(Viola and Piano). Composed by Gabriel Faure (1845-1924). Arranged by Wolfgang Birtel. For Viola, Piano Accompaniment. String. Softcover. 10 pages. Schott Music #ED09962. Published by Schott Music

Viola and Piano

SKU: HL.14027120

Composed by Per Norgard. Arranged by Steen Pade. Music Sales America. Piano Reduction. Edition Wilhelm Hansen #KP00117. Published by Edition Wilhelm Hansen (HL.14027120).

Danish.

Piano reduction for Per Norgard's Remembering Child - Viola Concerto No. 1   (1985-86/rev 1987), by Steen Pade.

Piano reduction for Per Nørgård's Remembering Child - Viola Concerto No. 1  (1985-86/rev 1987), by Steen Pade.
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Composed by Stacy Garrop. Contemporary. Score and part(s). With Standard notation. Composed 2006, rev. 2015. 32 pages. Duration 13 minutes. Theodore Presser Company #114-41828. Published by Theodore Presser Company (PR.114418280).

Piano Accompaniment; Viola

SKU: HL.48024311

Viola and Piano. Composed by Richard H. Walthew. Boosey & Hawkes Chamber Music. Classical. Softcover. 40 pages. Boosey & Hawkes #M060128028. Published by Boosey & Hawkes (HL.48024311).

ISBN 9780851629582. 9.0x12.0x0.165 inches.

New edition of this charming suite by the British composer Richard Walthew (1872-1951), originally published in 1900. The work was frequently performed by Lionel Tertis over his long career; his fingerings and bowings are of great interest to students and scholars, so these are included for reference in the viola cue stave in the piano score; the viola part itself is left 'clean' for performers to make their own decisions In 1943 Tertis premiered A Mosaic in Ten Pieces in the version for viola and orchestra in a concert broadcast by the BBC. The performance was reviewed in the Musical Times: “It is the work of a happy craftsman, genial, jesting (so few composers joke now). In a slow movement Walthew is at his serene best. Brahms would have enjoyed the Valsette, and Elgar beamed upon other parts. Tertis's phrasing is the best lesson I can imagine for any young musician...”.

Viola - Grade 1

SKU: RM.BAST04116

Composed by Jean Francois Basteau. Alto and piano. Instrumental music. Duration 2 minutes, 30 seconds. Editions Robert Martin #BAST04116. Published by Editions Robert Martin (RM.BAST04116).

ISBN 9790231041163.

Viola and Piano

SKU: IM.3934

Composed by Eugene Ysaye. Arranged by Elaine Fine. Score and Parts. International Music Co. #3934. Published by International Music Co. (IM.3934).

The composer wrote this gentle, soothing lullaby for his youngest son, Antoine. Originally for Violin, this work is now available from IMC for Viola and Piano.

Edited by Kurt Sassmannshaus. For viola, piano. Stapled. Barenreiter's Viola Collection. Level 3. Piano reduction, part(s), anthology. Text Language: German/English. 30/72 pages. Published by Baerenreiter Verlag

Viola - Piano Accompaniment. Solo Collection (Rubank). Size 9x12 inches. 56 pages. Published by Hal Leonard.

(Viola With Piano Accompaniment)

SKU: HL.133451

Composed by H. Wieniawski. PWM. Classical. Polskie Wydawnictwo Muzyczne #7432999. Published by Polskie Wydawnictwo Muzyczne (HL.133451).

UPC: 884088982850. 9.25x12.0x0.079 inches.

Composed by Eugene Ysaye (1858-1931). Arranged by Pierre-Henri Xuereb. 10 pages. Published by Les Editions Doberman-Yppan (DY.DO-1088).

Viola and piano - Level 1

SKU: LM.C06706

Composed by Charlotte Lapeyre. Classical. Score. Editions Combre #C06706. Published by Editions Combre (LM.C06706).

ISBN 9790230367066.

Ines , l'anesse (arpeges, 1ere position) - Maelys, l'ecrevisse (quintes et sixtes, 1ere et 2eme positions) - Camille, la chenille (chromatismes, 1ere position) - Marjorie, la souris (doubles cordes, petites notes, 1ere position) - Pauline, la sardine (1ere et 3eme positions).

Viola and Piano

SKU: BT.PWM484

Composed by Henri Wieniawski. Classical. Book Only. Polskie Wydawnictwo Muzyczne #PWM484. Published by Polskie Wydawnictwo Muzyczne (BT.PWM484).

(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle

For Viola. Classical (with piano accompaniment). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One

(Viola (with Piano Acc.)). For Viola (with Piano Acc.). String Series. Movie; play along. Book and CD. 68 pages. Published by Alfred Music Publishing

By Pietro Antonio Locatelli. Viola and piano. Published by International Music Co.

Viola and Piano Reduction. By Bela Bartok. Arranged by Nelson Dellamaggiore, Peter Bartok. (Viola). Boosey and Hawkes Chamber Music. Size 9x12 inches. 20 pages. Published by Boosey

Viola and piano

SKU: LM.C06798

Composed by Albert Ross. Edited by Frederick Forti. Classical. Score. 8 4 pages. Editions Combre #C06798. Published by Editions Combre (LM.C06798).

ISBN 9790230367981.

Peti t Concerto Op. 6 composed by Albert Ross, revised and composed by Frederick Forti.
This concerto can be performed by young player because first position is used only.

It is the perfect piece for exams, auditions and little concerts.

By Hoffmeister, Franz Anton (1754-1812). Viola and piano. Published by International Music Co.

Edited by Dmitri Bovaird. Arranged by Daniel Kelley. For Viola and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Viola

SKU: HL.48187485

Composed by Darius Milhaud. Heugel. Classical. Softcover. 24 pages. Heugel & Cie #HE31119. Published by Heugel & Cie (HL.48187485).

UPC: 888680844837. 9.0x12.0x0.132 inches.

“1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entrée 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of the characteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish).”.

(Viola and Piano). By Roque Cordero (1917-). For Piano, Viola. Peermusic Classical. Softcover. 14 pages. Peermusic #61491-613. Published by Peermusic

Viola and Piano. By Jean Baptiste Breval. Arranged by Julia Muller-Runte. Schott. Book only. Size 9x12 inches. 16 pages. Published by Schott.

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.