For Viola and Piano. Composed by Amanda Harberg. Contemporary. Solo part ...(+)
For Viola and
Piano. Composed by
Amanda Harberg.
Contemporary. Solo part
with piano reduction.
With Standard notation.
Composed 2011. 10 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41675. Published by
Theodore Presser Company
(PR.114416750).
(Op. 100). Composed by Antonin Dvorak (1841-1904). Edited by Kim Kashkashian. Fo...(+)
(Op. 100). Composed by
Antonin Dvorak
(1841-1904). Edited by
Kim Kashkashian. For
viola, piano. Score and
Part. Standard Notation.
32 8 pages. Published
by Carl Fischer
Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christ...(+)
Instrumental Play-Along.
Composed by Various.
Instrumental Play-Along.
Christian, General
Worship,
Hymns, Sacred. Softcover
Audio Online. 24 pages.
Published by Hal Leonard
Score and Parts Clarinet; Piano; Viola (Score & Parts) SKU: HL.49045889 <...(+)
Score and Parts Clarinet;
Piano; Viola (Score &
Parts)
SKU:
HL.49045889
Five
pieces in fairy-tale
style for Clarinet, Viola
and Piano Score and
Parts. Composed by
Joerg Widmann. Ensemble.
Classical. Softcover. 120
pages. Duration 1740
seconds. Schott Music
#ED22487. Published by
Schott Music
(HL.49045889).
9.0x12.0x0.33
inches.
As far back
as I can remember, I have
always been fascinated
with fairy tales: with
their archetypal
characters and set
phrases like'Once upon a
time...'and'...they all
lived happily ever
after'. Fairy tales were
however also a source of
unrest for me as a
seismograph of mankinds
underlying primal fears
and desires. So as a
performer and composer I
have always felt that
Robert Schumann's
Marchenerzahlungen [Fairy
Tales] (scored for the
same instrumentation as
my own composition) was a
disjointed, complex
contemporary work -
despite the innocence and
naivety of its initial
appearance. I therefore
do not intend my own Es
war einmal (Once upon a
time...)to be a mere
sentimental, nostalgic
flight into the distant
past, but as a naive and
fantastical alternative
concept to our genuine
world with all its
upheavals. Jorg
Widmann.
Arranged by Daniel Kelley. For Viola and Piano. Solos. Recital, Church. Level: I...(+)
Arranged by Daniel
Kelley. For Viola and
Piano. Solos. Recital,
Church. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Viola and piano SKU: M7.DOHR-88836 Concertino. Composed by Adrian ...(+)
Viola and piano
SKU:
M7.DOHR-88836
Concertino.
Composed by Adrian
Connell. Sheet music.
Score and part. Duration
10'. MDS (Music
Distribution Services)
#DOHR 88836. Published by
MDS (Music Distribution
Services)
(M7.DOHR-88836).
ISBN
9790202098363.
Ther
e comes a time in life
when your parents have
passed on. What we are
left with is the memories
of their love, guidance,
support, and the happy
times together. Last
August when my mum sadly
passed away, I wrote an
Elegy as part of my
grieving. However, as a
family we had happy times
together and it seemed
only right to compose a
work which would
celebrate this. So, I
added a first and last
movement to create a
short concertino. The
movements are: Prelude:
Peter John Connell: The
Cheeky Chap Elegy: Mavis
June Connell (Time To
Remember) Rondo: Family
Fun (Adrian Connell)
Performance note The work
can also be performed
with accompaniment of
string orchestra and harp
using the set of parts
for the version for
clarinet and orchestra
(E.D. 88833).
For Viola and Orchestra. By Samuel Adler. For Viola Solo, Piano. This edition: S...(+)
For Viola and Orchestra.
By Samuel Adler. For
Viola Solo, Piano. This
edition: Solo Part and
Piano Reduction.
Classical. Solo Part with
Piano Reduction. Composed
1998. 33 pages. Duration
23:00. Published by
Theodore Presser Company.
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano
SKU:
BT.YE0009
For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart.
Piano Accompaniment; Viola (Score and Solo Part) SKU: HL.48024203 Viol...(+)
Piano Accompaniment;
Viola (Score and Solo
Part)
SKU:
HL.48024203
Viola
and Piano. Composed
by Magnus Lindberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 26 pages.
Boosey & Hawkes
#M060133077. Published by
Boosey & Hawkes
(HL.48024203).
ISBN
9781784542689.
9.0x12.0x0.127
inches.
The
composer states: Acequia
Madre demonstrates an
approach which was
somewhat new to the style
of my musical expression
at the time of its
composition [2012]:
structuring a work with
the focus on its melodic
aspects. I drew
inspiration from other
creative artists through
one of my 'rituals': I
surrounded myself with
the scores of composers
who, for one reason or
another, were on my mind
at the time, like Iannis
Xenakis, Alban Berg's
'Four Pieces for Clarinet
and Piano,' and
'Contrasts for violin,
clarinet and piano' by
Bela Bartok, plus
Schubert's haunting final
'String Quartet No. 15.'
Conquering technical
difficulties is something
I find particularly
rewarding when playing
acoustic instruments:
fully aware that today's
electronics can triumph
over a composer's most
demanding technical
challenges, I love the
idea of performers
encountering their
instruments with
virtuosity ... doing
something that seems to
defy physical
boundaries..
Viola and piano SKU: BR.MN-9604 Composed by Ernst Widmer. Edited by Emmy ...(+)
Viola and piano
SKU:
BR.MN-9604
Composed
by Ernst Widmer. Edited
by Emmy Henz-Diemand.
Solo instruments; Folder.
Musikverlag Nepomuk.
Music post-1945. Score.
Composed 1973/75. 20
pages. Duration 7'.
Breitkopf and Haertel #MN
9604. Published by
Breitkopf and Haertel
(BR.MN-9604).
ISBN
9790004790731. 8.5 x 11.5
inches.
Wasser,
Luft, Erde und Feuer
entsprechen den vier
Hauptteilen dieser
spielfreudigen und
klanglich reizvollen
Komposition.
Brasilianische
Tanzrhythmen und
Fragmente von
sudamerikanischen
Volksliedern werden
gekonnt mit
Spieltechniken der Musik
unserer Zeit verwoben.
Widmer hat die
Interpreten seiner Werke
nicht nur als Ausfuhrende
seiner Musik betrachtet,
sondern ihnen ein
Mitgestaltungsrecht
eingeraumt. So konnen die
vier Teile vom
Interpreten in freier
Wahl miteinander
verbunden werden.
Sel., transcr., and ed. Samuel Applebaum. For Viola Piano Acc. String Series - V...(+)
Sel., transcr., and ed.
Samuel Applebaum. For
Viola Piano Acc. String
Series - Viola / Piano
Acc. Level: Easy (grade
1-2). 24 pages. Published
by Alfred Publishing.
Alto SKU: BT.ALHE33327 Composed by Darius Milhaud. Classical. Book Only. ...(+)
Alto
SKU:
BT.ALHE33327
Composed
by Darius Milhaud.
Classical. Book Only. 8
pages. Heugel & Cie
#ALHE33327. Published by
Heugel & Cie
(BT.ALHE33327).
French.
Second
of the series of
_x001A_Four Faces_x001A_
by Darius Milhaud, II.
The Wisconsonian is a
short piece for Alto and
Piano. Easy to play, it
requires some technique
of the instrument and
some theory knowledge to
read in different keys.
Thebook includes the
parts for Viola and Piano
and for Viola only. The
music is cheerful and
quite fast, with the
Viola part playing mainly
semisquavers alternating
up and down every two
bars. It is supposed to
represent anAmerican girl
coming from Wisconsin.
She is part of the four
faces with: I. The
Californian girl, II. The
Wisconsonian and IV. The
Parisian girl. Darius
Milhaud (1892-1974) was a
French modernist composer
and a teacher. He wasalso
part of the Les Six and
was strongly influenced
by Jazz. His opus list
ended at 443.
Piano Accompaniment; Viola SKU: HL.48024311 Viola and Piano. Compo...(+)
Piano Accompaniment;
Viola
SKU:
HL.48024311
Viola
and Piano. Composed
by Richard H. Walthew.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 40 pages.
Boosey & Hawkes
#M060128028. Published by
Boosey & Hawkes
(HL.48024311).
ISBN
9780851629582.
9.0x12.0x0.165
inches.
New edition
of this charming suite by
the British composer
Richard Walthew
(1872-1951), originally
published in 1900. The
work was frequently
performed by Lionel
Tertis over his long
career; his fingerings
and bowings are of great
interest to students and
scholars, so these are
included for reference in
the viola cue stave in
the piano score; the
viola part itself is left
'clean' for performers to
make their own decisions
In 1943 Tertis premiered
A Mosaic in Ten Pieces in
the version for viola and
orchestra in a concert
broadcast by the BBC. The
performance was reviewed
in the Musical Times:
“It is the work of
a happy craftsman,
genial, jesting (so few
composers joke now). In a
slow movement Walthew is
at his serene best.
Brahms would have enjoyed
the Valsette, and Elgar
beamed upon other parts.
Tertis's phrasing is the
best lesson I can imagine
for any young
musician...â€.
Super Solos Alto, Piano [Partition + CD] - Intermédiaire Anglo Music
Viola and Piano - late intermediate SKU: BT.AMP-352-400 10 Selected So...(+)
Viola and Piano - late
intermediate
SKU:
BT.AMP-352-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
352-400. Published by
Anglo Music Press
(BT.AMP-352-400).
ISBN
9789043138703. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.