets - ideal for group
lessons and recitals!
For Two Pianos, Four Hands. Composed by Anton Stepanovich Arensky (1861-1906)....(+)
For Two Pianos, Four
Hands.
Composed by Anton
Stepanovich
Arensky (1861-1906).
Edited
by Lucy Mauro and Scott
Beard. Duet or Duo;
Masterworks; Piano
Collection
(2 Pianos, 4 Hands); Solo
Small Ensembles. Alfred
Masterwork Edition.
Masterwork; Romantic.
Book.
48 pages. Alfred Music
#00-
48637. Published by
Alfred
Music
2 Pianos SKU: HL.50485379 Fur Klavier und Streicher fur die Jugend...(+)
2 Pianos
SKU:
HL.50485379
Fur
Klavier und Streicher fur
die Jugend. Composed
by Rezso Sugar. 20th
Century. EMB. Book
[Softcover]. 24 pages.
Editio Musica Budapest
#Z1785. Published by
Editio Musica Budapest
(HL.50485379).
2 pianos SKU: HL.49044648 For two pianos. Composed by Gerald Barry...(+)
2 pianos
SKU:
HL.49044648
For
two pianos. Composed
by Gerald Barry. This
edition: Saddle
stitching. Sheet music.
Piano. Softcover.
Composed 1979. 16 pages.
Duration 7'. Schott Music
#ED13748. Published by
Schott Music
(HL.49044648).
ISBN
9790220135910. UPC:
841886025639.
Writt
en in 1979 after seeing
an exhibition of Rothko's
paintings in Cologne, O
is one of Barry's
earliest published works.
Both piano parts are the
same and the composer
describes the work as an
exploration of
ornamentation (the
bending of an existing
melody) and an etude in
co-ordination (the
challenge of playing
exactly together).
