58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets from elementary to intermediate, this 1 piano, 4 hands collection is a must-have for every piano studio. Features comb-binding for easy page turns. Includes works by Brahms, Czerny, Gurlitt, Lully, Schubert, Tchaikovsky, and many more. The graded pieces are presented in a progressive order from elementary through to intermediate level. The authentic repertoire is ideal for lessons and recitals, and every level includes a reference chart with the key, composer, and challenge elements listed for each piece. The Beckman/True Duo has been performing together since 2000 in national and international venues. Presenting both standard and contemporary works from 1900 to present day, their programs include music for duo pianos and piano duet. They have released multiple recordings and are also committed teachers who have taught workshops for experienced teachers and young musicians. They have adjudicated and performed in venues across the globe. / Date parution : 2021-12-09/ Recueil / 2 Pianos

Par GORDON ANDREW D.. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality, . Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality. Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression./ Recueil / 2 Pianos

Par WEDGWOOD PAM. Cool syncopation, funky riffs and smooth, stylish tunes, from dynamic to nostalgic, Pam Wedgwood's series has it all. Christmas Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles. So celebrate the festive season in style with these jazzy arrangements of popular Christmas carols. / Niveau : Assez Facile / Date parution : 1995-07-20/ Recueil / 2 Pianos

Concertino in Dance Styles is a work in three movements that highlights skills in articulations, dynamics, tempo, and mood. From the joyous first movement to the mysterious second movement, followed by a delightful jig for the third movement, this piece provides unique technical challenges, harmonic variety, and stylistic moods. The second piano part can be played by a teacher, older sibling, parent, or grandparent---making this piece a recital showstopper! / 2 Pianos, 4 Mains

New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos