34 Viola Solos Alto, Piano [Partition] Alfred Publishing
Arranged by Adam P. Lesinsky. For viola solo and piano accompaniment. Format: vi...(+)
Arranged by Adam P.
Lesinsky. For viola solo
and piano accompaniment.
Format: viola solo
songbook. With solo part
(includes a separate,
pull-out viola part) and
piano accompaniment.
Romantic period and
instructional. 96 pages.
9x12 inches.
Pop Hits for the Instrumental Soloist Alto, Piano [Accompaniment CD|Set of Parts|Book and CD|Listening CD|Collection / Songbook] - Facile Alfred Publishing
Songbook, accompaniment/performance CD and set of performance parts for viola an...(+)
Songbook,
accompaniment/performance
CD and set of performance
parts for viola and piano
accompaniment. With
bowings and chord names.
Series: Pop Hits for the
Instrumental Soloist. 72
pages. Published by
Alfred Publishing.
Viola and piano SKU: BR.EB-9441 Urtext based on the Brahms Complete Ed...(+)
Viola and piano
SKU:
BR.EB-9441
Urtext
based on the Brahms
Complete Edition of the
Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Sheet
Music. Duration 21'.
Breitkopf and Haertel #EB
9441. Published by
Breitkopf and Haertel
(BR.EB-9441).
ISBN
9790004189184. 9 x 12
inches.
The two
sonatas of Johannes
Brahms's op. 120 are
widely hailed as crowning
points of the repertoire
for clarinet and piano.
Moreover, in the version
for viola and piano
arranged by Brahms
himself, they rank among
the most frequently
played viola works of the
19th century. They far
surpass in compositional
substance the relatively
few original sonatas
written for these
instrumentations during
the same period.Of the
two fellow works, the
Sonata No. 2 in E flat
major is the more
accessible. Diverging
from the
classical-romantic
tradition, Brahms used
the key of E flat major
here not to express the
heroic or monumental, but
to obtain lyrical,
chiefly restrained
characterizations. The
serenade-like beauty of
the principal theme,
which opens the sonata,
has always been
particularly admired. In
his review of the world
premiere, the renowned
Viennese music critic
Eduard Hanslick, a friend
of Brahms's, raves with
the words it was as if it
had fallen from the
Heavens. The closing set
of variations also
follows with gentle
gracefulness this lyrical
character. However, the
middle movement, with its
tempestuous outer
sections in E flat minor
and the hymnic trio in B
major provides a
passionate and serious
contrast, which allows
the flanking idyll to
unfold its beauties all
the more insistently.
Arranged by Daniel Kelley. For Viola and Piano. Solos. Recital, Church. Level: I...(+)
Arranged by Daniel
Kelley. For Viola and
Piano. Solos. Recital,
Church. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.