Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 4 pages. Baerenreiter
Verlag #BA05897_79.
Published by Baerenreiter
Verlag (BA.BA05897-79).
ISBN 9790006563074.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola - Level 3 SKU: CA.3913713 Composed by Georg Philipp Telemann. Edite...(+)
Viola - Level 3
SKU:
CA.3913713
Composed
by Georg Philipp
Telemann. Edited by Brit
Reipsch. Die Tageszeiten
Neuausgabe Reipsch.
Sacred vocal music,
Cantatas. Individual
part. TVWV 20:39. 20
pages. Duration 55
minutes. Carus Verlag #CV
39.137/13. Published by
Carus Verlag
(CA.3913713).
ISBN
9790007216108. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score and part
available separately -
see item CA.3913700.
Viola SKU: CA.3711013 Die Geschichte des Leidens und Sterbens unseres ...(+)
Viola
SKU:
CA.3711013
Die
Geschichte des Leidens
und Sterbens unseres
Heilandes Jesu Christi
nach der Beschreibung des
Evanglisten Marcus.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Complete
edition. Gottfried August
Homilius - Selected
Works. German title:
Markuspassion Ga 10.
Sacred vocal music,
Passions, Lent and
Passiontide. Individual
part. HoWV I.10. 28
pages. Duration 140
minutes. Carus Verlag #CV
37.110/13. Published by
Carus Verlag
(CA.3711013).
ISBN
9790007214425. Language:
German.
Gottfried
August Homilius belongs
to the last generation of
composers of the 18th
century who, in addition
to the popular Passion
oratorios, continued to
write oratorio Passions
using biblical texts.
From his pen a Passion
for each of the four
Gospels has survived.
With sensitive arias,
unusal orchestral sound
and expressive turba
choruses Homilius
translated the
traditional Passion to
his times. It was surely
not a coincidence that in
Hamburg Carl Philipp
Emanuel Bachr resorted
primarily to the Passions
of Homilius, especially
the St. Mark Passion,
which he first performed
in an abridged version in
1770 and whose music he
employed in 14 of his 21
pasticcio Passions. Score
and part available
separately - see item
CA.3711000.