The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

In 1839 Friedrich August Kummer (1797-1879) wrote Violoncelloschule f³r den ersten Unterricht (Violoncello School for Preliminary Instruction), Op. 60. The method has remained a staple of teaching literature ever since. As an appendix to this work, Kummer composed several duets of increasing difficulty that can be paired with the topics and exercises learned in the lessons. As cello technique changed during the nineteenth century, several cellists (Friedrich Dotzauer, Bernhard Romberg, and Leo Schulty) added other duets bringing the total to 110. Selected Pupil/Teacher Cello Duets contains the first 85 collected in the 1900 Schirmer edition of these etudes, extracted to be used in lessons to enforce technical and musical issues as they arise. / 2 Violoncelles

Duos pour violoncelle Starter contient quelques arrangements d'airs traditionnels, mais surtout de nouvelles compositions, inspirées par la tradition classique - avec quelques éléments occasionnels contemporain. Dès le début, ces duos peut être joué aux côtés de toute méthode de violoncelle. Les parties supérieure et inférieure sont égales en termes de difficulté et de l'expression musicale. / 2 Violoncelles / 44 pages / niveau : Très Facile - Facile / Recueil

Pourquoi un livre avec des duos de jazz pour les débutants de violoncelle? Ce livre de duos par le violoncelliste de jazz italien et professeur Lucio Amanti veut donner violoncellistes une première introduction dans les styles de jazz. Les 25 pièces sont écrites pour la première violoncelle dans la première position, avec les morceaux deviennent progressivement plus exigeant à l'égard de doigté, s'inclinant et en harmonie.Beaucoup de pièces contiennent des symboles harmoniques afin de donner à l'élève (et l'enseignant) la chance d'essayer leurs premières improvisations. Ils peuvent d'abord jouer le morceau en notée dans le livre et puis répéter la section notée avec des accords comme s'il s'agissait d'un standard de jazz. Une nouvelle et un nouvel élan pour le violoncelle! / 2 Violoncelles