(Op. 100). Composed by Antonin Dvorak (1841-1904). Edited by Kim Kashkashian. For viola, piano. Score and Part. Standard Notation. 32 8 pages. Published by Carl Fischer

(Op. 94). Composed by Antonin Dvorak (1841-1904). Edited by Kim Kashkashian. For viola, piano. Score and Part. Standard Notation. 16 4 pages. Published by Carl Fischer

Piano Accompaniment; Viola

SKU: HL.48024948

Viola and Piano. Composed by Igor Stravinsky. Edited by Kim Kashkashian. Boosey & Hawkes Chamber Music. Classical. Softcover. 50 pages. Boosey & Hawkes #M060136757. Published by Boosey & Hawkes (HL.48024948).

ISBN 9781784545659. UPC: 840126947205. 9.0x12.0x0.195 inches.

Drawing on the composer's transcriptions for violin (with Samuel Dushkin) and for cello (with Gregor Piatigorsky), Kim Kashkashian has produced a long-overdue viola version of this neoclassical masterpiece. The choice of movements from Stravinsky's Pulcinella Suite differs between those for violin and cello; Kashkashian has in turn made a slightly different selection comprising Introduzione, Serenata, Aria, Tarantella, Toccata and Minuetto e Finale. A show-stopping addition to the repertory of modern viola music.

Viola & Piano

SKU: SU.80118723

For Viola & Piano. Composed by Meyer Kupferman. Strings, Viola. Accompanied by piano. Score & Parts. Subito Music Corporation #80118723. Published by Subito Music Corporation (SU.80118723).

Viola & Piano Duration: 18' Composed: 1979 Published by: SoundSpells Productions Phantom Sonata (1979), a sonata for viola and piano written for Kim Kashkashian and Robert Levin, is one of Kupferman's masterworks. Cast in a single movement, it is a vivid and rhapsodic work (in an contemporary romantic tonal language) requiring great virtuosity from both performers.

Chamber Music Piano, Viola

SKU: PR.114418860

Composed by Adolphus Hailstork. Set of Score and Parts. With Standard notation. 20+12 pages. Duration 14 minutes. Theodore Presser Company #114-41886. Published by Theodore Presser Company (PR.114418860).

UPC: 680160667901.

Hails tork had originally written his Elegy in 1980, in memory of a friend's passing. Decades later, he was asked by cellist Tim Holly to finish the work, and the Caprice was added in 2016. Despite 35 years of intervening life and changes in musical language, Hailstork has matched the tonality of the earlier movement. His transcription for viola and piano was performed in October at New Music Norfolk (Hampton Roads) by Rebecca Sinclair Kim and Susan Ha.