Composed by James Froseth and Bret Smith. For viola. Music Education - Method. B...(+)
Composed by James Froseth
and Bret Smith. For
viola. Music Education -
Method. Book and CD. Text
language: English. 48
pages. Published by GIA
Publications
(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For viola. Habits of a
Successful Musician.
Music Education - Method.
Method book. 72 pages.
Published by GIA
Publications
From Violin to Viola. (A Transitional Method). By Harvey S. Whistler. String Met...(+)
From Violin to Viola. (A
Transitional Method). By
Harvey S. Whistler.
String Method. 48 pages.
Rubank Publications
#RUBL132. Published by
Rubank Publications
Viola Position 1 Alto seul [Partition + CD] - Facile De Haske Publications
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads...(+)
Viola - easy
SKU:
BT.DHP-1145555-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Tuition.
Book with CD. Composed
2014. 92 pages. De Haske
Publications #DHP
1145555-400. Published by
De Haske Publications
(BT.DHP-1145555-400).
ISBN 9789043135979.
English-German-French-Dut
ch.
Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema?s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders en
drieklanken inde 1e
positie over 2 oktaven.
De 68 speelstukken kunnen
met cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd?s. De
vertrouwde afwisseling
van nieuwe stukken,
arrangementen
vanklassieke thema?s en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffarten,
siebenTonleiter- und
Dreiklangsübungen
sowie 68 reizvolle
Vortragsstücke in
einer ganzen Palette an
Musikstilen. Die
Vortragsstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einem Pianistengespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD 2
enthalten.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF.
Viola SKU: GI.G-M532 Book 2 and CD. Composed by Bret Smith and Jam...(+)
Viola
SKU:
GI.G-M532
Book 2
and CD. Composed by
Bret Smith and James
Froseth. Method Book. Do
It! Music Education.
Book. 48 pages. GIA
Publications #M532.
Published by GIA
Publications (GI.G-M532).
ISBN
9781579992392.
At
long last, the
innovations and
musicality that make the
Do It! Play In
Band series so
successful are available
to string players. This
wonderful series
features audio
recordings (see below)
with artist-level
performances that set
musical standards and
models that are perfect
for young players.
Modeling by David Salness
(University of Maryland).
The student book contains
all the music a beginning
player needs: songs,
duets, trios, and rounds,
plus a piece for string
orchestra and a solo with
piano accompaniment. The
Teacher's Resource Guide
(M535)Â is packed with
hundreds of enrichment
activities and
supplementary material to
make your classroom
function at peak levels.
Plus, the included audio
recordings in the
Teacher's Resource Guide
will enhance every aspect
of your teaching. Bret P.
Smith is Assistant
Professor of Music
Education at Central
Washington University, in
Ellensburg, Washington.
Download the audio
recordings at:
giamusic.com/doitstrings.
(Big Note/Large Print Edition). By Carol Ann Wheeler. For Viola. Technic. Bill's...(+)
(Big Note/Large Print
Edition). By Carol Ann
Wheeler. For Viola.
Technic. Bill's Music
Shelf. All Styles.
Beginning. Book Online
Audio. 32 pages.
Published by Mel Bay
Publications, Inc
At The Cross Alto seul David E. Smith Publications
Arranged by Billy Madison. For Viola solo. At The Cross. String parts edited wit...(+)
Arranged by Billy
Madison. For Viola solo.
At The Cross. String
parts edited with bowings
etc. Easter. Level: 3.
Published by David E.
Smith Publications.
Viola SKU: FZ.50532 Edited by Frederic Laine. Mnemosis: The Memory of Mus...(+)
Viola
SKU:
FZ.50532
Edited by
Frederic Laine. Mnemosis:
The Memory of Music
Collection. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.50532).
ISBN
9782360950041. 17.00 x
24.00 cm
inches.
Dans la
collection Mnemosis, Anne
Fuzeau Classique presente
le premier volume d'une
serie d'ouvrages
consacres aux instruments
de musique. Chaque volume
traitera de tous les
aspects d'un instrument
des origines a nos jours
: histoire, facture,
pedagogie, repertoire,
interpretes, role dans
l'orchestre et dans la
musique de chambre. . .
Le plan d'ensemble etant
toujours chronologique.
C'est donc le compagnon
indispensable de tous les
instrumentistes
professionnels ou
amateurs, historiens,
musicologues. Ce premier
ouvrage, consacre a
l'alto, est l'oeuvre de
Frederic Laine, brillant
pedagogue, interprete et
historien de cet
instrument. Cet ouvrage
presente, en une
soixantaine de chapitres,
un parcours chronologique
de l'alto, des origines
au XXe siecle. L'histoire
de l'alto est singuliere
comme l'est le parcours
de cet instrument trop
proche du violon, et qui
pour cette raison a ete
tardivement considere
comme une specialite.
Tout violoniste peut
jouer facilement de
l'alto, sans etudes
particulieres, pense-t-on
jusqu'a l'oree du XXe
siecle. Ainsi, il parait
inutile de s'y consacrer
exclusivement et il est
souvent considere au
mieux comme un instrument
d'appoint. Son histoire
est donc ecrite par des
violonistes qui le
servent au gre des
occasions, parfois avec
enthousiasme, souvent
sans grande conviction.
Longtemps voue au second
role, il va pourtant
entamer, en particulier a
partir du derniers tiers
du XVIIIe siecle, une
veritable quete
d'identite qui va lui
permettre peu a peu de
s'echapper de la tutelle
violonistique. Ainsi,
grace a ceux qui ont
percu la richesse de son
timbre et de son
potentiel (Bach, Mozart,
Berlioz, Wagner, Richard
Strauss. . . ), aux
interpretes qui ont servi
sa cause (Rolla, Urhan,
Tertis, Hindemith, Vieux,
Primrose. . . ), l'alto
est aujourd'hui un
instrument reconnu,
desormais servi par une
brillante generation
d'interpretes. Cet
ouvrage traite les
differentes facettes de
l'histoire de l'alto
(facture, repertoire,
interpretes, pedagogie).
Il consacre notamment une
partie importante au
groupe (orchestre et
musique de chambre),
element essentiel de
l'evolution de l'alto et
du role musical de
l'altiste. Il est
complete par un chapitre
anatomie de l'instrument
(figures et glossaire des
termes de lutherie) ainsi
que par une importante
bibliographie, des
illustrations et de
nombreux exemples
musicaux. L'auteur:
Frederic Laine. Apres des
etudes d'alto au CNSM de
Lyon et d'histoire de la
musique au CNSM de Paris,
Frederic Laine mene une
triple activite
d'altiste, d'enseignant
et de musicologue.
Docteur en musicologie de
l'universite de Tours, il
a publie en 2002 corpus
pedagogique pour l'alto
chez Mardaga, et a
contribue a plusieurs
ouvrages edites chez
Fayard, Buchet-Chastel,
Symetrie ou par la Cite
de la Musique et les
Presses universitaires de
France. Altiste du trio
Cappa, auteur de
nombreuses publications
pedagogiques (dont une
ecole de l'alto en six
volumes), il enseigne
l'alto et la musique de
chambre dans les
conservatoires du centre
et du XIIIe
arrondissement de Paris
et au Cefedem de
Rueil-Malmaison. Delve
into the memory of music
with the Mnemosis
collection from Anne
Fuzeau Classique. Only in
French. Delve into the
memory of music with the
Mnemosis collection from
Anne Fuzeau
Classique.
Saddle-stitched.
Technique. Book. Mel Bay
Publications, Inc #31154.
Published by Mel Bay
Publications, Inc
(MB.31154).
ISBN
9781513473888. 8.75X11.75
inches.
Practicing
scales is essential to
building and maintaining
strength, technique,
tone, and agility on the
viola, but it is easy to
slip into the habit of
playing scales
automatically, without
paying attention to
tonality or sound
production. The 29
single-page studies in
this book focus the
attention of violists on
the beauty of sound, with
a particular concern for
the way different keys
resonate on the viola.The
first 24 studies address
all minor and relative
major keys and proceed
through the circle of
fifths; the last 5 pieces
are individually
conceived, i.e., apart
from the circle of
fifths. No metronome
indications are given, so
the etudes can be played
at individually
comfortable tempos.The
names of the etudes refer
to various animals that
have scales, including
insects, fish, birds,
reptiles, and a few
species of mammals. The
author hopes that in
addition to experiencing
more enjoyable scale
practice, students will
be inspired to learn more
about these amazing
creatures and write scale
studies of their own.
Composed
by Nico Muhly. Music
Sales America. Classical,
Contemporary. Softcover.
22 pages. St. Rose Music
#SRO100059. Published by
St. Rose Music
(HL.14043504).
UPC:
840126947311.
9.0x12.0x0.101
inches.
Three
Etudes for Viola was
composed by American
composer and arranger
Nico Muhly. Written for
Nadia Sirota. Three
Etudes for Viola was
designed as performance
pieces as well as
practice, the etudes help
to deal with the messy
fifth-based string
crossings Muhly's
harmonic language
sometimes outlines. These
three etudes can be
performed in any order,
all together, or
singularly. The
pre-recorded material for
Three Etudes for Viola
should be mixed in such a
way that the viola rides
in the middle of the
texture. Etude 2,
however, should favor the
solo viola.
To
obtain a download of the
zip file with an MP3
audio recording of this
publication, copy the URL
below and paste it in
your browser address
bar.