SKU: HL.1117964

Lewitt Audio. Microphone. Hal Leonard #LCT140MP. Published by Hal Leonard (HL.1117964).

UPC: 847986002129. 7.0x10.25x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Two switchable sound characteristics, AIR and FLAT. The 140 AIR has two sound characteristics, AIR and FLAT. AIR delivers an open, sparkling character which is the right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-isâ� �€Â reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. The best stereo matching you can get. LEWITT has one of the most precise matching processes in the industry. The difference between the two mics of a stereo pair is inaudible. How come? The frequency response and sensitivity of every single microphone is measured. A measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 140 AIR. Then, an algorithm compares the measured frequency response of each microphone and finds the perfect pairs. Excellent transient response and full flexibility on all instruments Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. To be prepared for all eventualities, the LCT 140 AIR has a low-cut and a PAD. You won't break a sweat with loud sources, nor will you have to deal with low-frequency noise when you don't want to. The LCT 140 AIR is great for: Acoustic Guitar Drums Strings Choirs Piano Ukulele Durable and light aluminum housing The LCT 140 AIR is very durable yet lightweight thanks to its CNC'ed aluminum housing. Positioning and setup become easy tasks. What's in the box? The 140 AIR Stereo Pair comes with two snap-in mic clips, a transport bag with two pockets, and two windscreens.

SKU: HL.1739071

Beyer-Dynamic. Monitors and Headphones. Duration 300 seconds. Hal Leonard #733016. Published by Hal Leonard (HL.1739071).

8.5x9.0x4.5 inches.

The TYGR 300 R is an open-back headphone with true professional sound reinvented for gaming. High wearing comfort and detailed sound create a unique adventure and brings gaming to another level. Hear sounds that you have never experienced before. The magnificent soundstage of the TYGR headphones is adapted for accurate and fast in-game sound localization. The open-back design and innovative acoustic-fleece emphasize the spatial sound environment. The result is a perfectly balanced sound for an impressive gaming experience. Time is limitless when you are in the game. The TYGR headphones combine carefully selected materials, light design and robust build to provide the perfect synergy between comfort and quality. Even the sound is optimized for an ultimate wearing comfort. The integrated acoustic-fleece prevents fatigue due to sharp heights, since it levels the high frequencies without any loss of detail. Therefore, nothing stands between you and a long gaming session. Designed to be used for many years, the TYGR 300 R is a solid long-term investment. The materials used are carefully handcrafted by highly skilled experts in Germany. This degree of manual workmanship results in a unique level of quality and ensures that the headphones will fit comfortably for years and years to come.

SKU: HL.1433365

Kali Audio. Monitors and Headphones. Hal Leonard #MM-6. Published by Hal Leonard (HL.1433365).

UPC: 860007984259. 12.0x13.25x18.25 inches.

The MM-6 is acoustically identical to our best-selling studio monitor, the LP-6. Kali's studio monitors can be found in the best studios across the globe. Their precision, power, and detail make them a top choice for GRAMMY-winning musicians and producers, film and television studios, and creators working in immersive formats like Dolby Atmos. If you've listened to music, watched something on TV, or been to the movies in the last few years, you've heard something that was made on Kali Audio studio monitors. This means that when you're listening to your MM-6s, you're hearing things exactly as those creators intended. Nothing is suppressed and nothing is hyped. Everything will come through with perfect clarity, allowing you to sink into the experience and enjoy it as fully as possible. With optical, RCA,S/PDIF, and XLR inputs, the MM-6 is easy to connect to whatever device you're using. When you buy a pair of MM-6, you get a free XLR cable to connect the two MM-6s together, so you can run one stereo signal from your device to the MM-6s for a clean, easy, inexpensive setup. The MM-6 has boundary EQ settings that let you dial in the perfect sound whether you have the speakers on stands, on a desk, on your credenza, or on a bookshelf. Whether the speakers are against a wall or in the middle of the room, you can get crystal celar sound with the flick of a switch. You can also add or subtract bass and treble to further fine tune the sound. The included remote control works on the digital inputs, so you have easy control to how loud your speakers are even if the device you're connected to doesn't let you turn the sound up and down.

SKU: HL.3712064

Beyer-Dynamic. Microphone. Hal Leonard #730289. Published by Hal Leonard (HL.3712064).

UPC: 196288220626. 6.25x9.25x3.5 inches.

Measurement microphone (electret condenser, omnidirectional) for acoustical measurements, phantom powered.

SKU: HL.1753724

Royer Labs. Microphone. Hal Leonard #R-10. Published by Hal Leonard (HL.1753724).

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

SKU: HL.1753725

Royer Labs. Microphone. Hal Leonard #R-121. Published by Hal Leonard (HL.1753725).

UPC: 850035900017. 7.25x12.0x5.5 inches.

In studios and on live stages around the world, the R-121 is the sound of electric guitars... and so much more! The R-121 is Royer's flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s has changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more. The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that's easy to position, and it handles massive SPLs famously (160dB #1kHz). R-121s are built to use on guitar ramps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments.

SKU: HL.1753728

Royer Labs. Microphone. Hal Leonard #SF-12. Published by Hal Leonard (HL.1753728).

The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labled “Upper” and “Lower,” for the upper and lower capsules of the microphone (when held vertically). The SF-12 is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay carefull attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 in that place and you will capture that sound.

SKU: HL.1117963

Lewitt Audio. Microphone. Hal Leonard #LCT1040AIR. Published by Hal Leonard (HL.1117963).

UPC: 847986002044. 6.75x10.25x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Two switchable sound characteristics, AIR and FLAT The 140 AIR has two sound characteristics, AIR and FLAT. AIR delivers an open, sparkling character which is the right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-isâ� �€Â reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. Excellent transient response to capture the natural sound of your instruments. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. Durable and light aluminum housing The LCT 140 AIR is very durable yet lightweight thanks to its CNC'ed aluminum housing. Positioning and setup become easy tasks. What's in the box? The 140 AIR comes with a snap-in mic clip, a transport bag, and a windscreen.

Officially Licensed Miniature Guitar Replica. By Lynyrd Skynyrd. Iconic Concepts. General Merchandise. Hal Leonard #2M-L02-5007. Published by Hal Leonard (HL.217865).