Requiem da Camera was the young composer's first extended work- only the instrumental prelude was performed during Finzi's lifetime. The piano duet arrangement of the Prelude by Finzi's friend and collaborator Howard Ferguson forms part of the manuscript vocal score of the Requiem and is dated 1924. Suitable for intermediate standard players. / 2 Pianos 4 Mains

Greg Anderson et Elizabeth Joy Roe sont peut-être le jeune duo le plus excitant effectuer aujourd'hui, offrant des concerts de musique classique adrenalized qui révolutionnent l'expérience du duo de piano pour le 21e siècle. Décrit comme 'Fred Astaire et Ginger Rogers transposée de la piste de danse au clavier' (Le Southampton Press) et 'la synchronisation intense de génie' (Thirdcoast Digest), Greg et Liz apporter leur camaraderie joyeuse et l'art raffiné de la scène de concert, auditoires éblouissants à travers le monde comme une équipe à quatre mains et deux pianos.Le Anderson and Roe Duos and Duets série comporte arrangements inspirants interprétée par le duo --- du réglages des mélodies d'opéra précieux aux pots-pourris de la musique de film populaire. Les pièces sont éditées avec doigté et d'autres directions qui facilitent la répétition et la performance, ce qui les rend accessibles pour faire avancer les étudiants ainsi que pour les concertistes.Trois Valses pour deux pianos: un pot-pourri de valses rendu célèbre dans les films de Disney combine astucieusement 'Chim Chim Cher-ee', 'Someday My Prince Will Come' et 'Gaston' dans une pièce de concert virtuose, qui culmine dans une finale showstopping que superpose les trois mélodies sur le dessus de l'autre. Techniques de jeu de piano étendues, telles que gratter les cordes à l'intérieur du piano et de jouer des groupes de notes avec le poing, ainsi que des morceaux de bravoure qui englobe l'ensemble des deux pianos font l'un des Anderson and Roe arrangements plus excitantes. / 2 Pianos 4 Mains

New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos

Par BACH JOHANN SEBASTIAN. Bach ’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach ’s Harpsichord concerti, G. Henle Publishers presents a Piano reduction and study edition(score) of the d-minor concerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions. / Müllemann, Norbert / Répertoire / 2 Pianos, 4 Mains

Par RACHMANINOV SERGEI. Dramatic and lyrical by turns, this work displays Rachmaninov's keyboard characteristics: intense Russian flavor, rich and bold sonorities, compelling rhythmic drive, and brilliant virtuosity. Rachmaninov shows here a very fine grasp of the medium of two pianos, his haunting sense of melody, and his richly harmonic and rhythmic foundation. Altogether it ranks as a very important contribution to two-piano literature. Arranged for 2 Pianos, 4 Hands, this edition includes two complete copies of the work./ Répertoire / 2 Pianos

Par RACHMANINOV SERGEI. Rachmaninovs masterpiece, his largest and most architecturally satisfying piano concerto, became a sensation again in 1996 when it was featured in the movie Shine. With its memorable theme and glittering orchestration, for many pianists this is the pinnacle of achievement in the concerto repertoire. MMOs version of this complex and rewarding work is an invaluable and essential asset for every virtuoso-in-training. This deluxe edition includes a third compact disc containing a slow-tempo practice version of the concerto while you get your fingers up to speed!/ Répertoire / 2 Pianos

This portrait of old New Orleans captures the lively and beautiful moods of this great city in its most elegant light. The engaging duo for two pianos/four hands alternates between a jazzy, upbeat style and lyrical warmth with a celebratory reference to 'When the Saints Go Marching In? for a final flourish. Includes two scores. / 2 Pianos

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

French composer Paul Dukas (1865-1935) was also a critic, scholar, and teacher. ' The Sorcerer's Apprentice ' is his most famous creation, and this original compilation of Dukas ' Piano works is highlighted by the world-renowned music that was based upon Goethe's Faust and inspired a memorable sequence from Disney's Fantasia. The two-Piano version that appears here was transcribed by the composer himself. Suitable for intermediate and advanced pianists, this collection features four additional pieces: Piano Sonata in E-flat minor- Prélude élégiaque- Variations, Interlude and Finale on a theme by Jean Philippe Rameau - and La plainte, au loin, du faun . Edited and introduced by renowned pianist Daniel Glover, these works were reproduced from authoritative sources. / 2 Pianos

Par ARNOLD MALCOLM. Originally commissioned by the BBC and first performed by Phyllis Sellick and Cyril Smith with the BBC Symphony Orchestra conducted by the composer. . . .has an enchantingly gentle Ravelian slow movement, and an outrageously jazzy finale which was encored at its Proms premiere - understandably as it centres on one of Arnold's most infectious tunes. . . Ivan March, Gramophone, December 1994 / Niveau : Elémentaire / Répertoire / Conducteur

Comme nombre de pianistes virtuoses de son temps, Schumann rêvait lui aussi de se présenter au public, comme pianiste et compositeur à la fois, avec son propre concerto pour piano. Il entreprit dès son jeune âge ses premiers essais. Mais dans les années suivantes, il se sentit de plus en plus attiré par l?idée d?une conception plus libre sur le plan formel. Partant de l?ébauche d?une «Phantasie» en un mouvement, Schumann écrit finalement le premier mouvement de cette ?uvre célèbre, présentée ici pour la première fois dans une édition Urtext pour la pratique. Le concours de la pianiste Mitsuko Uchida, réputée dans le monde entier, a pu être acquis pour l?élaboration du doigté. / Classique / Partition / Cartonné / Plat de carton /

Divertimento pour deux pianos. La première fois en 1975. Durée ch. 14 minutes. Les mouvements individuels peuvent être effectués séparément. Convient pour les pianistes de Grade V à partir. / 2 Pianos / 36 pages / Partition