Viola SKU: BT.9781408114582 Composed by Peter Davey. Abracadabra. Exam Ma...(+)
Viola
SKU:
BT.9781408114582
Composed by Peter Davey.
Abracadabra. Exam
Material. Book with CD.
64 pages. Collins Music
Publishing
#9781408114582. Published
by Collins Music
Publishing
(BT.9781408114582).
ISBN 9781408114582.
English.
Now in
a third edition,
Abracadabra
Viola has a
fresh, contemporary new
look and is the perfect
book for pupil and
teachers.
This
title offers an identical
selection of repertoire
to the other booksin the
Abracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know andwant to
play, carefully graded in
20 learning steps, this
new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teachthefundamentals
of the instrument, and
each new technical aspect
is reinforced by several
pieces using that
particular
technique.
Abracadabra
Viola now also
includes two CDs of
performance and
backingtracks, featuring
selected orchestral
backings.
Viola SKU: BR.OB-5560-19 Urtext. Composed by George Frideric Hande...(+)
Viola
SKU:
BR.OB-5560-19
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 60 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-19.
Published by Breitkopf
and Haertel
(BR.OB-5560-19).
ISBN
9790004344149. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA1. Published
by The Frederick Harris
Music Company (FH.VA1).
ISBN
978-1-55440-563-3.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Baroque and
Classical
Repertoire: Minuetto
and Trio -
Albrechtsberger, Johann
Georg arr. Paul
Jenkins Vittoria, mio
core! (Win My Heart!) -
Carissimi, Giacomo arr.
Christine
Donkin Tambourin -
Rameau, Jean-Philippe
arr. Christine
Donkin Hornpipe a
l'inglese - Galliard,
John Ernest arr.
Christine
Donkin Musette in D
Major, BWV Anh. 126 -
Bach, Johann Sebastian
arr. Kathleen Wood If
Love's a Sweet Passion,
from The Fairy Queen -
Purcell, Henry arr.
Kathleen Wood German
Dance - Haydn, Franz
Joseph arr. Jason
Noble Traditional and
19th-century
Repertoire: Linstead
Market - Jamaican folk
song arr. Harold
Birston Nocturne -
Alard,
Jean-Delphin Big Foot
Lou - Gearen, Joseph arr.
Forrest Kinney Sakura
(Cherry Blossoms) -
Japanese folk song arr.
Joanne Martin She's
Like the Swallow -
Canadian folk song arr.
Forrest
Kinney Nouvelle
agreable! (Good News!) -
18th-century French carol
arr. Christine
Donkin 20th-century
Repertoire: The
Underworld of Worms and
Other Crawlies -
Wilkinson, Marguerite and
Philip Bass Dill
Pickles - Johnson,
Charles L. arr. Zav RT
and Christine
Donkin Budapesto -
Cheney, Carey Full
Steam Ahead - Jones,
Kenneth The Puppet
Show, op. 5, no. 1 -
Trott, Josephine transc.
Barbara Barber The
Caissons Go Rolling Along
- Gruber, Edmund L. arr.
Forrest Kinney Casting
the Nets - Jones,
Kenneth.
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA7. Published
by The Frederick Harris
Music Company (FH.VA7).
ISBN
978-1-55440-569-5.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Level
7: Holberg Suite, op.
40: I,V - Grieg,
Edvard Symphony No. 5,
op. 67: II - Beethoven,
Ludwig van Symphony
No. 4 (Italian), op. 90:
II - Mendelssohn,
Felix Brandenburg
Concerto No. 3, BWV 1048:
I - Bach, Johann
Sebastian Symphony No.
35 (Haffner), K 385: I -
Mozart, Wolfgang
Amadeus Level
8: Ruslan and
Ludmilla: Overture -
Glinka,
Mikhail Symphony No.
35 (Haffner), K 385: IV -
Mozart, Wolfgang
Amadeus Symphony No. 6
(Pathetique), op. 75: I -
Tchaikovsky, Pyotr
Il'yich Symphony No.
9, op. 125: IV -
Beethoven, Ludwig
van Symphony No. 3
(Eroica), op. 55: IV -
Beethoven, Ludwig
van Symphony No. 1,
op. 68: I - Brahms,
Johannes Symphony No.
9 (New World), op. 95: IV
- Dvorak,
Antonin Level
9: Symphony No. 5, op.
67: III - Beethoven,
Ludwig van Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang Amadeus The
Hebrides, op. 26:
Overture - Mendelssohn,
Felix Variations on a
Theme by Haydn, op. 56a -
Brahms, Johannes Le
carnaval romain -
Berlioz,
Hector Symphony No. 8,
op. 88: I - Dvorak,
Antonin Symphony NO. 4
(Romantic): II -
Bruckner, Anton Level
10: Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 4,
op. 98: II,IV - Brahms,
Johannes Peer Gynt
Suite No. 1, op. 46: I -
Grieg, Edvard Concerto
for Orchestra: IV,V -
Bartok, Bela Symphony
No. 40, K 550: I,IV -
Mozart, Wolfgang
Amadeus Serenade for
Strings, op. 48: I,II -
Tchaikovsly, Pyotr
Il'yich Symphony No.
5, op. 47: I -
Shostakovich,
Dmitri Associate: G
roup 1: Ochestral Tutti
Parts (Viola): Daphnis
et Chloe: III - Ravel,
Maurice Don Juan, op.
20 - Strauss,
Richard Symphony No.
9, op. 125: II,IV -
Beethoven, Ludwig
van Incidental Music
to A Midsummer Night's
Dream, op. 61: Scherzo -
Mendelssohn, Felix The
Bartered Bride: Overture
- Smetana,
Bed_ich Group 2: Viola
Solos: Don Quixote,
op. 35 - Strauss,
Richard Harold en
Italie: I - Berlioz,
Hector.
Solo viola SKU: PR.41641619L For Viola (or Clarinet) and Orchestra...(+)
Solo viola
SKU:
PR.41641619L
For
Viola (or Clarinet) and
Orchestra. Composed
by Johannes Brahms.
Arranged by Samuel Adler.
N.B. Soloists should
be aware that the Viola
version of the Concerto
has a few octave changes
from the original Brahms.
 However, for
rehearsal purposes, the
Piano part from the
original Sonata may be
used. With Standard
notation. Duration 21
minutes. Theodore Presser
Company #416-41619L.
Published by Theodore
Presser Company
(PR.41641619L).
UPC:
680160642830. 11 x 14
inches.
Pittsburgh
Symphony Orchestra
violist Randolph Kelly
had premiered Adler's
Viola Concerto in 2000,
but the orchestra's
artistic management
preferred that he not
perform a contemporary
work for his next solo
appearance. With that
guideline, Kelly
contacted Adler, the
master of orchestration,
to arrange the Brahms
Sonata in F minor, Opus
120 for viola and
orchestra. In this new
setting, The piece
promises to bring the
lush romantic strains of
the famous sonata to a
larger audience without
upsetting the purists.
(Andrew Druckenbrod,
Pittsburgh Post-Gazette
Classical Music
Critic).
Viola SKU: BR.OB-5294-19 Book 2. Composed by Wolfgang Amadeus Moza...(+)
Viola
SKU:
BR.OB-5294-19
Book
2. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-19.
Published by Breitkopf
and Haertel
(BR.OB-5294-19).
ISBN
9790004338025. 9 x 12
inches.
The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8.