Viola

SKU: CA.3124513

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Individual part. Composed 1749. BWV 245. 24 pages. Duration 120 minutes. Carus Verlag #CV 31.245/13. Published by Carus Verlag (CA.3124513).

ISBN 9790007211400. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

Viola

SKU: CA.3710313

Der Fromme stirbt. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Johannespassion Ga 3. Innovative practice aids, Sacred vocal music, Passions. Individual part. HoWV I.4. 36 pages. Duration 119 minutes. Carus Verlag #CV 37.103/13. Published by Carus Verlag (CA.3710313).

ISBN 9790007214265. Language: German.

The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and part available separately - see item CA.3710300.

By Johann Sebastian Bach (1685-1750). Edited by Alfred Durr; Max Schneider. For viola. This edition: Stapled, Urtext edition. Stapled. Single part. Language: German/English. BWV 244. Published by Baerenreiter Verlag single part

By Johann Sebastian Bach. Edited by Arthur Mendel. For Viola. Single Part. BWV 245. Published by Baerenreiter-Ausgaben (German import). (BA5037 79)

Composed by Spindler. Arranged by Spindler / Drechsel. For viola d'amore. Level 4-5. Sheet music. Published by Friedrich Hofmeister Musikverlag

Viola

SKU: BR.OB-5560-19

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-19. Published by Breitkopf and Haertel (BR.OB-5560-19).

ISBN 9790004344149. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Viola - Elementary

SKU: FH.VA1

Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA1. Published by The Frederick Harris Music Company (FH.VA1).

ISBN 978-1-55440-563-3.

This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.
Baroque and Classical Repertoire:
Minuetto and Trio - Albrechtsberger, Johann Georg arr. Paul Jenkins
Vittoria, mio core! (Win My Heart!) - Carissimi, Giacomo arr. Christine Donkin
Tambourin - Rameau, Jean-Philippe arr. Christine Donkin
Hornpipe a l'inglese - Galliard, John Ernest arr. Christine Donkin
Musette in D Major, BWV Anh. 126 - Bach, Johann Sebastian arr. Kathleen Wood
If Love's a Sweet Passion, from The Fairy Queen - Purcell, Henry arr. Kathleen Wood
German Dance - Haydn, Franz Joseph arr. Jason Noble
Traditional and 19th-century Repertoire:
Linstead Market - Jamaican folk song arr. Harold Birston
Nocturne - Alard, Jean-Delphin
Big Foot Lou - Gearen, Joseph arr. Forrest Kinney
Sakura (Cherry Blossoms) - Japanese folk song arr. Joanne Martin
She's Like the Swallow - Canadian folk song arr. Forrest Kinney
Nouvelle agreable! (Good News!) - 18th-century French carol arr. Christine Donkin
20th-century Repertoire:
The Underworld of Worms and Other Crawlies - Wilkinson, Marguerite and Philip Bass
Dill Pickles - Johnson, Charles L. arr. Zav RT and Christine Donkin
Budapesto - Cheney, Carey
Full Steam Ahead - Jones, Kenneth
The Puppet Show, op. 5, no. 1 - Trott, Josephine transc. Barbara Barber
The Caissons Go Rolling Along - Gruber, Edmund L. arr. Forrest Kinney
Casting the Nets - Jones, Kenneth.