Le recueil All Time Klezmers s'inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora à l'exubérance du Freilach. L'accompagnement a été confié à d'authentiques klezmorim évoluant dans la plus pure tradition de la musique klezmer. / Accordéon / 48 pages / niveau : Elémentaire / Partition Cd

Par KRZANOWSKI ANDRZEJ. The cycle of nine Reliefs was written between 1984 and 1989, during the last period in Andrzej Krzanowski?s life, and it provides further evidence of his interest in the fine arts, which he exploited in his compositional work. The sculpture technique enabling an artist to create bas reliefs of varying degrees of convexity, for which the raw material is so important, is faithfully reflected in Relief II, where the accordion offers such possibilities for shaping the sound, dynamics, timbre and articulation that the narrative pursued in this work, involving the expansion and contraction of sound streams and the consistent processing of the raw material (whole tone ? semitone scale), creates a ?musical relief ?. This is not a dramatic or virtuosic work. Time flows slowly, on low, subtly fluctuating dynamic levels, the bands of sounds that form streams of varying density are written solely by means of horizontal lines, stretched out across regular bar lines that measure out the time, and the static unfolding of the music is enriched solely with vibrations. The sounds alternately overlap and fade. Sometimes they occur in imitation, and self-contained chords appear incidentally. The contemplation of time, multi-level structuring, subtlety and? dedication to the brilliant Japanese composer Toshio Hosokawa account for the popular name of this work ? ?Japanese?. Fragment of preface Grazyna Krzanowska translated by John Comber / Date parution : 2022-11-08/ Recueil / Accordéon

Martin Tourish is an accordion specialist from Ireland whose own history is steeped in the tradition of Celtic Music. In his ground-breaking publication 'CELTIC?, he explores, in arrangements for solo, standard-bass accordion, music from Ireland, Scotland, Wales, Cornwall and Brittany. He examines 'styles within styles?, offering thirty easy to intermediate grade pieces as well as a guide to performing practice in a genre where the musical notation is often considered by performers to be merely 'skeletal?. He hopes that this book will also be an invitation to seek out recordings, and to visit the places and peoples evoked by this music. / Accordéon