Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Viola and Piano SKU: BT.EMBZ627 Composed by Gyula David. Book Only. Compo...(+)
Viola and Piano
SKU:
BT.EMBZ627
Composed
by Gyula David. Book
Only. Composed 1952. 52
pages. Editio Musica
Budapest #EMBZ627.
Published by Editio
Musica Budapest
(BT.EMBZ627).
Gyula Dávid
(1913-1977) was one of
the most important
members of the generation
of Hungarian composers
who followed Bartók
and Kodály. His ?uvre
includes stage,
orchestral, oratorial,
chamber, and solo
instrumental works.
Although he rarely quoted
folk material directly in
his music, folksong,
popular music and the
spirit of the Hungarian
musical tradition
permeates his works. In
the last two decades of
his life he wrote atonal
and twelve-tone
compositions. With his
Wind Quintet (composed
1949) he created a genre
which plays an important
role in the new Hungarian
music. Gyula Dávid
studied composition with
Albert Siklós and
Zoltán Kodály at
the Academy of Music in
Budapest,graduating in
1938. Between 1938 and
1945 he worked in several
orchestras as viola
player. From 1945 to 1949
he was conductor at
Hungarian National
Theatre, than he became
leader of the Ensemble of
the Hungarian Army. From
1961 to his retirement he
was professor at the
Teacher Training Faculty
of the Academy of Music
in Budapest. Between 1951
and 1960 he taught wind
chamber music, music
theory and wind
orchestration at the
Academy of Music. He was
one of the founders of
the Hungarian Artists'
Union. He was awarded the
Erkel Prize (1952, 1955)
and the Kossuth Prize
(1957).
Viola, piano SKU: FG.55011-906-2 Composed by Harri Wessman. Classical, co...(+)
Viola, piano
SKU:
FG.55011-906-2
Composed by Harri
Wessman. Classical,
contemporary. Score and
part. Fennica Gehrman
#55011-906-2. Published
by Fennica Gehrman
(FG.55011-906-2).
ISBN
9790550119062.
Harr
i Wessman's Summer
Variations for viola and
piano (1998) exploites
the rich and romantic
sound of the viola and
enjoys the many shades of
summer days. It is
dedicated to violist Yuri
Gandelsman, who premiered
the suite with Risto
Lauriala 15th June
1998.
Duration: c.
11'
Movements:
1. Summer theme 2.
What is this? 3.
Pizzicato 4. Con
sordino 5. Stile
concitato ostinato 6.
Tango 7.
Finale
Harri
Wessman (b. 1949) is
interested in all aspects
of music that may be
expressive, without in
any way ignoring the
possibilities of melody.
He himself describes his
harmonic method as a kind
of contrapuntally treated
jazz harmony. Wessman is
particularly preoccupied
with the ability of music
to express emotions, an
interest which has led
him to study the
so-called doctrine of the
affections and the
musical rhetoric of the
baroque era. His Eine
kleine Figurenlehre for
wind quartet and piano is
a playful application of
a set of baroque musical
figures.
His
output is dominated by
chamber and vocal music
as well as a number of
concertos for various
instruments such as the
Concerto for Trumpet and
Orchestra and the
Serenade for Piano and
String Orchestra. During
recent years pedagogic
music has become a more
and more central area in
his output with an
emphasis on creating
repertoire for budding
musicians, from beginners
to young professionals.
He has even tailored some
solo and chamber works
for young musicians that
he personally knows: e.g.
Five Trombone Pieces for
Minna Kajander (1992),
Five Horn Pieces for
Jenni Kuronen (1993),
Five Piano Etudes for
Tiina Karakorpi, Five
Trumpet Pieces for
Alevtina Parland and Five
Double Bass Pieces for
Amanda Thieme. Other
chamber and solo pieces
include Pan and the Nymph
Pitys (1979) for flute
and guitar, Three
Caprices for Konstantin
Weitz (1994) for solo
violin and Capriccio for
wind ensemble (1989).
7 Recital Pieces in First Position for Viola and Piano or Two Violas. Edited b...(+)
7 Recital Pieces in First
Position for Viola and
Piano
or Two Violas. Edited by
Lusk, Melissa /
Sassmannshaus, Christoph
/
Sassmannshaus, Kurt.
Stapled.
Barenreiter's
Sassmannshaus.
Performance Score(s),
Part(s). 11/11/11 pages.
Baerenreiter Verlag
#BA08992.
Published by Baerenreiter
Verlag
(Op. 100). Composed by Antonin Dvorak (1841-1904). Edited by Kim Kashkashian. Fo...(+)
(Op. 100). Composed by
Antonin Dvorak
(1841-1904). Edited by
Kim Kashkashian. For
viola, piano. Score and
Part. Standard Notation.
32 8 pages. Published
by Carl Fischer
Piano Accompaniment; Viola (Score and Solo Part) SKU: HL.48024203 Viol...(+)
Piano Accompaniment;
Viola (Score and Solo
Part)
SKU:
HL.48024203
Viola
and Piano. Composed
by Magnus Lindberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 26 pages.
Boosey & Hawkes
#M060133077. Published by
Boosey & Hawkes
(HL.48024203).
ISBN
9781784542689.
9.0x12.0x0.127
inches.
The
composer states: Acequia
Madre demonstrates an
approach which was
somewhat new to the style
of my musical expression
at the time of its
composition [2012]:
structuring a work with
the focus on its melodic
aspects. I drew
inspiration from other
creative artists through
one of my 'rituals': I
surrounded myself with
the scores of composers
who, for one reason or
another, were on my mind
at the time, like Iannis
Xenakis, Alban Berg's
'Four Pieces for Clarinet
and Piano,' and
'Contrasts for violin,
clarinet and piano' by
Bela Bartok, plus
Schubert's haunting final
'String Quartet No. 15.'
Conquering technical
difficulties is something
I find particularly
rewarding when playing
acoustic instruments:
fully aware that today's
electronics can triumph
over a composer's most
demanding technical
challenges, I love the
idea of performers
encountering their
instruments with
virtuosity ... doing
something that seems to
defy physical
boundaries..