Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). For viola and piano. Classical. Score. 87 35 pages. Published by Edition Delrieu

By Henri Vieuxtemps (1820-1881). Edited by Yvonne Morgan. For Viola and Piano. Various Agencies. Published by Amadeus Verlag

(Edition for Gamba (Viola) with marked and unmarked string parts). By Carl Philipp Emanuel Bach (1714-1788). Edited by Ernst-Günter Heinemann, Wolfram Enlin, and Ernst-G. For Viola, Viola da gamba, Piano Accompaniment. Henle Music Folios. Softcover. 160 pages. G. Henle #HN990. Published by G. Henle

Viola

SKU: HL.48187485

Composed by Darius Milhaud. Heugel. Classical. Softcover. 24 pages. Heugel & Cie #HE31119. Published by Heugel & Cie (HL.48187485).

UPC: 888680844837. 9.0x12.0x0.132 inches.

“1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entrée 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of the characteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish).”.

Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. Stapled. Performance score. Published by Baerenreiter Verlag (BA.BA10918).

(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle

Composed by Georg Philipp Telemann (1681-1767). Arranged by Wolfgang Birtel. For Viola, Basso Continuo (Score and Solo Part). String. Softcover. 62 pages. Schott Music #ED21728. Published by Schott Music

Viola

SKU: HL.48187487

Composed by Darius Milhaud. Heugel. Classical. Softcover. 20 pages. Heugel & Cie #HE31122. Published by Heugel & Cie (HL.48187487).

UPC: 888680844882. 9.0x12.0x0.086 inches.

“Fren ch composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements; 1) Rural, 2) Dramatic, and 3) Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.”.

Viola and Piano (Viola)

SKU: HL.14030734

Composed by Edward Elgar. Music Sales America. Romantic. Book [Softcover]. 50 pages. Music Sales #NOV120819. Published by Music Sales (HL.14030734).

ISBN 9780853608264. 8.5x11.0x0.158 inches.

Violin Sonata arranged for Viola and piano by Veronica Leigh Jacobs. The piano part is a reproduction of the original Violin Sonata edition.

(Transcription of Violin Sonata No. 2 for Viola and Piano). By John Ireland (1879-1962). Edited by John White. Arranged by Lionel Tertis. For Viola, Piano Accompaniment. Boosey & Hawkes Chamber Music. Softcover. 74 pages. Boosey & Hawkes #M060124501. Published by Boosey & Hawkes

(Viola and Piano). By Felix Bartholdy Mendelssohn (1809- 1847). Edited by Ernst Herttrich. Henle Music Folios. Softcover. G. Henle Verlag #HN1035. Published by G. Henle Verlag

(Transcription of Cello Sonata). By Frederick Delius (1862-1934). Arranged by Martin Outram. For Viola, Piano Accompaniment. Boosey and Hawkes Chamber Music. Book only. 26 pages. Boosey and Hawkes #M060122927. Published by Boosey and Hawkes

for Viola and Piano. By Dmitri Shostakovich. String. Size 9x12 inches. 34 pages. Published by Boosey and Hawkes.

Composed by Henry Eccles (1671-1742), edited by Paul Klengel. Instrumental solo book for viola solo and piano accompaniment. With solo part, standard notation, bowings, fingerings and piano accompaniment. 11 pages. Published by C.F. Peters.

Composed by Dmitri Shostakovich (1906-1975). Op. 147. Viola solo single for viola solo and piano accompaniment. With standard notation and piano accompaniment. C Major. Series: Modern Russian Masterworks. 40 pages. Published by G. Schirmer, Inc.

Viola and Piano. By Franz Schubert. Arranged by Paul Doktor. String Solo. Size 9x12 inches. 32 pages. Published by Schirmer.

Composed by York Bowen (1884-1961). Masterworks; Solo; Solo Small Ensembles; String - Viola and Piano. Kalmus Edition. 20th Century; Masterwork. Book. 52 pages. Kalmus Classic Edition #00-K04301. Published by Kalmus Classic Edition

(With Marked and Unmarked String Part). Composed by Henry Vieuxtemps. Edited by Peter Jost. For Viola, Piano Accompaniment. Henle Music Folios. Softcover. 34 pages. G. Henle #HN577. Published by G. Henle

Viola and Piano. By Johannes Brahms. Arranged by William Primrose. (Viola). String Solo. Softcover. Size 9x12 inches. 32 pages. Published by G. Schirmer, Inc.

By Ernst Krenek (1900-1991). For Viola, Piano. Score and Solo Part. Published by Universal Edition

Urtext. Composed by Josef Schelb. Breitkopf and Haertel #EB-8992. Published by Breitkopf and Haertel

By Rebecca Clarke. For Viola, Piano Accompaniment. Classical. Instrumental Work. 40 pages. Published by Chester Music.

Composed by Antonio Vivaldi (1678-1741). Masterworks; Solo; Solo Small Ensembles; String - Viola and Piano. Kalmus Edition. Baroque; Masterwork. Book. 12 pages. Kalmus Classic Edition #00-K04324. Published by Kalmus Classic Edition

By George Rochberg. For Viola, Piano. Duration 20:. Published by Theodore Presser Company.

Viola and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 36 pages. Published by Schott.

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.