SKU: HL.1753728 Royer Labs. Microphone. Hal Leonard #SF-12. Published by ...(+)
SKU: HL.1753728
Royer Labs. Microphone.
Hal Leonard #SF-12.
Published by Hal Leonard
(HL.1753728).
The SF-12
stereo coincident ribbon
microphone combines high
quality audio performance
with outstanding stereo
separation and imaging.
It is a modern ribbon
design with no audible
diffraction effects or
cavity resonance. An
SF-12 is actually two
matched ribbon
microphones placed one
above the other; each
aimed 45 degrees from
center in the classic
Blumlein configuration.
The frequency response is
excellent regardless of
the angle of sound
striking the ribbons and
off-axis coloration is
negligible. The SF-12
utilizes two 1.8-micron
ribbons, each weighing
approximately 1/3
milligram and producing
superb transient
response. The two ribbon
transducers are
magnet/pole piece
structures that produce a
wide, uniform frequency
response with no
substantial peaks or
dips. The case is ingot
iron and forms part of
the magnetic return
circuit, an effective
system with low leakage
flux which accounts for
the relatively high
sensitivity in a trim
package. The SF-12's
extension cable comes
with a Y adapter that
splits into separate
3-pin male XLR connectors
labled âUpperâ
and âLower,â
for the upper and lower
capsules of the
microphone (when held
vertically). The SF-12 is
uncanny for creating
âyou-are-thereâ
stereo recordings that
capture not only the
instrument being
recorded, but, depending
on positioning, the
acoustic environment as
well. If you pay carefull
attention to the sound of
an instrument or ensemble
in the recording
environment, you will
likely find a place where
it sounds best to you.
Position the SF-12 in
that place and you will
capture that sound.
SKU: HL.1753725 Royer Labs. Microphone. Hal Leonard #R-121. Published by ...(+)
SKU: HL.1753725
Royer Labs. Microphone.
Hal Leonard #R-121.
Published by Hal Leonard
(HL.1753725).
UPC:
850035900017.
7.25x12.0x5.5
inches.
In studios
and on live stages around
the world, the R-121 is
the sound of electric
guitars... and so much
more! The R-121 is
Royer's flagship
microphone â the
iconic, radically
engineered ribbon mic
that put modern ribbons
on the map in the 1990s
has changed the meaning
of ânatural
soundâ for engineers
and musicians around the
world. The undisputed #1
first-call ribbon
microphone for electric
guitars, R-121s are
equally well suited for
trumpets and all brass
instruments, drum rooms,
percussion, piano, and
much more. The R-121
delivers a warm,
extremely natural sound
pickup in a compact,
light-weight, high-output
package that's easy to
position, and it handles
massive SPLs famously
(160dB #1kHz). R-121s are
built to use on guitar
ramps from small combos
to wide open high-wattage
heads, trumpets from
close-up muted to
blow-your-hardest
blaring, drums, and other
high SPL applications.
But its nuanced, natural
sound pickup is also
beautiful on quiet
instruments like
fingerpicked acoustic
guitars, harp, flute,
light percussion and
others. The R-121 is
warm, smooth and musical,
giving phenomenal results
on a wide variety of
instruments.
SKU: HL.1753724 Royer Labs. Microphone. Hal Leonard #R-10. Published by H...(+)
SKU: HL.1753724
Royer Labs. Microphone.
Hal Leonard #R-10.
Published by Hal Leonard
(HL.1753724).
UPC:
850035900178.
7.25x9.5x3.5
inches.
Every Royer
R-10 delivers the sonic
excellence, flexibility
and durability that
recording and FOH
engineers know they can
expect from Royer, but at
an easier-to-handle price
point than most expect!
The R-10 is a passive,
mono ribbon microphone
designed for use in the
studio and on live
stages. Hand-built in our
Burbank, California
factory, the R-10 is
exceptionally rugged,
handling SPLs of up to
160 dB @ 1 kHz (!), and
its compact size and
mounting system allow for
flexible, unobtrusive
positioning. The R-10's
2.5-micron aluminum
ribbon element (same as
in the legendary R-121)
is formed with our
patented
direct-corrugation
process, and is extremely
well-protected by a
3-layer windscreen system
and internally
shock-mounted ribbon
transducer. The R-10's
built-in windscreen
provides superior
protection from air
blasts and plosives,
while also reducing
proximity effect (bass
buildup from close
micing) so guitar
cabinets and acoustic
instruments can be more
easily close-miced. The
internally shock-mounted
ribbon transducer
isolates the ribbon
element from unwanted
vibrations, decreasing
rumble and increasing the
ribbon element's
durability. The
transducer is even wired
for humbucking to better
reject
electromagnetically
induced noise! The R-10
utilizes a David Royer
custom-designed
transformer for high
overload threshold,
minimizing saturation at
even extremely high sound
pressure levels. You'll
never overload an R-10!
The mic's open grill
design minimizes standing
waves and associated
comb-filtering effects
and its smooth frequency
response, phase linearity
and lack of
self-distortion make it
ideal for all digital
recording and live sound
formats. The R-10 is
truly an excellent tool
for recording almost any
sound source you can
think of!
SKU: HL.1215365 Amber Bonzo. DrumNBase Rugs. General Merchandise. ...(+)
SKU: HL.1215365
Amber Bonzo.
DrumNBase Rugs. General
Merchandise. Hal Leonard
#VP185-BNZII. Published
by Hal Leonard
(HL.1215365).
UPC:
196288139850.
4.5x67.0x4.5
inches.
The
DRUMnBASE Vintage Persion
Drum/Stage Mats are heavy
duty rugs with a very
durable road proof
anti-slip rubber backing.
The 4mm thick top is made
of polyamide velours,
giving grip and
durability. Furthermore,
the top is easy to clean
from drumstick wood chips
and UV and waterproof. So
cleaning with water and
soap is no problem. •
Made in Belgium, with
long history of superior
textile manufacturing,
unlike most competitor
products • Rigid,
high-quality construction
• 2.5 mm thick
anti-slip rubber backing
• Rug lies flat and
stays flat, no curling up
(not even at the
corners!) • Reduces
vibration • 4mm strong
and durable velour top
(easy to clean) •
Waterproof • Classic
design and look with
eye-pleasing colors •
Perfect for use with any
instrument: keyboard;
guitar; bass; pedalboard
setups; amps; drums; wind
instruments; vocals.
Looks great in all
practice spaces, studios
and stage setups •
6-foot x 5.25-foot: Good
for larger spaces, fits
full drumset with two
floor toms and drum
throne • 5.5mm thick
• 5.5 kg. (12.1
lbs.).