Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano
SKU:
BT.YE0009
For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart.
Viola and piano SKU: M7.DOHR-88836 Concertino. Composed by Adrian ...(+)
Viola and piano
SKU:
M7.DOHR-88836
Concertino.
Composed by Adrian
Connell. Sheet music.
Score and part. Duration
10'. MDS (Music
Distribution Services)
#DOHR 88836. Published by
MDS (Music Distribution
Services)
(M7.DOHR-88836).
ISBN
9790202098363.
Ther
e comes a time in life
when your parents have
passed on. What we are
left with is the memories
of their love, guidance,
support, and the happy
times together. Last
August when my mum sadly
passed away, I wrote an
Elegy as part of my
grieving. However, as a
family we had happy times
together and it seemed
only right to compose a
work which would
celebrate this. So, I
added a first and last
movement to create a
short concertino. The
movements are: Prelude:
Peter John Connell: The
Cheeky Chap Elegy: Mavis
June Connell (Time To
Remember) Rondo: Family
Fun (Adrian Connell)
Performance note The work
can also be performed
with accompaniment of
string orchestra and harp
using the set of parts
for the version for
clarinet and orchestra
(E.D. 88833).
Flute, clarinet - Level 5 SKU: BA.BA11060 Composed by Dieter Ammann. In a...(+)
Flute, clarinet - Level 5
SKU: BA.BA11060
Composed by Dieter
Ammann. In a folder.
Performance score.
Composed 2011. 14/4
pages. Duration 12 hours.
Baerenreiter Verlag
#BA11060_00. Published by
Baerenreiter Verlag
(BA.BA11060).
ISBN
9790006559022. 42 x 29.5
cm inches.
... she
stood leering hideously,
and much dust sodden with
tears lay upon her
shoulders.
These
snippets from Johann
Heinrich Voss's
translation of Hesiod's
Shield of Hercules, where
the din of battle is
brought to a standstill
for the wink of an eye,
made me think of music
that describes the
'inwardness' of a
particular feeling, close
to the much-cited
metaphor of an entire
life flitting past the
inner eye in the space of
a second, when, as in
Hesiod, Atropos severs
the thread of life. Viola
and piano join forces on
an equal basis to
inscribe ever more lines
and shapes which,
however, relate in their
inmost essence to
intertwining circles
laden with
melancholy. (Philipp
Maintz)
Piano Accompaniment; Viola SKU: HL.48024948 Viola and Piano. Compo...(+)
Piano Accompaniment;
Viola
SKU:
HL.48024948
Viola
and Piano. Composed
by Igor Stravinsky.
Edited by Kim
Kashkashian. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 50
pages. Boosey & Hawkes
#M060136757. Published by
Boosey & Hawkes
(HL.48024948).
ISBN
9781784545659. UPC:
840126947205.
9.0x12.0x0.195
inches.
Drawing on
the composer's
transcriptions for violin
(with Samuel Dushkin) and
for cello (with Gregor
Piatigorsky), Kim
Kashkashian has produced
a long-overdue viola
version of this
neoclassical masterpiece.
The choice of movements
from Stravinsky's
Pulcinella Suite differs
between those for violin
and cello; Kashkashian
has in turn made a
slightly different
selection comprising
Introduzione, Serenata,
Aria, Tarantella, Toccata
and Minuetto e Finale. A
show-stopping addition to
the repertory of modern
viola music.
By Marguerite Wilkinson and Katharine Hart. For Viola and Piano. Book; String - ...(+)
By Marguerite Wilkinson
and Katharine Hart. For
Viola and Piano. Book;
String - Viola Studies or
Collection. Faber
Edition. Elementary.
Published by Faber Music
(Edition for Gamba (Viola) with marked and unmarked string parts). By Carl Phili...(+)
(Edition for Gamba
(Viola) with marked and
unmarked string parts).
By Carl Philipp Emanuel
Bach (1714-1788). Edited
by Ernst-Günter
Heinemann, Wolfram Enlin,
and Ernst-G. For Viola,
Viola da gamba, Piano
Accompaniment. Henle
Music Folios. Softcover.
160 pages. G. Henle
#HN990. Published by G.
Henle
