Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag

Viola, piano

SKU: FG.55011-906-2

Composed by Harri Wessman. Classical, contemporary. Score and part. Fennica Gehrman #55011-906-2. Published by Fennica Gehrman (FG.55011-906-2).

ISBN 9790550119062.

Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.

Duration: c. 11'

Movements:
1. Summer theme
2. What is this?
3. Pizzicato
4. Con sordino
5. Stile concitato ostinato
6. Tango
7. Finale

Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.

His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).

Performed by Barbara Barber. Edited by Judi Gowe Bagnato. Summy-Birchard supplementary instruments (viola and piano). Published by Alfred Publishing.

Performed by Barbara Barber. Edited by Judi Gowe Bagnato. Summy-Birchard supplementary instruments (viola and piano). Published by Alfred Publishing.

Performed by Barbara Barber. Edited by Judi Gowe Bagnato. Summy-Birchard supplementary instruments (viola and piano). Published by Alfred Publishing.

Arranged by Adam P. Lesinsky. For viola solo and piano accompaniment. Format: viola solo songbook. With solo part (includes a separate, pull-out viola part) and piano accompaniment. Romantic period and instructional. 96 pages. 9x12 inches.

(Carols And Traditional) Arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. Instrumental solo book and examples/accompaniment CD for viola. With viola fingering chart. 96 pages. Published by Alfred Publishing.

By Kathy and David Blackwell. For piano accompaniment. Viola. Viola Time. Viola Time. 52 pages. Published by Oxford University Press

For Viola and Piano. Composed by Amanda Harberg. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2011. 10 pages. Duration 5 minutes. Theodore Presser Company #114-41675. Published by Theodore Presser Company (PR.114416750).

Viola and piano

SKU: HL.49044782

From Children's Corner. Composed by Claude Debussy. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String. The popular piece by Debussy now available in a version for melodic instrument with piano accompaniment. Softcover. Schott Music #ED09973. Published by Schott Music (HL.49044782).

ISBN 9790001192170. UPC: 841886019904.

The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Children's Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908.The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship.The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.

By Janice Tucker Rhoda. Piano accompaniment book for piano. Series: The ABC's of Viola. Published by Carl Fischer.

By ABRSM. For viola, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

for Viola and Piano. By Sergei Prokofiev. String. Size 8.25x11.75 inches. Published by Sikorski.

For Viola and Small Orchestra (piano reduction and solo part). By Heinz Holliger. Arranged by Gabriel Burgin. Schott. Book only. Published by Schott.

From the Paris Conservatoire repertoire. Composed by Various. Edited by Jutta Puchhammer-Sedillot. This edition: Saddle stitching. Sheet music. String. Recital, Classical. Score and part, Softcover. Composed 1896-1938. 22254. 88 pages. Schott Music #ED22254. Published by Schott Music (HL.49045367).

Viola and Piano - Grade 4

SKU: HL.14042969

Composed by Benjamin Britten. Arranged by Martin Outram. Music Sales America. Classical. Softcover. Chester Music #CH81939. Published by Chester Music (HL.14042969).

ISBN 9781783053919.

Port rait No.2 'E.B.B' is taken from Two Portraits for Strings composed by Benjamin Britten . This fantastic, flowing Viola solo over, soft, staccato Piano chords really expresses a range of gripping emotions. Here it is present in a version arranged for Viola and Piano by  Martin Outram,  violist of the Maggini Quartet.

Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For viola solo and piano accompaniment. Includes viola/piano book and accompaniment CD. With solo part and piano accompaniment. Movies. 80 pages. 9x12 inches. Published by Warner Brothers.

Score and Parts Clarinet; Piano; Viola (Score & Parts)

SKU: HL.49045889

Five pieces in fairy-tale style for Clarinet, Viola and Piano Score and Parts. Composed by Joerg Widmann. Ensemble. Classical. Softcover. 120 pages. Duration 1740 seconds. Schott Music #ED22487. Published by Schott Music (HL.49045889).

9.0x12.0x0.33 inches.

As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like'Once upon a time...'and'...they all lived happily ever after'. Fairy tales were however also a source of unrest for me as a seismograph of mankinds underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann's Marchenerzahlungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work - despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal (Once upon a time...)to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jorg Widmann.

(in the Style of Gaëtano Pugnani Viola and Piano). By Fritz Kreisler (1875-1962). Edited by Giuseppe Pascucci. String. Softcover. 16 pages

(Op. 100). Composed by Antonin Dvorak (1841-1904). Edited by Kim Kashkashian. For viola, piano. Score and Part. Standard Notation. 32 8 pages. Published by Carl Fischer

Chamber Music Piano, Viola

SKU: PR.114412490

For Viola and Piano. Composed by Martin Amlin. Classical. Set of Score and Parts. With Standard notation. Composed 1987. 28+12 pages. Duration 13 minutes. Theodore Presser Company #114-41249. Published by Theodore Presser Company (PR.114412490).

ISBN 9781491113011. UPC: 680160018048. 8.5 x 11 inches.

SONATA for Viola and Piano was written for Patricia McCarty and premiered by her and the composer in 1987. All three movements are unified by a recurring six-note pattern (C-E(-B(-F-G-B() used throughout as a basis for the repetitive harmonic plan of the Chaconne, as a nostalgic reminiscence in the Interlude, and as a thematic element for a mixed-meter hoedown in the Rondo.
Martin Amlin's SONATA for Viola and Piano was written for Patricia McCarty and premiered by her and the composer in 1987.  All three movements are unified by a recurring six-note pattern (C-Eb-Bb-F-G-Bb) which is used throughout the piece as a basis for the repetitive harmonic plan of the Chaconne, as a nostalgic reminiscence in the Interlude, and as a thematic element for a mixed-meter hoedown in the Rondo.

Composed by John Williams, arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. For viola solo and piano accompaniment. Includes viola solo book and accompaniment CD. With standard notation, bowings, fingerings, piano accompaniment, color photos and black & white photos. Movies. 72 pages. 9x12 inches. Published by Warner Brothers.

Viola and Piano. By Various. Arranged by Paul Doktor. String Solo. Size 9x12 inches. 32 pages. Published by G. Schirmer, Inc.

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.