By Various. (Viola). Dowani Book/CD. Play Along. BOOK W/CD. 14 pages. Published by Dowani.

For Viola and Piano. Composed by Amanda Harberg. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2011. 10 pages. Duration 5 minutes. Theodore Presser Company #114-41675. Published by Theodore Presser Company (PR.114416750).

For Viola and Piano. By Ingolf Dahl. For Viola Solo, Piano. Society for The Publication of American Music Thirty-First Season 1950. Classical. Solo part with piano reduction. 48 pages. Published by Theodore Presser Company.

For Viola and Orchestra. By Samuel Adler. For Viola Solo, Piano. This edition: Solo Part and Piano Reduction. Classical. Solo Part with Piano Reduction. Composed 1998. 33 pages. Duration 23:00. Published by Theodore Presser Company.

By Wolfgang Amadeus Mozart. Arranged by Gregor Piatigorsky. For Viola, Piano. Published by Theodore Presser Company.

Viola and Piano. By Various. Arranged by Paul Doktor. String Solo. Size 9x12 inches. 32 pages. Published by G. Schirmer, Inc.

Music by John Williams. For viola solo and piano accompaniment. Includes instrumental solo book and accompaniment CD. With solo part, standard notation, bowings, piano accompaniment and black & white photos. Movies. 66 pages. 9x12 inches. Published by Alfred Publishing.

By Henry Purcell (1659-1695). Edited by Milton Katims. For viola and piano. Published by International Music Company .

Viola & Piano or CD Play Back / Play Along - Grade 3, Grade 4

SKU: MA.EMR-55030

Composed by Jan Valta. Score and parts. Duration 37'17. Editions Marc Reift #EMR 55030. Published by Editions Marc Reift (MA.EMR-55030).

I. Skalitz 1403 / II. Talmberg & Lady Stephanie / III. Sigismund's Army At The Gates / IV. Losing Father's Sword & Parents Theme / V. Fist Fight / VI. Rattay / VII. Good Luck Son / VIII. Millers Theme / IX. Town Square / X. The River Sassau Theme...

Arranged by Douglas Pew. For Viola and Piano. Level: Medium Difficullt. Published by Jackman Music Corporation.

(with Piano Accompaniment) Edited by Paul Doktor. Viola solo book for viola solo and piano accompaniment. With solo part, standard notation, fingerings, bowings and piano accompaniment. 64 pages. Published by G. Schirmer, Inc.

By ABRSM. For viola, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By ABRSM. For viola, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Composed by Sulkhan Fedorovich Tsintsadze. For viola and piano. String music. Score and part. Published by Noten Roehr

(Viola and Piano). By Various. Edited by Paul Doktor. String Solo. Softcover with CD. 56 pages. Published by G. Schirmer

Composed by Sulkhan Fedorovich Tsintsadze. For viola and piano. String music. Score and part. Published by Noten Roehr

Composed by Sulkhan Fedorovich Tsintsadze. For viola and piano. String music. Score and part. Published by Noten Roehr

Arranged by Adam P. Lesinsky. For viola solo and piano accompaniment. Format: viola solo songbook. With solo part (includes a separate, pull-out viola part) and piano accompaniment. Romantic period and instructional. 96 pages. 9x12 inches.

Viola and piano

SKU: M7.DOHR-88836

Concertino. Composed by Adrian Connell. Sheet music. Score and part. Duration 10'. MDS (Music Distribution Services) #DOHR 88836. Published by MDS (Music Distribution Services) (M7.DOHR-88836).

ISBN 9790202098363.

Ther e comes a time in life when your parents have passed on. What we are left with is the memories of their love, guidance, support, and the happy times together. Last August when my mum sadly passed away, I wrote an Elegy as part of my grieving. However, as a family we had happy times together and it seemed only right to compose a work which would celebrate this. So, I added a first and last movement to create a short concertino. The movements are: Prelude: Peter John Connell: The Cheeky Chap Elegy: Mavis June Connell (Time To Remember) Rondo: Family Fun (Adrian Connell) Performance note The work can also be performed with accompaniment of string orchestra and harp using the set of parts for the version for clarinet and orchestra (E.D. 88833).

Score and Parts Clarinet; Piano; Viola (Score & Parts)

SKU: HL.49045889

Five pieces in fairy-tale style for Clarinet, Viola and Piano Score and Parts. Composed by Joerg Widmann. Ensemble. Classical. Softcover. 120 pages. Duration 1740 seconds. Schott Music #ED22487. Published by Schott Music (HL.49045889).

9.0x12.0x0.33 inches.

As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like'Once upon a time...'and'...they all lived happily ever after'. Fairy tales were however also a source of unrest for me as a seismograph of mankinds underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann's Marchenerzahlungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work - despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal (Once upon a time...)to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jorg Widmann.

Composed by George Gershwin (1898-1937). Arranged by Colette Mourey. Duration 60'00. Published by Editions Marc Reift (MA.EMR-22380).

Alto

SKU: BT.ALHE33327

Composed by Darius Milhaud. Classical. Book Only. 8 pages. Heugel & Cie #ALHE33327. Published by Heugel & Cie (BT.ALHE33327).

French.

Second of the series of _x001A_Four Faces_x001A_ by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. Thebook includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent anAmerican girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He wasalso part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.

Viola

SKU: HL.48188752

Composed by Darius Milhaud. Heugel. Classical. Softcover. 8 pages. Heugel & Cie #HE33327. Published by Heugel & Cie (HL.48188752).

UPC: 888680884000. 9.0x12.0x0.111 inches.

“Seco nd of the series of ?Four Faces? by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.”.

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.