Viola, Piano SKU: HU.HN785 Piano reduction. Composed by Max Bruch. Edited by No...(+)
Viola, Piano
SKU: HU.HN785
Piano reduction. Composed
by Max Bruch. Edited by
Norbert Gertsch. Strings,
Repertoire, Solos.
Romance for Viola and
Orchestra in F major Op.
85. Softcover Book. 24
pages. G. Henle #HN785.
Published by G. Henle
(HU.HN785).
12.2 x 9.2 x 0.1 inches.
Viola with Piano Accompaniment - Grade 1.5-2 SKU: XC.SB2005 18 Festiva...(+)
Viola with Piano
Accompaniment - Grade
1.5-2
SKU:
XC.SB2005
18
Festival Solos with
Piano. Composed by
Larry Clark and Tyler
Arcari. Arranged by Larry
Clark and Tyler Arcari.
Solo and Ensemble.
Accessible Solo
Repertoire. Solo. Score
and part. Excelcia Music
Publishing #SB2005.
Published by Excelcia
Music Publishing
(XC.SB2005).
ISBN
9781644020449. UPC:
812598034721. 9 x 12
inches.
Accessible
Solo Repertoire for Viola
contains eighteen newly
composed or arranged
solos with piano
accompaniment written at
grades 2 to 2.5. Written
by one of the most
popular composers of
music for students, Larry
Clark, and the talented
up and coming composer
Tyler Arcari, these solos
will add something new,
fresh, and different to
your solo repertoire for
Viola. Larry and Tyler
use their experience as
music educators to write
solos that are fun to
play and musically
stimulating. These solos
are perfect for use at an
adjudicated solo festival
or recital. Each book
comes with beautifully
set solo parts. Piano
accompaniment parts and
piano only recordings of
each piece are available
for download from the
Excelcia Music Publishing
website.
Contents<
br>Bountiful Harvest
An Inconsistent Love
Barbary Coast Danse
Macabre Earth
Song Humble Heart
Italian Song
Kelvingrove
Minuet Never to Rise
Again Serenade
Skydance Sonatina
Spinning Song Swan
Dancing The Eastern
Moors The Water is
Wide Wild
Horseman.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
By Georg Philipp Telemann. Edited by Hirschmann, Wolfgang. For Viola, Piano. Pia...(+)
By Georg Philipp
Telemann. Edited by
Hirschmann, Wolfgang. For
Viola, Piano. Piano
Reduction/Vocal Score;
Urtext Edition. TWV
51:G9. Duration 12'.
Published by
Baerenreiter-Ausgaben
(German import). (BA5878
90)
Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890...(+)
Arranged for piano and
viola. Composed by
Cesar Auguste Franck
(1822-1890). Edited by
Douglas Woodfull-Harris.
Arranged by Douglas
Woodfull-Harris. Stapled.
Performance score.
Published by Baerenreiter
Verlag (BA.BA10918).
Viola, Piano SKU: HU.HN758 Composed by Carl Stamitz. Edited by Norbert Gertsch....(+)
Viola, Piano
SKU: HU.HN758
Composed by Carl Stamitz.
Edited by Norbert
Gertsch. Strings,
Repertoire, Solos. Viola
Concerto No. 1 D major.
Softcover Book. 60 pages.
G. Henle #HN758.
Published by G. Henle
(HU.HN758).
12.2 x 9.2 x 0.2 inches.
Every known source has
been examined to produce
an urtext edition,
complete with preface and
editorial notes to
explain the work's
complex source situation.
No audition candidates
who want to flaunt their
knowledge of the
historical sources as
well as their brilliant
technique can affordto
miss this volume!
Viola and piano SKU: BR.EB-9441 Urtext based on the Brahms Complete Ed...(+)
Viola and piano
SKU:
BR.EB-9441
Urtext
based on the Brahms
Complete Edition of the
Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Sheet
Music. Duration 21'.
Breitkopf and Haertel #EB
9441. Published by
Breitkopf and Haertel
(BR.EB-9441).
ISBN
9790004189184. 9 x 12
inches.
The two
sonatas of Johannes
Brahms's op. 120 are
widely hailed as crowning
points of the repertoire
for clarinet and piano.
Moreover, in the version
for viola and piano
arranged by Brahms
himself, they rank among
the most frequently
played viola works of the
19th century. They far
surpass in compositional
substance the relatively
few original sonatas
written for these
instrumentations during
the same period.Of the
two fellow works, the
Sonata No. 2 in E flat
major is the more
accessible. Diverging
from the
classical-romantic
tradition, Brahms used
the key of E flat major
here not to express the
heroic or monumental, but
to obtain lyrical,
chiefly restrained
characterizations. The
serenade-like beauty of
the principal theme,
which opens the sonata,
has always been
particularly admired. In
his review of the world
premiere, the renowned
Viennese music critic
Eduard Hanslick, a friend
of Brahms's, raves with
the words it was as if it
had fallen from the
Heavens. The closing set
of variations also
follows with gentle
gracefulness this lyrical
character. However, the
middle movement, with its
tempestuous outer
sections in E flat minor
and the hymnic trio in B
major provides a
passionate and serious
contrast, which allows
the flanking idyll to
unfold its beauties all
the more insistently.
