Viola, piano - Level 5 SKU: GE.GPL-243 Due Tombe, Quel Che si Narra, I...(+)
Viola, piano - Level 5
SKU: GE.GPL-243
Due Tombe, Quel Che si
Narra, Idillio d'Amore,
Giovinezza, Primo
Incontro, Felicita
d'amanti, Serenate
Maligna. Composed by
Marco Anzoletti. Edited
by Kenneth Martinson and
Philippe Chao. This
edition: Urtext. Staple
Center Bound with 1
insert. Due Tombe, Quel
Che si Narra, Idillio
d'Amore, Giovinezza,
Primo Incontro, Felicita
d'amanti, Serenate
Maligna. Classical. Piano
score and 1 part. 58
pages. Gems Music
Publications #GPL 243.
Published by Gems Music
Publications
(GE.GPL-243).
ISBN
9790300900438. 8.5 x 11
inches. Key: D, f, d, g,
e, e, g.
English.
Due Tombe,
Quel Che si Narra,
Idillio d'Amore,
Giovinezza, Primo
Incontro, Felicita
d'amanti, Serenate
Maligna.
Viola and Piano - intermediate SKU: BT.SLB-02032701 Pour alto & piano<...(+)
Viola and Piano -
intermediate
SKU:
BT.SLB-02032701
Pour alto & piano.
Composed by Johann
Christian Bach.
Classical. Book and
Part(s). Composed 2021.
40 pages. Editions
Salabert #SLB 02032701.
Published by Editions
Salabert
(BT.SLB-02032701).
230
X 305 inches.
French-English-Italian.
p>
Henri Casadesus was
passionate about early
instruments, as we know
from a number of
photographs showing him
with viola
d’amore, the
subject of a manual he
wrote entitled Tecnique
de la viole
d’amour. The
Concerto en Ut mineur was
first published in 1947
by Mica Salabert. The
first edition gives the
so-called
“originalâ€
part for solo violocello
together with the score
which, according to the
preface, has been adapted
for viola or cello or
violin by Casadesus.
However, stylistic
analysis of the piece,
together with some
musicological research
carried out after the
appearance of the first
edition reveals that the
“originalâ€
version for violoncello,
on which the adaptation
was supposed to be based,
cannot be attributed to
Johann Christian Bach,
but is rather a work
imitating his style
written two centuries
later. In spite of this,
Concerto en Ut mineur
encountered considerable
success and continues to
be studied and performed
by both violinists and
violoncellists
today.