Music by John Williams. For viola solo and piano accompaniment. Includes instrum...(+)
Music by John Williams.
For viola solo and piano
accompaniment. Includes
instrumental solo book
and accompaniment CD.
With solo part, standard
notation, bowings, piano
accompaniment and black &
white photos. Movies. 66
pages. 9x12 inches.
Published by Alfred
Publishing.
Viola and piano SKU: HL.49014018 For viola and piano. Composed by ...(+)
Viola and piano
SKU:
HL.49014018
For
viola and piano.
Composed by Priaulx
Rainier. This edition:
Folding. Sheet music.
Edition Schott.
Classical. Composed 1945.
24 pages. Duration 10'.
Schott Music #ED 10410.
Published by Schott Music
(HL.49014018).
ISBN
9790220102448.
The
edition is part of the
Trinity syllabus 2007
(grade 7).
For Viola. Classical (with piano accompaniment). Includes a high-quality printed...(+)
For Viola. Classical
(with piano
accompaniment). Includes
a high-quality printed
music score and a compact
disc containing a
complete performance with
soloist; then a second
version with the
accompaniment, minus you,
the soloist. Published by
Music Minus One
Alto SKU: BT.ALHE33327 Composed by Darius Milhaud. Classical. Book Only. ...(+)
Alto
SKU:
BT.ALHE33327
Composed
by Darius Milhaud.
Classical. Book Only. 8
pages. Heugel & Cie
#ALHE33327. Published by
Heugel & Cie
(BT.ALHE33327).
French.
Second
of the series of
_x001A_Four Faces_x001A_
by Darius Milhaud, II.
The Wisconsonian is a
short piece for Alto and
Piano. Easy to play, it
requires some technique
of the instrument and
some theory knowledge to
read in different keys.
Thebook includes the
parts for Viola and Piano
and for Viola only. The
music is cheerful and
quite fast, with the
Viola part playing mainly
semisquavers alternating
up and down every two
bars. It is supposed to
represent anAmerican girl
coming from Wisconsin.
She is part of the four
faces with: I. The
Californian girl, II. The
Wisconsonian and IV. The
Parisian girl. Darius
Milhaud (1892-1974) was a
French modernist composer
and a teacher. He wasalso
part of the Les Six and
was strongly influenced
by Jazz. His opus list
ended at 443.
Viola SKU: HL.48188752 Composed by Darius Milhaud. Heugel. Classical. Sof...(+)
Viola
SKU:
HL.48188752
Composed
by Darius Milhaud.
Heugel. Classical.
Softcover. 8 pages.
Heugel & Cie #HE33327.
Published by Heugel & Cie
(HL.48188752).
UPC:
888680884000.
9.0x12.0x0.111
inches.
“Seco
nd of the series of ?Four
Faces? by Darius Milhaud,
II. The Wisconsonian is a
short piece for Alto and
Piano. Easy to play, it
requires some technique
of the instrument and
some theory knowledge to
read in different keys.
The book includes the
parts for Viola and Piano
and for Viola only. The
music is cheerful and
quite fast, with the
Viola part playing mainly
semisquavers alternating
up and down every two
bars. It is supposed to
represent an American
girl coming from
Wisconsin. She is part of
the four faces with: I.
The Californian girl, II.
The Wisconsonian and IV.
The Parisian girl. Darius
Milhaud (1892-1974) was a
French modernist composer
and a teacher. He was
also part of the Les Six
and was strongly
influenced by Jazz. His
opus list ended at
443.â€.
(Op. 100). Composed by Antonin Dvorak (1841-1904). Edited by Kim Kashkashian. Fo...(+)
(Op. 100). Composed by
Antonin Dvorak
(1841-1904). Edited by
Kim Kashkashian. For
viola, piano. Score and
Part. Standard Notation.
32 8 pages. Published
by Carl Fischer
Super Solos Alto, Piano [Partition + CD] - Intermédiaire Anglo Music
Viola and Piano - late intermediate SKU: BT.AMP-352-400 10 Selected So...(+)
Viola and Piano - late
intermediate
SKU:
BT.AMP-352-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
352-400. Published by
Anglo Music Press
(BT.AMP-352-400).
ISBN
9789043138703. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano
SKU:
BT.YE0009
For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart.