Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

From Rhapsodie On A Theme Of Paganini. Par RACHMANINOV SERGEI. WBF02323 / Pièce de concert / Répertoire / 2 Pianos

French composer Paul Dukas (1865-1935) was also a critic, scholar, and teacher. ' The Sorcerer's Apprentice ' is his most famous creation, and this original compilation of Dukas ' Piano works is highlighted by the world-renowned music that was based upon Goethe's Faust and inspired a memorable sequence from Disney's Fantasia. The two-Piano version that appears here was transcribed by the composer himself. Suitable for intermediate and advanced pianists, this collection features four additional pieces: Piano Sonata in E-flat minor- Prélude élégiaque- Variations, Interlude and Finale on a theme by Jean Philippe Rameau - and La plainte, au loin, du faun . Edited and introduced by renowned pianist Daniel Glover, these works were reproduced from authoritative sources. / 2 Pianos

Par RACHMANINOV SERGEI. Format: New Edition portrait/ Répertoire / Piano et Orchestre