Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890...(+)
Arranged for piano and
viola. Composed by
Cesar Auguste Franck
(1822-1890). Edited by
Douglas Woodfull-Harris.
Arranged by Douglas
Woodfull-Harris. Stapled.
Performance score.
Published by Baerenreiter
Verlag (BA.BA10918).
Viola and piano SKU: BR.EB-9441 Urtext based on the Brahms Complete Ed...(+)
Viola and piano
SKU:
BR.EB-9441
Urtext
based on the Brahms
Complete Edition of the
Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Sheet
Music. Duration 21'.
Breitkopf and Haertel #EB
9441. Published by
Breitkopf and Haertel
(BR.EB-9441).
ISBN
9790004189184. 9 x 12
inches.
The two
sonatas of Johannes
Brahms's op. 120 are
widely hailed as crowning
points of the repertoire
for clarinet and piano.
Moreover, in the version
for viola and piano
arranged by Brahms
himself, they rank among
the most frequently
played viola works of the
19th century. They far
surpass in compositional
substance the relatively
few original sonatas
written for these
instrumentations during
the same period.Of the
two fellow works, the
Sonata No. 2 in E flat
major is the more
accessible. Diverging
from the
classical-romantic
tradition, Brahms used
the key of E flat major
here not to express the
heroic or monumental, but
to obtain lyrical,
chiefly restrained
characterizations. The
serenade-like beauty of
the principal theme,
which opens the sonata,
has always been
particularly admired. In
his review of the world
premiere, the renowned
Viennese music critic
Eduard Hanslick, a friend
of Brahms's, raves with
the words it was as if it
had fallen from the
Heavens. The closing set
of variations also
follows with gentle
gracefulness this lyrical
character. However, the
middle movement, with its
tempestuous outer
sections in E flat minor
and the hymnic trio in B
major provides a
passionate and serious
contrast, which allows
the flanking idyll to
unfold its beauties all
the more insistently.
Arranged by Daniel Kelley. For Viola and Piano. Solos. Recital, Church. Level: I...(+)
Arranged by Daniel
Kelley. For Viola and
Piano. Solos. Recital,
Church. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christ...(+)
Instrumental Play-Along.
Composed by Various.
Instrumental Play-Along.
Christian, General
Worship,
Hymns, Sacred. Softcover
Audio Online. 24 pages.
Published by Hal Leonard
For Viola and Piano SKU: HL.369720 For Viola and Piano. Composed b...(+)
For Viola and Piano
SKU: HL.369720
For Viola and
Piano. Composed by
William Bolcom. E.B.
Marks. Softcover. Edward
B. Marks Music #MP521002.
Published by Edward B.
Marks Music (HL.369720).
ISBN 9781705144404.
UPC: 840126992328.
9.0x12.0x0.08
inches.
A fantastic
new adaptation of a
popular piano solo piece
by the Pulitzer-prize
winning composer William
Bolcom - a perfect
recital piece, arranged
by Kenneth Martinson!
Adapted for viola and piano. Composed by William Bolcom. Edited by Kennet...(+)
Adapted for viola and
piano. Composed by
William Bolcom. Edited by
Kenneth Martinson. This
edition: Urtext, Staple
Center Bound with 1
insert. Classical. Piano
Score and 1 part. With
Text Language: English.
Duration 5 minutes, 7
seconds. Published by
Gems Music Publications
(GE.GPL-208).
Sel., transcr., and ed. Samuel Applebaum. For Viola Piano Acc. String Series - V...(+)
Sel., transcr., and ed.
Samuel Applebaum. For
Viola Piano Acc. String
Series - Viola / Piano
Acc. Level: Easy (grade
1-2). 24 pages. Published
by Alfred Publishing.
Chamber Music Piano, Viola SKU: PR.114418460 Composed by Eric Ewazen. Set...(+)
Chamber Music Piano,
Viola
SKU:
PR.114418460
Composed
by Eric Ewazen. Set of
Score and Parts. 8+2
pages. Duration 4
minutes. Theodore Presser
Company #114-41846.
Published by Theodore
Presser Company
(PR.114418460).
ISBN
9781491134726. UPC:
680160641697.
State
ly yet folklike,
CEREMONIAL is a graceful
4-minute work in
comfortable reach of
intermediate students,
and equally attractive
for advanced and
professional violists to
exercise their cantabile.
The slow-fast-slow form
offers a cheerful dance
in 3 that interrupts and
recedes from a
mostly-pentatonic and
memorable tune.