Viola

SKU: HL.244125

For Viola. Composed by Various. Instrumental Folio. Children, Disney, Movies. Softcover. 112 pages. Published by Hal Leonard (HL.244125).

ISBN 9781540002419. UPC: 888680707231. 9.0x12.0x0.274 inches.

If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast • Can You Feel the Love Tonight • A Dream Is a Wish Your Heart Makes • Evermore • Go the Distance • He's a Pirate • I See the Light • Kiss the Girl • Let It Go • Mickey Mouse March • Reflection • A Spoonful of Sugar • True Love's Kiss • We're All in This Together • When You Wish upon a Star • A Whole New World • You've Got a Friend in Me • Zip-A-Dee-Doo-Dah • and more.

Beginning Tunes and Techniques. Composed by Brian Wicklund and Faith Farr. Saddle-stitched. Book and online audio. 72 pages. Published by Mel Bay Publications, Inc (MB.20605M).

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

For Viola. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

By Jacquelyn Dillon, James Kjelland, and John O'Reilly. For Viola. String Orchestra Method/Supplement. Book. 40 pages. Published by Alfred Publishing.

(Viola). Arranged by Victor LÌ_pez. For Viola. A and C Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing

Viola

SKU: FG.55011-254-4

Composed by Geza Pirkko and Szilvay Simojoki. Book. Fennica Gehrman #55011-254-4. Published by Fennica Gehrman (FG.55011-254-4).

ISBN 9790550112544.

The third book in the Colourstring Viola ABC series. Based on the famous Colourstrings methodology developed by Geza and Csaba Szilvay, the Colourstrings Viola ABC follows the track of the Violin ABC. The four colourful symbols represent the fours strings of the instrument and the visual stimuli makes learning easy and fun. In Book C the pupils learn five-note melodies played with slurs, playing on two strings, stopping movement with open string, and string crossing. An extensive appendix provides more learning tools.

Viola

SKU: FZ.5794

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5794).

ISBN 9790230657945. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in one book. ANCELET - Jean Laurent de BETHISY - C. R. BRIJON - Michel CORRETTE - Francois, le jeune CUPIS - Encyclopedie - FRAMERY N. E. et GINGUENE P. L. : Encyclopedie methodique - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Marin MERSENNE - Michel WOLDEMAR. Table of contents: VIOLA. Mersenne Marin: Harmonie universelle - 1636. Bethisy Jean Laurent de: Exposition de la theorie - 1754. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Corrette Michel: Methode pour apprendre [. . . ] de la quinte ou alto - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Framery N. E. et Ginguene P. L. : Encyclopedie methodique (reprend le texte de l'Encyclopedie de Diderot) - 1785. Cupis Francois, Le jeune: Methode d'alto - 1800 (ca). Woldemar Michel: Methode d'alto - 1800/1805 (ca). PAR-DESSUS DE VIOLE. Corrette Michel: Methode pour apprendre facilement a jouer du par-dessus de viole - 1748. Ancelet: Observations sur la musique - 1757. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Brijon C. R. : Methode nouvelle et facile pour apprendre a jouer du par-dessus de viole - 1766. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Bayerische Staatsbibliothek of Munich (Germany). - National Library of Paris (France). - British Library of London (England). - Det Kongelike Bibliothek of Copenhagen (Denmark). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola and pardessus de viole.

A Complete Guide to the Basics. Play Today Instructional Series. Softcover Audio Online. 48 pages. Published by Hal Leonard

By Stanley Fletcher. (Viola). Boosey and Hawkes Chamber Music. Softcover. Size 8.4x11 inches. 38 pages. Published by Boosey & Hawkes.

Composed by David Saperstein. For solo viola. Engraved by Peter Jarvis. Score. Published by Calabrese Brothers Music, LLC

Viola

SKU: HL.48025394

Viola. Composed by Elena Kats-Chernin. Boosey & Hawkes Chamber Music. Classical. Softcover. Duration 360 seconds. Bote & Bock #M202536551. Published by Bote & Bock (HL.48025394).

UPC: 196288195467.

This small suite of three solo pieces was written for violist Deborah Lander, a member of the Sydney Alpha Ensemble, which recorded Kats-Chernin's first portrait CD Clocks for ABC Classics in 1997. The first piece turns out to be a “classical” ragtime in which theabsence of the accompanying piano with its chords and alternating basses is never noticed. The second piece on the open D string flows meditatively in quiet triple time. The third piece is a solo variation of Elena Kats-Chernin's big “hit”, the beautiful Eliza Aria from her ballet Wild Swans. The three interludes can be included in a programme individually or together, in any order.

Viola

SKU: HL.48024561

Composed by Robin Holloway. Boosey & Hawkes Chamber Music. Classical. Softcover. 18 pages. Duration 1440 seconds. Boosey & Hawkes #M060134159. Published by Boosey & Hawkes (HL.48024561).

ISBN 9781784543518. 0.078 inches.

This Sonata for Viola (unaccompanied) was written in 1999. The soloists C-string is tuned down a semitone for the entire piece, giving a duskier quality to the tone-colour, and setting up in the very first bar the characteristic melodic/harmonic shape that infiltrates all four movements. I - slowish and thoughtful - gradually expands this opening idea into cantilena and pattern, as prelude to II - Vivacissimo - played muted throughout, a tremolando tarantella, with contrasting section, chunky double-stops, alternating withsomething of a gigue. III - adagio - rhapsodic and quasi-improvisando, enclosing a simple self-contained melody, and linking into IV, where the gigue-like material from the scherzo provides the principal substance, expanding into an ardent cantabile, and calminginto the Coda not just the finale but, in its reminiscences of I, to the sonata as a whole.

By Doris Gazda. Edited by Albert Stoutamire. Orchestral Collection/Ensemble. Strings! Series. Level: Elementary. Music Book. Published by Neil A. Kjos Music Company.