SKU: HL.1247352

Lewitt Audio. Microphone. Hal Leonard #PURETUBE-ES. Published by Hal Leonard (HL.1247352).

UPC: 847986002365. 12.0x15.0x5.0 inches.

PURE TUBE is perfectly optimized for vocal recordings. PURE TUBE was holistically designed to allow you to deliver your best vocal performance and spark your creativity. Its gold-sputtered 1-inch true condenser capsule is powered by a revolutionary circuit to add warmth, depth, and intimacy to your voice, technically unmatched by other microphone classics. To ensure that clarity is retained, a transformer-based filter balances the proximity effect, and musically rounds out the sonic image perfectly for vocal recordings. Absolutely every design detail shows that the PURE TUBE was designed for professional vocal recording. Unique signal path for highest signal integrity and ultra-low noise performance. PURE TUBE uses an entirely new circuit to create its timeless sound quality. The unique signal path is completely free from semiconductors and capacitors, so you hear all the character of the hand-selected tube with an ultra-low noise floor. PURE TUBE's ultra-low noise level of 7 dB (A) will never negatively affect your signal, even with heavy post-processing used for contemporary music production. This combination of innovative circuitry, high-quality components, and hand-selected ECC82/12AU7 tubes makes the PURE TUBE a high-performance microphone that is difficult to compare to conventional studio microphones, whether FET or tube. Finally, 100 years after the first tube microphone was invented, there is a tube microphone without technical tradeoffs compared to FET or other tube microphones. With its outstanding sound quality and specifications, PURE TUBE will serve all those looking for a premium upgrade in their sound. 10-year warranty Buying a $1,000 microphone is a giant leap for many looking to elevate their craft, and LEWITT offers a 10-year warranty (and industry-leading customer service) to ensure peace of mind. Features: • Studio microphone with timeless, premium sound • Optimized for professional vocal recordings • Cardioid polar pattern • Signal path free from capacitors and semiconductors • Hand-selected 12AU7/ECC82 tube • Ultra-low noise performance of 7 dB (A) • Transformer-based filter to musically balance the proximity effect • Compact, energy-saving PSU works worldwide • Including microphone mount, 7-pin XLR cable, transport bag • Optional accessories: shock mount, pop filter • 10-year LEWITT warranty.

SKU: HL.51488045

Henle Music Folios. Games/Activities. General Merchandise. G. Henle #HN8045. Published by G. Henle (HL.51488045).

UPC: 196288166405. 8.5x6.25x3.0 inches.

Musical instruments – The Memory Game Find the paired cards in this extraordinary memory game, exclusively available from G. Henle Publishers! Each pair of cards placed side by side shows a musical instrument. With 44 pairs of pictures (88 cards) in a very userfriendly storage tray of a sturdy, high-quality box with magnetic latch (21.7 × 16.0 × 7.6 cm). Includes image captions and game instructions. For 2-8 players aged 8 years and up.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SKU: HL.1753724

Royer Labs. Microphone. Hal Leonard #R-10. Published by Hal Leonard (HL.1753724).

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

SKU: HL.1753725

Royer Labs. Microphone. Hal Leonard #R-121. Published by Hal Leonard (HL.1753725).

UPC: 850035900017. 7.25x12.0x5.5 inches.

In studios and on live stages around the world, the R-121 is the sound of electric guitars... and so much more! The R-121 is Royer's flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s has changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more. The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that's easy to position, and it handles massive SPLs famously (160dB #1kHz). R-121s are built to use on guitar ramps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments.