By Bartolomeo Campagnoli. Edited by Jean Philippe Vasseur. For Viola solo. This ...(+)
By Bartolomeo Campagnoli.
Edited by Jean Philippe
Vasseur. For Viola solo.
This edition: Facsimile.
Collection Dominantes.
Score. 50 pages.
Published by Anne Fuzeau
Productions - France
Composed by Johann Sebastian Bach (1685-1750). Edited by Chung Park. Stapled. ...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Chung Park. Stapled.
Performance score,
anthology.
BWV 1007-1012.
Baerenreiter
Verlag #BA05272_00.
Published
by Baerenreiter Verlag
By Georg Abraham Schneider. Edited by Kenneth Martinson. For viola. This edition...(+)
By Georg Abraham
Schneider. Edited by
Kenneth Martinson. For
viola. This edition:
Urtext, Staple Center
Bound. In the keys of c,
F, g, a, e, b. Classical.
Level 6 (of 6). Score.
Text Language: English.
Op. 19. 26 pages.
Published by Gems Music
Publications
Warm-ups and Essential Exercises for Viola. Composed by Benjamin Bergmann an...(+)
Warm-ups and Essential
Exercises for Viola.
Composed
by Benjamin Bergmann and
Claudia Bussian. This
edition: Saddle
stitching.
Sheet music. String
Method.
Classical. Softcover. 60
pages. Schott Music
#ED22850.
Published by Schott Music
Viola Solo SKU: IS.VA4754EM Composed by Marinus de Jong. Strings - Viola....(+)
Viola Solo
SKU:
IS.VA4754EM
Composed
by Marinus de Jong.
Strings - Viola.
Metropolis Music
Publishers #VA4754EM.
Published by Metropolis
Music Publishers
(IS.VA4754EM).
ISBN
9790365047543.
Thou
gh born in the
Netherlands, composer
Marinus de Jong (1891 -
1984) traded his Dutch
citizenship for a Belgian
one in 1926, and is
considered one of
Belgium's most prominent
composers and pianists of
the 20th century. He
began his studies at the
Royal Conservatory of
Music in Antwerp,
Belgium, at the age of
15, studying under
Lodewijk Mortelmans and
Emile Bosquet. His Sonata
for Viola Solo, Op. 106
(Sonate voor altviool
solo), published by
Metropolis Music
Publishers in 1973, is a
masterful work in four
movements. It
demonstrates not only his
compositional style,
sometimes playful and
jazzy, other times
plaintive and
improvisatory, but also
his familiarity with the
viola, an instrument
which he also played.
(For Solo Viola). By Benjamin Britten (1913-1976). For Viola Alone. Masterworks;...(+)
(For Solo Viola). By
Benjamin Britten
(1913-1976). For Viola
Alone. Masterworks; Solo;
String - Viola Alone.
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
By Anonymous. Edited by Kenneth Martinson. For 2 violas. This edition: Urtext, B...(+)
By Anonymous. Edited by
Kenneth Martinson. For 2
violas. This edition:
Urtext, Bookstyle Bound.
Classical. Level 4 (of
6). Playing score. Text
Language: English. 129
pages. Published by Gems
Music Publications
(Serie II - France 1800-1860). Edited by Jean Philippe Vasseur, Ulrich Druner. F...(+)
(Serie II - France
1800-1860). Edited by
Jean Philippe Vasseur,
Ulrich Druner. For Viola.
Facsimiles. Methodes and
Traites. Grade 0. 472
pages. Published by Anne
Fuzeau Productions -
France
(Serie II - France 1800-1860). Edited by Jean Philippe Vasseur, Ulrich Druner. F...(+)
(Serie II - France
1800-1860). Edited by
Jean Philippe Vasseur,
Ulrich Druner. For Viola.
Facsimiles. Methodes and
Traites. Grade 0. 176
pages. Published by Anne
Fuzeau Productions -
France
Viola SKU: FZ.50532 Edited by Frederic Laine. Mnemosis: The Memory of Mus...(+)
Viola
SKU:
FZ.50532
Edited by
Frederic Laine. Mnemosis:
The Memory of Music
Collection. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.50532).
ISBN
9782360950041. 17.00 x
24.00 cm
inches.
Dans la
collection Mnemosis, Anne
Fuzeau Classique presente
le premier volume d'une
serie d'ouvrages
consacres aux instruments
de musique. Chaque volume
traitera de tous les
aspects d'un instrument
des origines a nos jours
: histoire, facture,
pedagogie, repertoire,
interpretes, role dans
l'orchestre et dans la
musique de chambre. . .
Le plan d'ensemble etant
toujours chronologique.
C'est donc le compagnon
indispensable de tous les
instrumentistes
professionnels ou
amateurs, historiens,
musicologues. Ce premier
ouvrage, consacre a
l'alto, est l'oeuvre de
Frederic Laine, brillant
pedagogue, interprete et
historien de cet
instrument. Cet ouvrage
presente, en une
soixantaine de chapitres,
un parcours chronologique
de l'alto, des origines
au XXe siecle. L'histoire
de l'alto est singuliere
comme l'est le parcours
de cet instrument trop
proche du violon, et qui
pour cette raison a ete
tardivement considere
comme une specialite.
Tout violoniste peut
jouer facilement de
l'alto, sans etudes
particulieres, pense-t-on
jusqu'a l'oree du XXe
siecle. Ainsi, il parait
inutile de s'y consacrer
exclusivement et il est
souvent considere au
mieux comme un instrument
d'appoint. Son histoire
est donc ecrite par des
violonistes qui le
servent au gre des
occasions, parfois avec
enthousiasme, souvent
sans grande conviction.
Longtemps voue au second
role, il va pourtant
entamer, en particulier a
partir du derniers tiers
du XVIIIe siecle, une
veritable quete
d'identite qui va lui
permettre peu a peu de
s'echapper de la tutelle
violonistique. Ainsi,
grace a ceux qui ont
percu la richesse de son
timbre et de son
potentiel (Bach, Mozart,
Berlioz, Wagner, Richard
Strauss. . . ), aux
interpretes qui ont servi
sa cause (Rolla, Urhan,
Tertis, Hindemith, Vieux,
Primrose. . . ), l'alto
est aujourd'hui un
instrument reconnu,
desormais servi par une
brillante generation
d'interpretes. Cet
ouvrage traite les
differentes facettes de
l'histoire de l'alto
(facture, repertoire,
interpretes, pedagogie).
Il consacre notamment une
partie importante au
groupe (orchestre et
musique de chambre),
element essentiel de
l'evolution de l'alto et
du role musical de
l'altiste. Il est
complete par un chapitre
anatomie de l'instrument
(figures et glossaire des
termes de lutherie) ainsi
que par une importante
bibliographie, des
illustrations et de
nombreux exemples
musicaux. L'auteur:
Frederic Laine. Apres des
etudes d'alto au CNSM de
Lyon et d'histoire de la
musique au CNSM de Paris,
Frederic Laine mene une
triple activite
d'altiste, d'enseignant
et de musicologue.
Docteur en musicologie de
l'universite de Tours, il
a publie en 2002 corpus
pedagogique pour l'alto
chez Mardaga, et a
contribue a plusieurs
ouvrages edites chez
Fayard, Buchet-Chastel,
Symetrie ou par la Cite
de la Musique et les
Presses universitaires de
France. Altiste du trio
Cappa, auteur de
nombreuses publications
pedagogiques (dont une
ecole de l'alto en six
volumes), il enseigne
l'alto et la musique de
chambre dans les
conservatoires du centre
et du XIIIe
arrondissement de Paris
et au Cefedem de
Rueil-Malmaison. Delve
into the memory of music
with the Mnemosis
collection from Anne
Fuzeau Classique. Only in
French. Delve into the
memory of music with the
Mnemosis collection from
Anne Fuzeau
Classique.
Viola SKU: BR.OB-5509-19 Urtext. Composed by Carl Philipp Emanuel ...(+)
Viola
SKU:
BR.OB-5509-19
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
viola part. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-19.
Published by Breitkopf
and Haertel
(BR.OB-5509-19).
ISBN
9790004338483. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
A Comprehensive Guide to the Central Clef Instrument and Its Music. Edited b...(+)
A Comprehensive Guide to
the
Central Clef Instrument
and
Its Music. Edited by
Gregory
Barnes. Reference
Textbooks;
Technique Musicianship;
Textbook - Instrumental.
256
pages. Edition Peters
#98-
2005015699. Published by
Edition Peters
Viola SKU: HL.49047224 An autumn leaf for Hanna Gaifman Version for Vi...(+)
Viola
SKU:
HL.49047224
An
autumn leaf for Hanna
Gaifman Version for Viola
solo. Composed by
Heinz Holliger. String
Solo. Classical.
Softcover. 8 pages.
Duration 300 seconds.
Schott Music #VAB109.
Published by Schott Music
(HL.49047224).
ISBN
9798350106855. UPC:
842819120070.
9.0x12.0x0.055
inches.
In his
“Herbstblattâ€
, Heinz Holliger traces
the biography of the
composer Gideon Klein,
who was murdered in the
Auschwitz-Fürstenau
concentration camp. As a
reminder, Holliger
intersperses quotes from
Klein's works and a
Hebrew lullaby.
Viola SKU: BR.OB-5560-19 Urtext. Composed by George Frideric Hande...(+)
Viola
SKU:
BR.OB-5560-19
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 60 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-19.
Published by Breitkopf
and Haertel
(BR.OB-5560-19).
ISBN
9790004344149. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.