SKU: HL.1455816

UPC: 841300102434. 19.0x21.0x9.0 inches.

The euphonia produces a euphoric sound with the clarity of digital and the richness of analog that's never been heard from a DJ mixer before. To deliver a clearer sound quality that accurately reproduces the expression of the music, the euphonia uses high-quality 32-bit A/D and D/A converters as well as 96kHz/64 bit floating point mixing processing operations in the DSP, utilizing the digital signal processing technology AlphaTheta has developed over many years. All sound coming out of the euphonia passes through a transformer circuit co-designed by AlphaTheta and Rupert Neve Designs, the legendary makers of outstanding analog audio circuitry and mixing desks revered by artists and sound engineers around the world. This transformer circuit, tuned specifically for the euphonia, adds harmonics to the music and creates a glossy and energetic sound that's smoother for mixing. Low frequencies such as kicks and bass are more stable and punchy, mid frequencies like vocals and instruments have more presence and gloss, and high frequencies such as hi-hats sound silky and natural. The transformer breaks down the barrier between vintage live and modern electric sounds, making mixing easier and surprisingly natural, as if recordings in different styles were orginally one piece of music. When you touch the faders on the euphonia, you won't want to let go. To enhance its intuitive mixing experience, the unit is loaded with rotary faders that feature a brand-new carefully developed design to give you the feeling that you and the mixer are one. After extensive testing, the perfect knob sizers were chosen, with an elastomer applied to the outer circumference of each to ensure a comfortable and reliable grip as well as a high level of vibration absorption. The uniquely developed mechanism for the faders also benefits from optimum weighting. You'll notice a difference in the feel of the knobs when you turn them at different speeds, as a smooth load is applied when you turn a knob slowly for delicate fine-tuning and a limited load level is applied when you turn the knob quickly to instantly reach your intended volume level. And the fader volume curves have been optimized through feedback from numerous DJs, enabling smooth and natural mixing without equalizing, so you can concentrate on volume control. This innovative fader allows for musical expression that will move your audience and enhance your performance. Get an instant visual grasp of the status of your mix and the balance of tack volume levels by glancing at the euphonia's Energy Visualizer. Conventional VU meters only have 1 needle meter, making it difficult for DJs to graps multiple channel levels at the same time. But the euphonia's uniquely developed Mix Level Meter features a needle meter for each channel so you can visually check the levels for all channels and mix smoothly.

SKU: HL.3712018

UPC: 196288279242. 4.5x8.75x9.0 inches.

The DT 770 M is a closed, dynamic headphone designed specifically for drummers and FOH applications. The reinforced spring clip construction and the tight softskin earcups provide excellent external noise attenuation. The smooth connecting cable is guided on one side and has volume control.

SKU: HL.1117964

UPC: 847986002129. 7.0x10.25x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Two switchable sound characteristics, AIR and FLAT. The 140 AIR has two sound characteristics, AIR and FLAT. AIR delivers an open, sparkling character which is the right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-isâ� �€Â reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. The best stereo matching you can get. LEWITT has one of the most precise matching processes in the industry. The difference between the two mics of a stereo pair is inaudible. How come? The frequency response and sensitivity of every single microphone is measured. A measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 140 AIR. Then, an algorithm compares the measured frequency response of each microphone and finds the perfect pairs. Excellent transient response and full flexibility on all instruments Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. To be prepared for all eventualities, the LCT 140 AIR has a low-cut and a PAD. You won't break a sweat with loud sources, nor will you have to deal with low-frequency noise when you don't want to. The LCT 140 AIR is great for: Acoustic Guitar Drums Strings Choirs Piano Ukulele Durable and light aluminum housing The LCT 140 AIR is very durable yet lightweight thanks to its CNC'ed aluminum housing. Positioning and setup become easy tasks. What's in the box? The 140 AIR Stereo Pair comes with two snap-in mic clips, a transport bag with two pockets, and two windscreens.

SKU: HL.1753724

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

SKU: HL.1193775

UPC: 647139648200. 26.0x26.0x18.5 inches.

Nothing makes as grand an entrance as CB's Tournament Series Bass Drums. Built and priced with maximum performance in mind, your corps will be a favorite, no matter the event. Ranging in diameters from 18 to 24 inches, these bass drums feature 6-ply poplar shells with a durable White Fomega Wrap and .6mm steel hoops. Mallets, a strap, and a tuning key are included.

SKU: HL.1193779

UPC: 647139648378. 17.75x17.75x15.0 inches.

CB's Tournament Series Marching Snare is the heartbeat of any corps. It's built with a 6-ply poplar shell, a rugged White Fomega Wrap, 2mm Triple Flange, chrome-plated steel hoops, and a standard CB Throw-off. Drum sticks and a tuning key are also included.

SKU: HL.3712064

UPC: 196288220626. 6.25x9.25x3.5 inches.

Measurement microphone (electret condenser, omnidirectional) for acoustical measurements, phantom powered.

SKU: HL.1117959

UPC: 847986001733. 7.5x14.5x3.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Sturdy and resilient casing This extremely sturdy dynamic microphone features an omnidirectional polar pattern. Its capsule is fully rubber mounted. In combination with the INTERVIEWERs new coating technology all handling noise is reduced to a minimum while offering safe and comfortable grip. Best speech intelligibility Tailored for voice reproduction the INTERVIEWER provides you with crystal clear results in almost any situation. This hassle-free tool makes it easy to concentrate on what is essential. Camera connection cable The INTERVIEWER comes with a connection cable for your camera. This way you are fully equipped, and you can record even more comfortable on-the-go. The perfect companion With the purpose-built Dust Protection Membrane and its heavily rugged, most resilient housing, the INTERVIEWER will be the perfect companion even under the roughest conditions. Designed and engineered in Vienna, Austria Like all LEWITT microphones, the INTERVIEWER is designed and engineered in Vienna, Austria.

SKU: HL.1105201

UPC: 663961058901. 7.5x16.75x16.75 inches.

Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx16 is a premium 16-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 16-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins “British Style” EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band “British Style” EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed “British” desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the “Q” or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go.

SKU: HL.1117963

UPC: 847986002044. 6.75x10.25x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Two switchable sound characteristics, AIR and FLAT The 140 AIR has two sound characteristics, AIR and FLAT. AIR delivers an open, sparkling character which is the right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-isâ� �€Â reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. Excellent transient response to capture the natural sound of your instruments. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. Durable and light aluminum housing The LCT 140 AIR is very durable yet lightweight thanks to its CNC'ed aluminum housing. Positioning and setup become easy tasks. What's in the box? The 140 AIR comes with a snap-in mic clip, a transport bag, and a windscreen.

SKU: HL.1739071

8.5x9.0x4.5 inches.

The TYGR 300 R is an open-back headphone with true professional sound reinvented for gaming. High wearing comfort and detailed sound create a unique adventure and brings gaming to another level. Hear sounds that you have never experienced before. The magnificent soundstage of the TYGR headphones is adapted for accurate and fast in-game sound localization. The open-back design and innovative acoustic-fleece emphasize the spatial sound environment. The result is a perfectly balanced sound for an impressive gaming experience. Time is limitless when you are in the game. The TYGR headphones combine carefully selected materials, light design and robust build to provide the perfect synergy between comfort and quality. Even the sound is optimized for an ultimate wearing comfort. The integrated acoustic-fleece prevents fatigue due to sharp heights, since it levels the high frequencies without any loss of detail. Therefore, nothing stands between you and a long gaming session. Designed to be used for many years, the TYGR 300 R is a solid long-term investment. The materials used are carefully handcrafted by highly skilled experts in Germany. This degree of manual workmanship results in a unique level of quality and ensures that the headphones will fit comfortably for years and years to come.

SKU: HL.1427443

UPC: 672485344889. 19.0x35.0x9.0 inches.

8-in-1 folding multi-cart/hand truck/dolly/platform cart. Features: •34″ to 52″ telescoping frame • 500 lbs. load capacity • 8 x 2″ front swivel casters; foam-filled, no-flat, 10 x 3″ rear R-Trac wheels • Black metal frame wth yellow trim.

SKU: HL.1423730

UPC: 672485344841. 16.0x28.0x7.0 inches.

8-in-1 folding multi-cart. Features: • 26″ to 39″ telescoping frame • 350 lbs. load capacity • 4 x 1″ front swivel casters; foam-filled, no-flat, 6 x 1.5″ rear wheels • Black metal frame with yellow trim.

SKU: HL.1427446

UPC: 672485347224. 19.0x35.5x9.25 inches.

Features: • 8-in-1 Folding Multi-Cart/Hand Truck/Dolly/Platform Cart • 34″ to 52″ Telescoping Frame • 600 lbs. Load Capacity • 6 x 3″ front swivel casters; Foam-filled, no-flat, 8 x 3″ rear R-Trac wheels • Black Metal Frame with Yellow Trim.

SKU: YM.GXF01101523

SKU: HL.3725037

UPC: 888938002484. 4.5x16.0x0.1 inches.

Powerful sound and projection at all volume levels. Canopus Back Beat snare wires have been developed to emphasize the back-beat - especially in high volume situations where the snare sound may feel like it is being buried by other instruments. Maintaining these qualities of the standard Canopus Back Beat wires, they have developed the extra wide 42-strand snare wire - which allows the drummer to play comfortably, without straining, while delivering a full, pleasing snare back-beat at all volume levels. They have eliminated 2 common problems of other wide snares: 1) Canopus 42-strand snare wires do not mute the resonance and response of the drum. 2) They have controlled the indistinct sound created by excess snare buzz. Furthermore, the 42-strand snare uses high quality nickel plated wires which highlight every nuance of sound and vibration and yet have a controlled response and sustain. Enjoy the open, powerful and responsive sound.

SKU: YM.GXF01101521

SKU: HL.1436504

SKU: HL.1236959

UPC: 663961064049. 15.0x16.0x5.0 inches.

BETTER. FASTER. CREATOR. The DLZ Creator Adaptive Digital Mixer for Podcasting and Streaming enables you to get the results you want–faster than ever. Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator transforms the on-screen controls to meet your creative style or skill level–without compromising processing power or sound quality. EASY For those who want to get great results without menu-diving. ENHANCED For those who want some customization without an overwhelming number of options. PRO For those who know what they want and how to get it. BUILT-IN SMARTS More than just an audio interface or podcast mixer, DLZ Creator is designed to help you be a better content producer. • Mix Agent is your virtual audio assistant, guiding you through setup and setting gain levels • AutoMix manages levels for up to four mics, so everyone can be heard • Using Mix Minus with your Bluetooth®-connected smartphone brings a caller into your mix with no audible echo THE INS AND OUTS OF PRODUCING From studio-grade Onyx80 preamps, to custom headphone mixes for each guest, DLZ Creator brings Mackie's legacy in pro mixing boards to creators everywhere. READY FOR WHAT'S NEXT DLZ supports the way you want to create. Record or stream to your computer via USB-C, or record full multitrack audo to an SD card or flash drive for a truly self-contained setup.

SKU: HL.1753725

UPC: 850035900017. 7.25x12.0x5.5 inches.

In studios and on live stages around the world, the R-121 is the sound of electric guitars... and so much more! The R-121 is Royer's flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s has changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more. The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that's easy to position, and it handles massive SPLs famously (160dB #1kHz). R-121s are built to use on guitar ramps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments.

SKU: HL.1753728

The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labled “Upper” and “Lower,” for the upper and lower capsules of the microphone (when held vertically). The SF-12 is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay carefull attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 in that place and you will capture that sound.

SKU: HL.1117979

UPC: 847986000163. 8.0x10.0x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Fantastic sound on snare The MTP 440 DM features a high-performance capsule that delivers remarkably lively sound. Perfect for miking your snare drum. Made for guitar amp recording The MTP 440 DM reproduces high-SPL sources like guitar amplifiers with high clarity and full details. The slight bass roll-off and defined midrange provide a punchy and unique sound that works like a charm with cabs of any size. Amazing sound on wind instruments Wind instruments produce high sound pressure levels, not every microphone is capable of handling. The MTP 440 DM has proven itself on countless stages and gives your instrument the clear sound quality it needs to stand out in the mix. What's in the box? The MTP 440 DM comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HL.1433365

UPC: 860007984259. 12.0x13.25x18.25 inches.

The MM-6 is acoustically identical to our best-selling studio monitor, the LP-6. Kali's studio monitors can be found in the best studios across the globe. Their precision, power, and detail make them a top choice for GRAMMY-winning musicians and producers, film and television studios, and creators working in immersive formats like Dolby Atmos. If you've listened to music, watched something on TV, or been to the movies in the last few years, you've heard something that was made on Kali Audio studio monitors. This means that when you're listening to your MM-6s, you're hearing things exactly as those creators intended. Nothing is suppressed and nothing is hyped. Everything will come through with perfect clarity, allowing you to sink into the experience and enjoy it as fully as possible. With optical, RCA,S/PDIF, and XLR inputs, the MM-6 is easy to connect to whatever device you're using. When you buy a pair of MM-6, you get a free XLR cable to connect the two MM-6s together, so you can run one stereo signal from your device to the MM-6s for a clean, easy, inexpensive setup. The MM-6 has boundary EQ settings that let you dial in the perfect sound whether you have the speakers on stands, on a desk, on your credenza, or on a bookshelf. Whether the speakers are against a wall or in the middle of the room, you can get crystal celar sound with the flick of a switch. You can also add or subtract bass and treble to further fine tune the sound. The included remote control works on the digital inputs, so you have easy control to how loud your speakers are even if the device you're connected to doesn't let you turn the sound up and down.

SKU: HL.1117975

UPC: 847986001399. 8.0x10.0x4.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Tailored vocal sound The MTP 250 DM features full and clear live sound. Your voice sits well in the mix and you can hear yourself clearly on the monitors. Engage with your fans. They can hear you loud and clear! Durable materials for longevity To make sure your beloved microphone survives even your roughest touring routines, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture. Cardioid polar pattern A cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 250 DM is dampened. You can run your monitor signal at high volume without having to worry about nasty feedback issues. You'll perform confidently, and a solid show is assured. What's in the box? The MTP 250 DM comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HL.1350456

UPC: 663961064278. 9.25x9.5x4.0 inches.

Size up your compact mixing game with the MobileMix 8-channel mixer from Mackie. You get eight total channels, combination mic/instrument inputs, and auxiliary inputs for extensive leeway in terms of device connectivity, making this mixer a valuable asset in nearly any environment. Additionally, an external battery (sold separately) makes the MobileMix entirely USB-powerable for easier mobile recording sessions. Further features include onboard Phantom power, built-in equalization, and onboard effects. When it comes to compact, impromptu recording, the MobileMix ensures you get total control over your signals.

SKU: HL.1763071

UPC: 196288303206.

In collaboration with Cory Wong, this Wong Press is a 4-in-1 Press pedal and features Cory's personal specs: Iconic blue and white color combination, customized volume control curve, fine-tuned wah Q range, and a dual-color STATUS LED strip indicating current mode/pedal position simultaneously. FEATURES: • Cory Wong's signature Press pedal featuring his personal specs • True Bypass • 4 in 1 functionality (volume, expression, wah, volume/wah) • New dual-color STATUS LED strip indicating pedal mode and position in real time • Cory's custom volume curve and wah Q control • Classic-voiced wah tone with flexible tonal range • Active volume design for keeping lossless tone • Separate tuner and expression outputs for more connection possibilities • Uses 9V DC or 9V battery power supply.