Viola and Piano. Composed by Katherine Hoover (1937-). Premiered at Bard College, with Marka Gustavsson, violist , and Lisa Moore, pianist. Score and part(s). With Standard notation. 19 7 pages. Papagena Press #PP182. Published by Papagena Press (PR.PP182).

Viola and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 36 pages. Published by Schott.

Composed by Richard Wagner (1813-1883). Arranged by Sarah Labrousse-Baert. For viola, piano. Classical, Educational. Grade 3. Score and Set of Parts. 3 pages (score); 1 page (parts). Duration 1 minute, 30 seconds. Published by FLEX Editions

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.

Piano Accompaniment, Viola (Score and Solo Part) - intermediate to advanced

SKU: HL.49046045

Viola and Piano. Composed by Robert Schumann. Edited by Armin Koch. This edition: Saddle stitching. Sheet music. String Solo. Classical. Softcover. Composed 1851. Op. 113. 40 pages. Schott Music #VAB93. Published by Schott Music (HL.49046045).

ISBN 9790001165242. UPC: 841886031623. 9x12 inches.

In the summer of 1852, Vier Stücke ['Four Pieces'] for viola and piano by Robert Schumann were published under the title Märchenbilder ['Fairy-Tale Pictures'] by the Kassel publishing house Luckhardt, with a particularly expressive vignette on the titlepage. Unusual were both this title Märchenbilder, on the one hand, and the scoring with a solo viola, on the other. With the viola in a soloistic role in chamber music, Schumann's Märchenbilder, Op. 113, offers a rather unfamiliar, but all the more delightful sound.

By Johann Sebastian Bach. Arranged by Wilhelmj/Pagels. For Viola and Piano. Published by Carl Fischer.

Alto

SKU: BT.ALHE33327

Composed by Darius Milhaud. Classical. Book Only. 8 pages. Heugel & Cie #ALHE33327. Published by Heugel & Cie (BT.ALHE33327).

French.

Second of the series of _x001A_Four Faces_x001A_ by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. Thebook includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent anAmerican girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He wasalso part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.

(Pour Alto Et Piano - (for Viola and Piano)). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Claude Ducrocq. For Viola, Piano. This edition: orignally for violin and piano. Collection Frederic Laine. Orignally for violin and piano. ADVANCED. 16 pages. Duration 4 minutes. Published by Gerard Billaudot Editeur

(Manuscrit autographe, novembre 1824). By Franz Schubert (1797-1828). Edited by Philippe Muller. Alto et piano-forte / Piano et arpeggione / Violoncelle et piano. For Viola, Piano, Cello. Facsimiles. Collection Dominantes. Grade 0. 96 pages

Viola

SKU: HL.48188752

Composed by Darius Milhaud. Heugel. Classical. Softcover. 8 pages. Heugel & Cie #HE33327. Published by Heugel & Cie (HL.48188752).

UPC: 888680884000. 9.0x12.0x0.111 inches.

“Seco nd of the series of ?Four Faces? by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.”.

Viola and Piano

SKU: BT.ALHE31598

Composed by Darius Milhaud. Classical. Book Only. 30 pages. Heugel & Cie #ALHE31598. Published by Heugel & Cie (BT.ALHE31598).

French.

Darius Milhaud: Concerto No.2, Op.340 (Viola & Piano).

By Henri Classens. For viola and piano. Classical. Score. 35 + 16 pages. Published by Editions Combre

Composed by Pierre Rode (1773-1830). For viola and piano. Les Classiques de l'alto de Etienne Ginot. Classical. Score. 8 + 3 pages. Published by Editions Jobert

By Ottokar Novacek (1866-1900). For viola and piano. Les Classiques de l'alto de Etienne Ginot. Classical. Score. 10 4 pages. Published by Editions Jobert

By Henri Vieuxtemps (1820-1881). For viola and piano. Les Classiques de l'alto de Etienne Ginot. Classical. Score. 10 4 pages. Published by Editions Jobert

By Henri Vieuxtemps (1820-1881). For viola and piano. Les Classiques de l'alto de Etienne Ginot. Classical. Score. 8 + 3 pages. Published by Editions Jobert

By Henri Classens. For viola and piano. Classical. Score. 33 + 16 pages. Published by Editions Combre

By Henri Classens. For viola and piano. Classical. Score. 30 + 16 pages. Published by Editions Combre

Composed by Johann Christian Bach (1735-1782), edited by Henri Casadesus. Set of performance parts (includes separate pull-out viola part) for viola (also includes optional violin and cello transcriptions) and piano. With solo part and piano reduction. C Minor. 28 pages. Published by C.F. Peters.

(Transcription of Violin Sonata No. 2 for Viola and Piano). By John Ireland (1879-1962). Edited by John White. Arranged by Lionel Tertis. For Viola, Piano Accompaniment. Boosey & Hawkes Chamber Music. Softcover. 74 pages. Boosey & Hawkes #M060124501. Published by Boosey & Hawkes

Viola and piano (Viola With Piano Accompaniment) - easy

SKU: HL.49019223

For viola and piano. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Composed 1999. Nach op. 103b. 12 pages. Duration 3'. Schott Music #VAB78. Published by Schott Music (HL.49019223).

ISBN 9790001181747. UPC: 884088907389. 9.0x12.0x0.083 inches.

With his 'Concerto classico' composed in 1999, Bertold Hummel enables violin pupils with only limited technical skills to play an entire little violin concerto. The second movement, Elegy, is now also available as a separate edition for viola and piano. The melody of the Finnish folk song forming the thematic foundation of the movement is melancholy and gentle: a short simple theme which is introduced and then varied several times. To master this piece, it is sufficient for the violist to command the first position, and the piano part is easy to play as well. An ideal piece for pupils, competitions and for music-making at home.

Viola and Piano

SKU: HL.14023651

Composed by Michael Nyman. Music Sales America. 20th Century. Book [Softcover]. Composed 1989. 32 pages. Chester Music #CH61263. Published by Chester Music (HL.14023651).

ISBN 9780711968912. 12.0x9.0x0.11 inches.

Viola and Piano was commissioned for the Hindermith Viola Festival and Kim Kashkashian and written during the summer of 1995, Viola and Piano is the third in an erratic series of virtuoso works for solo instrument and piano. The first performance was given by Kim Kashkashian and Peter Nagy, London 1995. Duration 10 minutes. Score and separate viola part included.

Viola, Piano SKU: HU.HN785 Piano reduction. Composed by Max Bruch. Edited by Norbert Gertsch. Strings, Repertoire, Solos. Romance for Viola and Orchestra in F major Op. 85. Softcover Book. 24 pages. G. Henle #HN785. Published by G. Henle (HU.HN785). 12.2 x 9.2 x 0.1 inches.