SKU: HL.1275687 Abysse America Music. Gift Item. Hal Leonard #GBYMUG010. ...(+)
SKU: HL.1275687
Abysse America Music.
Gift Item. Hal Leonard
#GBYMUG010. Published by
Hal Leonard (HL.1275687).
UPC: 810066353374.
3.75x4.75x4.0
inches.
Surface
from the depths of your
deepest slumbers with a
little help from The
Beatles. This Yellow
Submarine Sea of Holes
mug by ABYstyle is made
of ceramic, holds 11 oz.
of coffee, tea, or your
beverage of choice, and
features John, Paul,
George, and Ringo in
cartoon form peeking out
from among a background
of holes.
SKU: HL.1753724 Royer Labs. Microphone. Hal Leonard #R-10. Published by H...(+)
SKU: HL.1753724
Royer Labs. Microphone.
Hal Leonard #R-10.
Published by Hal Leonard
(HL.1753724).
UPC:
850035900178.
7.25x9.5x3.5
inches.
Every Royer
R-10 delivers the sonic
excellence, flexibility
and durability that
recording and FOH
engineers know they can
expect from Royer, but at
an easier-to-handle price
point than most expect!
The R-10 is a passive,
mono ribbon microphone
designed for use in the
studio and on live
stages. Hand-built in our
Burbank, California
factory, the R-10 is
exceptionally rugged,
handling SPLs of up to
160 dB @ 1 kHz (!), and
its compact size and
mounting system allow for
flexible, unobtrusive
positioning. The R-10's
2.5-micron aluminum
ribbon element (same as
in the legendary R-121)
is formed with our
patented
direct-corrugation
process, and is extremely
well-protected by a
3-layer windscreen system
and internally
shock-mounted ribbon
transducer. The R-10's
built-in windscreen
provides superior
protection from air
blasts and plosives,
while also reducing
proximity effect (bass
buildup from close
micing) so guitar
cabinets and acoustic
instruments can be more
easily close-miced. The
internally shock-mounted
ribbon transducer
isolates the ribbon
element from unwanted
vibrations, decreasing
rumble and increasing the
ribbon element's
durability. The
transducer is even wired
for humbucking to better
reject
electromagnetically
induced noise! The R-10
utilizes a David Royer
custom-designed
transformer for high
overload threshold,
minimizing saturation at
even extremely high sound
pressure levels. You'll
never overload an R-10!
The mic's open grill
design minimizes standing
waves and associated
comb-filtering effects
and its smooth frequency
response, phase linearity
and lack of
self-distortion make it
ideal for all digital
recording and live sound
formats. The R-10 is
truly an excellent tool
for recording almost any
sound source you can
think of!