Viola and Piano - easy

SKU: HL.44005956

For Viola & Piano. Composed by Colin Cowles. Fentone Instrumental Books. Educational Tool. Book with CD. Composed 2003. 24 pages. Fentone Music #F835. Published by Fentone Music (HL.44005956).

UPC: 884088044268. 9x12 inches. International (more than one language).

The nine easy, fun-to-play fragments in this book can be played in the first position with occasional fourth finger use. These lovely pieces enable the beginner musician to perform comfortably at an early stage in their development - and performing experience is vital for any musician!

Die einfachen, melodischen Stucke in Easy Melodic Fragments sind fur Violaschuler mit geringen technischen Fertigkeiten geeignet. Sie sind in der ersten Lage zu spielen mit gelegentlicher Verwendung des vierten Fingers. Mit diesen Stucken will der Komponist Colin Cowles die Spieler zum Vorspielen motivieren - ein wichtiger Aspekt des Musizierens in jedem Lernstadium! Auf der beiliegenden CD werden die Stucke abwechselnd von Violine und Viola vorgespielt, dann folgt die Begleitung zum Mitspielen. Die Klavierbegleitungen sind ebenfalls im Buch notiert.

Nove brani da concerto divertenti da eseguire in prima posizione (utilizzo del quarto dito). L'accompagnamento del piano (su CD e versione cartacea inclusi) rivaleggiano di interesse e di immaginazione. Affiancando questa pubblicazione ai vostri libri di studi, alternerete l'apprendimento della tecnica con l'altrettanto importante momento pedagogico: ascoltare e suonare assieme agli altri. Esibitevi da soli utilizzando le basi registrate da una vera live band, oppure insieme ad un amico pianista che vi accompagnera nelle prime esecuzioni in pubblico.

Viola and Piano

SKU: HL.14005046

Arranged by Sandor Janosi. Music Sales America. Classical. Book [Softcover]. 36 pages. Music Sales #BOE4403. Published by Music Sales (HL.14005046).

ISBN 9783937041032. 9.0x12.0x0.108 inches.

Classical pieces arranged for Viola with Piano accompaniment by Sandor Janosi.

Composed by Sulkhan Fedorovich Tsintsadze. For viola and piano. String music. Score and part. Published by Noten Roehr

By ABRSM. For viola, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Viola and Piano

SKU: BT.MUSVWP000017

Composed by Christoph Willibald Von Gluck. Arranged by Alan H. Arnold. Exam Material. Book Only. 8 pages. Viola World #MUSVWP000017. Published by Viola World (BT.MUSVWP000017).

UPC: 890346001904.

Trans cribed for Viola by Alan Arnold.

Viola and Piano - intermediate

SKU: BT.DHP-1175828-401

Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 12 pages. De Haske Publications #DHP 1175828-401. Published by De Haske Publications (BT.DHP-1175828-401).

ISBN 9789043153027. English-German-French-Dut ch.

April: the beginning of spring, joyful melodies for young violists.
Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote Avril for violists with an ability of approximately 3 4 yearsâ?? experience. He paid special attention to an easy-to-follow, attractive musical style. Avril is an ideal performance or competition work for young musicians.

April: het begin van de lente, vrolijke melodietjes voor jonge altviolisten.
De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Avril voor violisten die ongeveer drie tot vier jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Avril een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

April: Frühlingsanfang, fröhliche Melodien für junge Bratscher.
Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Avril für Bratscher mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Avril ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Avril : le début du printemps, des mélodies joyeuses pour les jeunes altistes.
Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue dâ??Å?uvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Avril pour altistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Avril est la pièce idéale pour tout examen ou audition de jeunes musiciens.

Viola, piano

SKU: FG.55011-906-2

Composed by Harri Wessman. Classical, contemporary. Score and part. Fennica Gehrman #55011-906-2. Published by Fennica Gehrman (FG.55011-906-2).

ISBN 9790550119062.

Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.

Duration: c. 11'

Movements:
1. Summer theme
2. What is this?
3. Pizzicato
4. Con sordino
5. Stile concitato ostinato
6. Tango
7. Finale

Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.

His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).

Viola and piano

SKU: HL.49044782

From Children's Corner. Composed by Claude Debussy. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String. The popular piece by Debussy now available in a version for melodic instrument with piano accompaniment. Softcover. Schott Music #ED09973. Published by Schott Music (HL.49044782).

ISBN 9790001192170. UPC: 841886019904.

The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Children's Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908.The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship.The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.

Viola and Piano

SKU: BT.MUSVWP100166

Composed by Ottakar Sevcik. Arranged by Alan H. Arnold. Book Only. 72 pages. Viola World #MUSVWP100166. Published by Viola World (BT.MUSVWP100166).

UPC: 890346001843.

A remarkable set of 40 variations derived from a single melody by Otaker Sevcik. Arranged for the Viola with Piano accompaniment, the variations become progressively more complex and difficult throughout the work, making this set ideal as a set of challenging exercises for the Viola student. As well as presenting a huge variety of technical goals, much can be learned from this work about the nature of composition, melody-building and the potential versatility of a single melodic idea. A superb and satisfyingly musical teaching aid.

Viola and piano (Viola With Piano Accompaniment) - advanced

SKU: HL.49046384

Composed by Naji Hakim. This edition: Saddle stitching. Sheet music. String Solo. Diese in Liedform geschriebene Fantasie entwickelt eine ausdrucksstarke Melodie in es-Moll. Ihr charakteristischer jambischer Rhythmus kundigt sich in den ersten Takten der ostinaten Klavierbegleitung an. Softcover. Duration 420 seconds. Schott Music #VAB98. Published by Schott Music (HL.49046384).

ISBN 9781540086471. UPC: 842819108283. 9.0x12.0x0.079 inches.

This fantasy in song form, develops an expressive melody in Eb minor. Its characteristic iambic rhythm is announced in the initial bars of the ostinato piano accompaniment. The central section contrasts by its diversified themes and its tonal mobility. A tight recapitulation in the treble register is dramatically interrupted before the coda. Collected and harmonically dense, the last bars resound like a last breath, tone painting the 'in manus tuas domine commendo spiritum meum' (Ps. 31,6).

Viola and piano - easy to intermediate

SKU: HL.49019312

Composed by Eduard Puetz. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String. Softcover. 6 pages. Schott Music #ED09924. Published by Schott Music (HL.49019312).

ISBN 9790001180238.

Over coming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Putz (1911-2000). His compositions therefore include stylistic features of jazz and pop music. Many of his works were written for children and young instrumentalists to offer them a break from the monotony of classical sonatinas and studies. 'Blue Waltz' is such a treat - very easy to play, it carefully helps the player to open a listening ear for jazz sounds. The arrangement for accompanied melodic instrument is also suitable for beginner's lessons and the first ensemble playing.

Viola and piano (Viola With Piano Accompaniment) - easy

SKU: HL.49019223

For viola and piano. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Composed 1999. Nach op. 103b. 12 pages. Duration 3'. Schott Music #VAB78. Published by Schott Music (HL.49019223).

ISBN 9790001181747. UPC: 884088907389. 9.0x12.0x0.083 inches.

With his 'Concerto classico' composed in 1999, Bertold Hummel enables violin pupils with only limited technical skills to play an entire little violin concerto. The second movement, Elegy, is now also available as a separate edition for viola and piano. The melody of the Finnish folk song forming the thematic foundation of the movement is melancholy and gentle: a short simple theme which is introduced and then varied several times. To master this piece, it is sufficient for the violist to command the first position, and the piano part is easy to play as well. An ideal piece for pupils, competitions and for music-making at home.

For Viola and Piano. Composed by Amanda Harberg. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2011. 10 pages. Duration 5 minutes. Theodore Presser Company #114-41675. Published by Theodore Presser Company (PR.114416750).

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.