Composed by Johann Christian Bach (1735-1782), edited by Henri Casadesus. Set of performance parts (includes separate pull-out viola part) for viola (also includes optional violin and cello transcriptions) and piano. With solo part and piano reduction. C Minor. 28 pages. Published by C.F. Peters.

(Transcription of Violin Sonata No. 2 for Viola and Piano). By John Ireland (1879-1962). Edited by John White. Arranged by Lionel Tertis. For Viola, Piano Accompaniment. Boosey & Hawkes Chamber Music. Softcover. 74 pages. Boosey & Hawkes #M060124501. Published by Boosey & Hawkes

By Franck. Edited by Schmidt. For viola, piano. Viola transcription of Violin Sonata in A Major. Published by C.F. Peters.

Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. Stapled. Performance score. Published by Baerenreiter Verlag (BA.BA10918).

(Pour Alto Et Piano - (for Viola and Piano)). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Claude Ducrocq. For Viola, Piano. This edition: orignally for violin and piano. Collection Frederic Laine. Orignally for violin and piano. ADVANCED. 16 pages. Duration 4 minutes. Published by Gerard Billaudot Editeur

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag

Viola and Piano

SKU: BT.MUSVWP000125

Composed by Edmund Severn. Arranged by Alan H. Arnold. Classical. Book Only. Viola World #MUSVWP000125. Published by Viola World (BT.MUSVWP000125).

Born in Nottingham, England, in 1862, Edmund Severn moved to the United States at the age of four along with his family who settled in Hartford, Connecticut. Severn began to study the Violin with guidance fromhis father, who taught the instrument professionally. He later studied with Franz Milcke and Bernard Listemann, concertmaster of the Boston Symphony Orchestra, before moving to Berlin to study bowing technique under Emanuel Wirth,the first assistant of Joseph Joachim at the Berlin Hochschule.

As a composer Edmund Severn wrote mainly orchestral music, as well as many pieces for the Violin including a concerto; he also wrote threestringquartets.

< p>To this day, the Polish Dance for Violin and Piano has remained Severnâ??s most famous work. The piece is arranged here by Alan Arnold for Viola and Piano.

Viola, Piano SKU: HU.HN785 Piano reduction. Composed by Max Bruch. Edited by Norbert Gertsch. Strings, Repertoire, Solos. Romance for Viola and Orchestra in F major Op. 85. Softcover Book. 24 pages. G. Henle #HN785. Published by G. Henle (HU.HN785). 12.2 x 9.2 x 0.1 inches.

Viola and Piano (Viola)

SKU: HL.14030734

Composed by Edward Elgar. Music Sales America. Romantic. Book [Softcover]. 50 pages. Music Sales #NOV120819. Published by Music Sales (HL.14030734).

ISBN 9780853608264. 8.5x11.0x0.158 inches.

Violin Sonata arranged for Viola and piano by Veronica Leigh Jacobs. The piano part is a reproduction of the original Violin Sonata edition.

Composed by Ernest Bloch (1880-1959). String solo single for viola solo, violin solo and piano accompaniment. Written for Viola; includes trancription for Violin. With standard notation and piano accompaniment. 16 pages. Published by G. Schirmer, Inc.

Piano Accompaniment; Viola

SKU: HL.48024948

Viola and Piano. Composed by Igor Stravinsky. Edited by Kim Kashkashian. Boosey & Hawkes Chamber Music. Classical. Softcover. 50 pages. Boosey & Hawkes #M060136757. Published by Boosey & Hawkes (HL.48024948).

ISBN 9781784545659. UPC: 840126947205. 9.0x12.0x0.195 inches.

Drawing on the composer's transcriptions for violin (with Samuel Dushkin) and for cello (with Gregor Piatigorsky), Kim Kashkashian has produced a long-overdue viola version of this neoclassical masterpiece. The choice of movements from Stravinsky's Pulcinella Suite differs between those for violin and cello; Kashkashian has in turn made a slightly different selection comprising Introduzione, Serenata, Aria, Tarantella, Toccata and Minuetto e Finale. A show-stopping addition to the repertory of modern viola music.

(With Marked and Unmarked String Part). Composed by Henry Vieuxtemps. Edited by Peter Jost. For Viola, Piano Accompaniment. Henle Music Folios. Softcover. 34 pages. G. Henle #HN577. Published by G. Henle

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.

(including the Minuetto) By Ludwig van Beethoven (1770-1827), edited by Stein Haas. Set of performance parts for viola and cello. Eb Major. Composed 1795-98. 14 pages. Published by C.F. Peters.

Viola and Piano

SKU: IM.3751

Composed by Samuel Coleridge-Taylor. Edited by Paul Neubauer. Arranged by Maud Powell. Score and Part. International Music Co. #3751. Published by International Music Co. (IM.3751).

Originally written as a piano work based on the African-American spiritual, this piece was later transcribed for violin and piano, and is now available for viola and piano.

Viola and piano

SKU: M7.SAE-22-07

Composed by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 22-07. Published by SonArt Edition (M7.SAE-22-07).

ISBN 9790707651674.

This is a unique improvisation for violin and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

(Viola and Piano). Composed by Gabriel Faure (1845-1924). Arranged by Wolfgang Birtel. For Viola, Piano Accompaniment. String. Softcover. 10 pages. Schott Music #ED09962. Published by Schott Music

For Viola and Piano. By Max Bruch. Edited by Alexander Lehmann. Arranged by Alexander Lehmann. For Violin Solo, Piano. Solo part with piano reduction. Opus 47. 8 pages. Published by Carl Fischer.

(Op. 100). Composed by Antonin Dvorak (1841-1904). Edited by Kim Kashkashian. For viola, piano. Score and Part. Standard Notation. 32 8 pages. Published by Carl Fischer

(Originally for Violin) Transcribed by Gerhald H. Doty, composed by Jean-Baptiste Accolay (1845-1910). Viola solo single for viola solo and piano accompaniment. With solo part, standard notation, bowings, fingerings and piano accompaniment. D Minor. 24 pages. Published by G. Schirmer, Inc.

Viola and Piano

SKU: HL.49004927

Composed by Philipp Jarnach. Edition Schott. Classical. Set of Parts. Composed 1952. 20 pages. Schott Music #HL50490617. Published by Schott Music (HL.49004927).

ISBN 9781458413925. UPC: 884088601553. English(UK).

Inspir ed by the concept of the serenading lover. In two colorful sections. Advanced Level. Inspired by the concept of the serenading lover. In two colourful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

This demanding work for viola and piano by contemporary American composer Augusta Read Thomas (*1964 in New York State) was inspired by the concept of the serenading lover. Also available for violin and piano (HL50490616).

By J.C. Bach. For viola, piano. Includes CD containing performance of piano part. Published by C.F. Peters.