For Piano and Orchestra. Par GRIEG EDVARD. This new edition of one of the most famous of piano concertos is based on an in-depth revision of the existing (and tried and trusted) Edition Peters version (EP2164). The piano part of the orchestra reduction has been revised, optimized (including page turns), had instrument references added and collated with the score of the Grieg Complete Edition. The solo part has been reviewed and corrected with reference to the two main sources./ Répertoire / 2 Pianos

For 2 Pianos, 4 Hands (a set of 2 scores for performance). Par GERSHWIN GEORGE. George Gershwin's iconic Rhapsody in Blue changed the landscape of American music at its 1924 premiere. Its irresistible fusion of classical and jazz has made it one of the most popular American concert works of all time. For this new edition all available sources at the Library of Congress were consulted, including full scores for piano and orchestra as well as two-piano reductions. This edition includes a second copy of the music, making it ideal for all concerto settings. Historical background and critical notes on the sources provide a fascinating window into Gershwin's composition process./ Répertoire / 2 Pianos 4 Mains

Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák's only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel 'olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel 'olc.

For Pianoforte And Orchestra. Par BEETHOVEN LUDWIG VAN. The autograph to Beethoven's Piano Concerto #4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon- the copyist's manuscript of the score with Beethoven's own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript. Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions (even Urtext editions) have now been corrected. Thus, this new Bärenreiter Urtext edition presents Beethoven's famous work in the clarity which it deserves. - With numerous corrections - Piano reduction with a separate solo piano part/ Répertoire / Piano et Orchestre