Composed by Henry Schradieck. Masterworks; String - Viola Alone; Technique Musicianship. Kalmus Edition. 20th Century; Masterwork; Romantic. Book. 28 pages. Kalmus Classic Edition #00-K04289. Published by Kalmus Classic Edition

Strings - Beginning

SKU: MB.31030

Saddle-stitched. Classical. Book. Mel Bay Publications, Inc #31030. Published by Mel Bay Publications, Inc (MB.31030).

ISBN 9781513476735. 8.75X11.75 inches.

Easy to Play Viola Airs and Balladsáis a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States.á All the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song ináEasy to Play Violin Airs and BalladsáandáEasy to Play Cello Airs and Ballads.

Viola

SKU: BR.OB-5560-19

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-19. Published by Breitkopf and Haertel (BR.OB-5560-19).

ISBN 9790004344149. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For Viola. Book. 48 pages. Published by Carl Fischer

Viola

SKU: CA.3710313

Der Fromme stirbt. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Johannespassion Ga 3. Innovative practice aids, Sacred vocal music, Passions. Individual part. HoWV I.4. 36 pages. Duration 119 minutes. Carus Verlag #CV 37.103/13. Published by Carus Verlag (CA.3710313).

ISBN 9790007214265. Language: German.

The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and part available separately - see item CA.3710300.