Viola

SKU: HL.48189605

Composed by Wolfgang Amadeus Mozart. Leduc. Softcover. Alphonse Leduc #NT18491Y. Published by Alphonse Leduc (HL.48189605).

UPC: 888680991906. 9.0x12.0 inches.

Mozart Adagio (Walter D) Viola Quartet Score & Parts.

Composed by Craig Duncan. For viola. Perfect binding. Classics. Beginning-Intermediate. Book. Published by Mel Bay Publications, Inc

The Orchestra Musician's CD-ROM Library - Viola. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Viola). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

By Wolfgang Amadeus Mozart. For Viola. Single Part. KV 385. Published by Baerenreiter-Ausgaben (German import). (BA4781 79)

Viola

SKU: BR.OB-5293-19

Book 1. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 1-3. 12 pages. Breitkopf and Haertel #OB 5293-19. Published by Breitkopf and Haertel (BR.OB-5293-19).

ISBN 9790004337998. 9 x 12 inches.

I am presently collecting the fugues of Bach - not only of sebastian, but also of Emanuel and friedeman, wrote Mozart to his father in April 1782. This could be a hint that the Six Three-Part Preludes and Fugues were derived from this collection: Mozart wrote string-trio arrangements of two preludes and five fugues by Johann Sebastian Bach, and of one fugue by Wilhelm Friedemann Bach. This apparently plunged him into such a creative mood that he simply wrote the missing preludes himself. It is to Johann Nepomuk David that we owe the first edition of this work, which introduced this unique document to a broad public for the first time. The present edition has retained David's basic editorial decision to adapt the divergent passages of Mozart's arrangement to Bach's original music text.Contents:No. 1 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier I, Fuga 8 in D# minor BWV 853No. 2 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 14 in F# minor BWV 883No. 3 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 13 in F# major BWV 882.

Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Classical. Tune book. Standard Notation. 68 pages. Published by Greenblatt & Seay

Viola

SKU: BR.OB-5294-19

Book 2. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 4-6. 16 pages. Breitkopf and Haertel #OB 5294-19. Published by Breitkopf and Haertel (BR.OB-5294-19).

ISBN 9790004338025. 9 x 12 inches.

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8.

Viola

SKU: CA.5162613

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Paul Horn, Franz Xaver Sussmayr. This edition: urtext. Stuttgart Urtext Edition: Mozart. REQUIEM (ARR. SUssMAYR). Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Individual part. Composed 1791. KV 626. 20 pages. Carus Verlag #CV 51.626/13. Published by Carus Verlag (CA.5162613).

ISBN 9790007225247. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score and part available separately - see item CA.5162600.

Viola

SKU: FZ.50532

Edited by Frederic Laine. Mnemosis: The Memory of Music Collection. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50532).

ISBN 9782360950041. 17.00 x 24.00 cm inches.

Dans la collection Mnemosis, Anne Fuzeau Classique presente le premier volume d'une serie d'ouvrages consacres aux instruments de musique. Chaque volume traitera de tous les aspects d'un instrument des origines a nos jours : histoire, facture, pedagogie, repertoire, interpretes, role dans l'orchestre et dans la musique de chambre. . . Le plan d'ensemble etant toujours chronologique. C'est donc le compagnon indispensable de tous les instrumentistes professionnels ou amateurs, historiens, musicologues. Ce premier ouvrage, consacre a l'alto, est l'oeuvre de Frederic Laine, brillant pedagogue, interprete et historien de cet instrument. Cet ouvrage presente, en une soixantaine de chapitres, un parcours chronologique de l'alto, des origines au XXe siecle. L'histoire de l'alto est singuliere comme l'est le parcours de cet instrument trop proche du violon, et qui pour cette raison a ete tardivement considere comme une specialite. Tout violoniste peut jouer facilement de l'alto, sans etudes particulieres, pense-t-on jusqu'a l'oree du XXe siecle. Ainsi, il parait inutile de s'y consacrer exclusivement et il est souvent considere au mieux comme un instrument d'appoint. Son histoire est donc ecrite par des violonistes qui le servent au gre des occasions, parfois avec enthousiasme, souvent sans grande conviction. Longtemps voue au second role, il va pourtant entamer, en particulier a partir du derniers tiers du XVIIIe siecle, une veritable quete d'identite qui va lui permettre peu a peu de s'echapper de la tutelle violonistique. Ainsi, grace a ceux qui ont percu la richesse de son timbre et de son potentiel (Bach, Mozart, Berlioz, Wagner, Richard Strauss. . . ), aux interpretes qui ont servi sa cause (Rolla, Urhan, Tertis, Hindemith, Vieux, Primrose. . . ), l'alto est aujourd'hui un instrument reconnu, desormais servi par une brillante generation d'interpretes. Cet ouvrage traite les differentes facettes de l'histoire de l'alto (facture, repertoire, interpretes, pedagogie). Il consacre notamment une partie importante au groupe (orchestre et musique de chambre), element essentiel de l'evolution de l'alto et du role musical de l'altiste. Il est complete par un chapitre anatomie de l'instrument (figures et glossaire des termes de lutherie) ainsi que par une importante bibliographie, des illustrations et de nombreux exemples musicaux. L'auteur: Frederic Laine. Apres des etudes d'alto au CNSM de Lyon et d'histoire de la musique au CNSM de Paris, Frederic Laine mene une triple activite d'altiste, d'enseignant et de musicologue. Docteur en musicologie de l'universite de Tours, il a publie en 2002 corpus pedagogique pour l'alto chez Mardaga, et a contribue a plusieurs ouvrages edites chez Fayard, Buchet-Chastel, Symetrie ou par la Cite de la Musique et les Presses universitaires de France. Altiste du trio Cappa, auteur de nombreuses publications pedagogiques (dont une ecole de l'alto en six volumes), il enseigne l'alto et la musique de chambre dans les conservatoires du centre et du XIIIe arrondissement de Paris et au Cefedem de Rueil-Malmaison. Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. Only in French. Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique.

Viola - Late Intermediate

SKU: FH.VA7

Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA7. Published by The Frederick Harris Music Company (FH.VA7).

ISBN 978-1-55440-569-5.

This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.
Level 7:
Holberg Suite, op. 40: I,V - Grieg, Edvard
Symphony No. 5, op. 67: II - Beethoven, Ludwig van
Symphony No. 4 (Italian), op. 90: II - Mendelssohn, Felix
Brandenburg Concerto No. 3, BWV 1048: I - Bach, Johann Sebastian
Symphony No. 35 (Haffner), K 385: I - Mozart, Wolfgang Amadeus
Level 8:
Ruslan and Ludmilla: Overture - Glinka, Mikhail
Symphony No. 35 (Haffner), K 385: IV - Mozart, Wolfgang Amadeus
Symphony No. 6 (Pathetique), op. 75: I - Tchaikovsky, Pyotr Il'yich
Symphony No. 9, op. 125: IV - Beethoven, Ludwig van
Symphony No. 3 (Eroica), op. 55: IV - Beethoven, Ludwig van
Symphony No. 1, op. 68: I - Brahms, Johannes
Symphony No. 9 (New World), op. 95: IV - Dvorak, Antonin
Level 9:
Symphony No. 5, op. 67: III - Beethoven, Ludwig van
Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus
The Hebrides, op. 26: Overture - Mendelssohn, Felix
Variations on a Theme by Haydn, op. 56a - Brahms, Johannes
Le carnaval romain - Berlioz, Hector
Symphony No. 8, op. 88: I - Dvorak, Antonin
Symphony NO. 4 (Romantic): II - Bruckner, Anton
Level 10:
Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix
Symphony No. 4, op. 98: II,IV - Brahms, Johannes
Peer Gynt Suite No. 1, op. 46: I - Grieg, Edvard
Concerto for Orchestra: IV,V - Bartok, Bela
Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus
Serenade for Strings, op. 48: I,II - Tchaikovsly, Pyotr Il'yich
Symphony No. 5, op. 47: I - Shostakovich, Dmitri
Associate:
G roup 1: Ochestral Tutti Parts (Viola):
Daphnis et Chloe: III - Ravel, Maurice
Don Juan, op. 20 - Strauss, Richard
Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Mendelssohn, Felix
The Bartered Bride: Overture - Smetana, Bed_ich
Group 2: Viola Solos:
Don Quixote, op. 35 - Strauss, Richard
Harold en Italie: I - Berlioz, Hector.

Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Kurt Jenisch, Eckart Schloifer. (Viola). Schott. Size 9x12 inches. 64 pages. Published by Schott.

Viola

SKU: HL.48187091

Composed by Gabriel Faure. Leduc. 86 pages. Hamelle & Cie #HA09758. Published by Hamelle & Cie (HL.48187091).

UPC: 888680884314. 9.0x12.0x0.473 inches.

“An educationalist of renown, Viola player Valérie Bime-Apparailly (born in 1962 in Bordeaux) is the author of numerous beginner methods for string instruments that have met with unflagging success. The second volume of the series Je Débute L?Alto once again takes up the challenge of the first collection: to combine precision with the pleasure of playing. To do this, each chapter starts with a short sequence of exercises enabling pupils to approach the pieces with serenity and concentration. Reduced to their simplest expression, the theoretical explanations are accompanied by sketches that enhance their clarity. The album comes with a playback CD containing recordings of the different pieces. A relaxed eclecticism runs through the work: illustrious classics such as the Habanera from Carmen or the Variations sur ?Ah ! Vous dirai-je Maman? (?Twinkle Twinkle Little Star?) by Mozart can be found alongside Un éléphant, ça trompe énormément and Rock?n?roll des Gallinacés. Education is an art form.”.

Viola

SKU: CA.4003213

Composed by Wolfgang Amadeus Mozart. Edited by Jochen Reutter. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Drei Geistliche Hymnen (Thamos-Chore). Sacred vocal music, Hymns, Mourning, death. Single Part, Viola. 12 pages. Carus Verlag #CV 40.032/13. Published by Carus Verlag (CA.4003213).

ISBN 9790007216894.

Scor e available separately - see item CA.4003200.

Viola

SKU: KU.GM-72_VA

Composed by Johann Sebastian Bach and Wolfgang Amadeus Mozart. Edited by Franz Beyer. Arranged by Franz Beyer. Bach format (230 x 302). Kv 405. Staple Bound. Supplementary part. 6 pages. Edition Kunzelmann #GM-72_VA. Published by Edition Kunzelmann (KU.GM-72_VA).

From the Well-Tempered Clavier by Bach, in the arrangement by Mozart.

Viola

SKU: KU.EKB-95_VA

Composed by Wolfgang Amadeus Mozart. Edited by Wolfgang Amadeus Mozart. DIN-A4. Kv 198. Folded. Part. 2 pages. Edition Kunzelmann #EKB-95_VA. Published by Edition Kunzelmann (KU.EKB-95_VA).

Viola

SKU: KU.OCT-10139_VA

Concerto for alto trombone. Composed by Leopold Mozart. Edited by Alexander Weinmann. Bach format (230 x 302). Folded. Part. 3 pages. Edition Kunzelmann #OCT-10139_VA. Published by Edition Kunzelmann (KU.OCT-10139_VA).

[10 Studies for Viola]. Composed by Maurice Vieux. Leduc. Classical. Softcover. 21 pages. Alphonse Leduc #AL17270. Published by Alphonse Leduc

(after the Sinfonia concertante K. 364). By Wolfgang Amadeus Mozart (1756-1791). Edited by Christopher Hogwood. For Viola 2. Single Part

(Viola 1). By Wolfgang Amadeus Mozart (1756-1791). For orchestra (viola 1). Orchester-Bibliothek (Orchestral Library). Individual part. 12 pages. Published by Breitkopf and Haertel

By Wolfgang Amadeus Mozart. Edited by Robbins H.C. Landon. For Viola. Single Part. KV 551. Published by Baerenreiter-Ausgaben (German import). (BA4703 79)

By Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. For Viola 1. Single Part; Urtext Edition. KV 108 (74d). Duration 12'. Published by Baerenreiter-Ausgaben (German import). (BA4886 79)

(Critical Edition of the Complete Symphonies). By Franz Joseph Haydn (1732-1809). Edited by H.C. Robbins Landon. For Viola. Haydn-Mozart Presse. Part(s). Standard notation. Hob. I:77. Duration 23 minutes. Published by Universal Edition

By Wolfgang Amadeus Mozart (1756-1791). Edited by H. C. Robbins Landon. For viola. This edition: Stapled, Urtext edition. Single part. KV 543, No. 39. Published by Baerenreiter Verlag