For Two Violins, Op. 85. Composed by Jacques Fereol Mazas (1782-1849). This edit...(+)
For Two Violins, Op. 85.
Composed by Jacques
Fereol Mazas (1782-1849).
This edition: Complete -
Books 1-3. Carl Fischer
Music Library. Classical.
Set of parts. With
Standard notation. Opus
85. 80 pages. Carl
Fischer #L001072.
Published by Carl Fischer
Composed
by Joseph Bodin de
Boismortier. Arranged by
Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 3 minutes, 15
seconds. FLEX Editions
#FX072196. Published by
FLEX Editions
(FL.FX072196).
Instruments:Vio
lin Duet: 2 Violins;
Difficuly Level: Grade
4.
Composed
by Joseph Bodin de
Boismortier. Arranged by
Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 3 minutes, 30
seconds. FLEX Editions
#FX072157. Published by
FLEX Editions
(FL.FX072157).
Instruments:Vio
lin Duet: 2 Violins;
Difficuly Level: Grade
4.
Composed
by Joseph Bodin de
Boismortier. Arranged by
Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 4 minutes, 25
seconds. FLEX Editions
#FX072168. Published by
FLEX Editions
(FL.FX072168).
Instruments:Vio
lin Duet: 2 Violins;
Difficuly Level: Grade
4.
Two Violins SKU: IM.3838 Composed by Jakob Dont. Edited by Tyrone Greive....(+)
Two Violins
SKU:
IM.3838
Composed by
Jakob Dont. Edited by
Tyrone Greive. Score and
Parts. International
Music Co. #3838.
Published by
International Music Co.
(IM.3838).
Placed at an
intermediate technical
level, these
systematically based
studies provide an
excellent foundation for
more advanced study. In
two separate parts.
Includes Exercises nos.
2, 4, 5, 6, 8, 10, 17,
18, 20, 21, 24, 25, 27,
28, 29.
Violin Duet SKU: BT.EMBZ7918 Mit Begleitung einer zweiten Violine....(+)
Violin Duet
SKU:
BT.EMBZ7918
Mit
Begleitung einer zweiten
Violine. By Geza
Kallay. By Charles
Dancla. EMB Music Lesson
- Exercises, Studies.
Studies & Exercises. Book
Only. Composed 1976. 24
pages. Editio Musica
Budapest #EMBZ7918.
Published by Editio
Musica Budapest
(BT.EMBZ7918).
Charles Dancla
(1817-1907) is considered
to be the last great
representative of the
French Violin School. He
knew, in a special way,
how to implement the
principle 'no music
without technique, no
technique without music'
in his teaching
material.